molan
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Everything posted by molan
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[quote name='Chris2112' post='166144' date='Mar 29 2008, 10:12 PM']Although it should perhaps be noted that Stu played the Ex-Factor basses that tuned from the bridge and had the 36 piece neck. I still miss my old Ex-Factor on the occasion. These Key Factors are indeed cracking basses.[/quote] I did try out a "regular" Factor at the time the Key Factor came out. The Factor and just felt more "right" to me at the time, not a lot to choose between them although my Key had obviously been set up for magazine reviews so was was probably a little more looked after than the Factor. The Factor was a very plain black so that might have influenced me a bit as well, Just for reference - the last set up on mine was carried out by Martin Peterson at the Gallery so it's been well sorted since new.
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[quote name='Dillsfretless' post='166069' date='Mar 29 2008, 07:56 PM']Interesting Bass. always liked them since Stu Hamm first played one. Unfortunately I'm a 5 string guy.[/quote] I've tried the Fender Urge version of the Kubicki that Stu Hamm "inspired" - I have to say that I thought the Kubicki was a much nicer instrument and better finished (definitely the earlier ones anyway!). There are some 5 string Factors out there but they are pretty rare.
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[quote name='Jase' post='166006' date='Mar 29 2008, 06:15 PM']Top Porn [/quote] It is quite a "sexy beast" - the few times I've played it live I've always had really positive comments from the odd muso in the crowd. One thing to add about it is that the quality of tone really brings the best out of the more modern "clean" style of amplification. I used it regularly with an SWR top of the range rig and also recently with my Euphonic set up. Have played it through an EBS combo as well and it really sings through this kind of quality amp
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NOW TRADED PENDING FINAL EXCHANGE This is a really nice, and very rare, tobacco sunburst Kubicki Key Factor 4. It was one of the very first to be made by Philip Kubicki at his custom shop in Santa Barbara in the USA. It was made in 1994 & is serial number 11. This bass was reviewed by a couple of guitar magazines and I still have a perfect condition copy of the review from Guitar mag in the UK (they gave it a great review!). I've owned it since then and it cost me about £1,200 but I thought it was worth every penny and stuffed every other bass I tried at the time - including some that were a fair bit more expensive. The best things about these basses are that they are so flexible in terms of sound options, really light weight and easy to play, only about 7.5 lbs. This means they are are great for live work, especially if you play in a functions or covers band. Basic sound options at the flick of a 6 way rotary switch are: [1] Standby - completely mutes the output so you leave it on stage without causing nasty feedback, especially useful if your amp doesn't have a mute option [2] Active, flat response - 18V bass/treble EQ boost activated [3] Active, mid-scoop - This setting is really cool. It creates a really deep tone without being too boomy, great for solos or heavier rock stuff [4] Passive, flat (EQ knob disabled) - very useful "everyday" setting, quite "Jazz" like sound which is impressive for a pair of humbuckers [5] Passive, mid-cut - another useful sound, bit punchier than position 4 [6] Passive, hi-cut - A bit of a "Precision" tone to compliment the "Jazz" of position 4 The twin concentric pots control the active bass & treble boost circuits and the individual pickup volumes given even more tonal options. The body is soft maple, fingerboard a really nice rosewood, and the neck is a very slim hard rock maple. It hangs beautifully and is really nicely sculpted so it's very comfortable to play for long periods. I used to be in a functions band that played really long sets and this bass was quite simply the most comfortable to work with for extended periods. Despite the light weight and thin neck it has a really punchy tone in every setting, almost impossible to get a bad sound of it! It has a few minor surface dings but nothing really bad. I'll throw in the nice Hiscox Liteflight case in as well. The pics hopefully highlight the nice tobacco sunburst colour. A couple of them have a lot of sun reflection on them (I'm really not a pro photographer!). Probably the best pic to see the finish closely is the third one which is just the body of the bass itself. Also found the magazine review so have added a couple of shots of that as well.
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So here's the first of my basses up for sale - more to follow soon! It's a US made '97 Modulus VJ4 in a very nice sunburst finish with a tortoiseshell pickguard. It has twin passive Bartolini pickups and is in absolutely immaculate condition. Very slight hazing from being used but it certainly hasn't lead any sort of a hard gigging life. As far as I know I'm the second owner from new and I've only gigged with it a couple of times. The body is top-routed alder, neck is a lovely carbon fibre bolt-on and it has the standard Modulus composite fingerboard. Bridge is a Gotoh chromed unit & tuners are Modulus. These really are fantastic basses and have a great, very usable, and flexible sound. Really nice update of the classic Jazz with all the reliability of a rock solid carbon fibre neck that means it rarely strays out of tune and is totally lacking in any dead spots. As with quite a few of the more boutique American made basses the earlier ones tend to have better quality of construction and finish than some of the newer ones. E.G. I've seen a couple of newer Modulus basses with neck fittings that are not as nice and clean as this one. Comes with a very good quality fitted hard case as well. Only reason for selling is that I really have too many basses (I never thought I'd say such a thing!) and my other Modulus is a very custom bass that I hope never to have to sell! PRICE NOW REDUCED TO £850 AS PER VARIOUS POSTS BELOW, not particularly desperate to sell quickly so may be able to take a deposit to secure in advance and rest of payment at a later date. I'm a fully verified PayPal account holder as well so could take part payment via credit card if that would help. Managed to get some decent pics of the bass in natural light so you can, hopefully, see the depth of the colour. Also discovered that the original Modulus tags and warranty card were in the case and that the key for the SKB was still there as well!
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I'm about to have a bit of a clear out of a few bass "toys" - mainly because I've seen some new ones that cost more money! One of these is a, very little used, ART Nightbass. It's one of the original models but was upgraded by ART's distributors to the SE version which has a lot more pre-sets and additional storage banks etc. Some of the basic pre-sets are a bit over the top and/or noisy but it's a doddle to play with the parameters and get some decent sounds out of it. Has a load of very usable studio effects for guitars, drums, vocals etc. Even has a tube in the distortion circuit. Anyway - before I stick it up for sale either here or on EBay I wondered if anyone had seen one for sale recently and/or had an idea of how much it might be worth? Found a pic of the SGX Express - essentially the same piece of kit but with pre-sets arranged for guitar instead of bass.
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Euphonic Audio iAmp 800 for sale *SOLD*
molan replied to Gareth Hughes's topic in Amps and Cabs For Sale
[quote name='bleedproof' post='165883' date='Mar 29 2008, 02:52 PM'][url="http://overwater.co.uk/euphonic_audio_classics_iamp_350.htm"][b]Euphonic Audio iAMP 350[/b][/url] [b]350[/b]: 8.8cm H x 34.29cm W 28cm D [url="http://overwater.co.uk/ea_iamp_800.htm"][b]Euphonic Audio iAMP 800[/b][/url] [b]800[/b]:8.9cm H x 40cm W x 25.4"D[/quote] Nice piece of investigation - that sounds like a "no" then -
Euphonic Audio iAmp 800 for sale *SOLD*
molan replied to Gareth Hughes's topic in Amps and Cabs For Sale
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Ashdown Klystron Classic 1000w Head **SOLD**
molan replied to Chopthebass's topic in Amps and Cabs For Sale
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Ashdown Klystron Classic 1000w Head **SOLD**
molan replied to Chopthebass's topic in Amps and Cabs For Sale
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[quote name='ped' post='163922' date='Mar 26 2008, 05:03 PM']The most laughable shop I have been in (excluding London's Bass Cellar which I don't even regard as a shop) was Rudy's in NYC. I went up to the bass area and could not have been treated with more contempt if I had gone up to the bloke behind the counter and laid a turn on his forehead. I made a point of taking down lots of bases and playing really badly and annoyingly on them, hitting things with my rucksack that I would otherwise have taken off, and pointed at several basses and loudly exclaimed 'WOW IS THAT A SADOWZKEY'(sic) really loudly when it was blatently something else so that I could watch the bloke grunt to himself with self important ego-amusement. It was really quite enjoyable. I went next door and got chatting to a really nice guy in another music shop (Manny's?) who said he was completely with me. I told him what I did and he went right off to do the same!! ped[/quote] I was in Manny's in December and had a wonderful "Wayne's World - may I help you" experience. Vaguely wandering around not looking at anything in particular & the staff left me alone (which was fine as I wasn't looking for help). I spotted an interesting looking guitar and went to touch it at which point an assistant appeared at the speed of light and thrust himself between me and the guitar. He was quite friendly but asked how "serious" I was about buying one. I asked why it was so important and he casually pointed out that the Gretsch 6120 I was looking at was the recently released Brian Setzer model that retailed at about $25,000. . . . . . . . . . . Interesting footnote is that he said he could offer it for less than the sticker price and when I got home and looked it up over here it was about £17,000 in the UK - should have bought one on my credit card, smuggled it back & sold it for a tidy profit
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Ashdown Klystron Classic 1000w Head **SOLD**
molan replied to Chopthebass's topic in Amps and Cabs For Sale
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[quote name='SJA' post='162273' date='Mar 23 2008, 05:08 PM']come back Billy Sheehan & Wolf Marshall, all is forgiven...[/quote] Saw Sheehan playing in Steve Vai's band at a charity gig towards the end of '06. He was just amazing to watch is a small(ish) club environment. Pretty good gig all round really. We were on honeymoon having been married on a bike at a drive-thru in Vegas. Ended up in LA for my birthday and I spotted the charity gig at HOB. Dragged my new wife along to see it and the poor thing had to watch about 3-4 hours of instrumental rock from Steve Vai, Joe Satriani, Paul Gilbert, Steve Lukather, Dweezil Zappa, Scott Henderson, Johnny Hiland, Jonny A - I'm sure there were more as well. Not a single vocal part until they played about the third encore, by which time the wife had disappeared outside for a smoke! For me Sheehan was the star of the night with Paul Gilbert the most interesting guitarist. Vai himself was excellent but I found Satriani a bit dull (although he got by far the biggest support from the LA crowd).
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Any experiences with Phrase Trainers - standalone or PC?
molan replied to molan's topic in Accessories and Misc
[quote name='Thunderthumbs' post='162194' date='Mar 23 2008, 02:14 PM']For use on your PC (works with MP3 and CD), try "Best Practice". It's free too. [url="http://www.xs4all.nl/~mp2004/bp/"]http://www.xs4all.nl/~mp2004/bp/[/url][/quote] Downloaded already - just thought that the only initial problem is that I don't have a simple interface to link my bass through my laptop so I can balance signals and have the option to listen through headphones. Maybe that Tascam is beginning to make more sense already! -
Hi everyone, I've been thinking about buying one of those funky little Tascam phrase trainers which allow you to slow stuff down to learn parts or to loop the same part over & over whilst slowly speeding it up etc. The one I'd been looking at was the Tascam MPBT1 which has 1 Gb of MP storage onboard. I then thought that as these days I tend to be learning from MP3 which sits on my laptop I wondered if there's a similar software tool available? Also - has anyone used either the Tascam or any similar devices - they sound good to me in theory but I wondered what they are actually like to use as a teaching device?
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[quote name='thedontcarebear' post='161957' date='Mar 22 2008, 08:26 PM']IOrdered the F1 tonight, and it was only £515 posted, so not much more then the LMII.[/quote] Sounds like a good price for an F1 - I haven't seen them for less than around the £575 mark with postage?
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Anyone out there listening to BBC Radio 6 on DAB? Check the Stuart Maconie Freak Zone show on Sunday evenings - downloadable as a podcast too I think. All sorts of weird and wonderful stuff, well worth a listen, it's become my regular "bath time" slot on a Sunday Definitely opened my ears up to some newer prog stuff. And, whilst I'm in the prog slot, I'm surprised to no mention of the Ricky 4001 as the bass voice of prog. The standard from which to measure others in the prog world and maybe the first bass to really cut through the mix of late 60's and 70's music as a true solo instrument in a group environment. I fell in love with the Ricky sound as a teenager in the early 70's and finally got round to buying a '73 black & white 4001 last year. To be brutally honest it's the least favourite bass in my, small, collection but it's dripping with character and always makes me want to drag out a pick for some classic clanky sounds!
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I work about 3 mins walk from Denmark Street and am always astonished at the appalling standard of service in most shops there. Tried the "place for bass" recently because I was interested in a new pedal. Ok - so I wasn't spending big bass money but was happy to spend up to £200 for a decent Auto Wah. First of all I had to "interrupt" the two people behind the counter to get any sort of recognition, shop was empty and they were nattering about where to go for lunch. Having got some attention they looked at me totally dismissively when I said I was looking for a pedal. Got some vague advice but they looked even more grouchy when I said I wanted to try each of the options before making any sort of choice, I'm sure they thought I should have just bought something off the shelf without trying. One of them got the pedals out and, which I thought was a positive thing, asked what sort of bass and amp I had. However he lost it again really quickly when I said that I tended to play a Zon VB4 through a Euphonic most of the time. I got a "well, we don't have anything like that here" comment, a rolling of eyes and another dismissive glance shared with the other salesman. He set me up with a Lakland & Markbass combo and it was quickly apparent which pedal was best. By this time the guy who'd been helping had gone off to lunch. Having struggled, for the second time, to get the attention of the other (non) sales person. I asked how much it was, cue quick rolling of the eyes yet again and he told me it was the most expensive of the three I'd tried and was about £160. Quickly followed by something about it was the pedal everyone would choose "if they could afford it". There was a real implication that he thought I couldn't afford it and the whole process was a waste of his precious time. I really didn't want to give him my money and walked out of the shop. Got back to work, checked the Guitar & Keyboard centre who I knew were good at delivering stuff & bought it from them instead. It was arather frightening £50 cheaper than Denmark Street and arrived in less than 48 hours with a nice email follow up to check I'd received it. For the sake of a bit of basic civility and customer service that's another £100 gone to a dealer via the web. I have heard some shop owners complaining that the web is wrecking their business but I've been to this place in Denmark Street before and never been treated with anything other than utter disdain. Seems a shame really, bit of basic customer service might mean that people would be happy to pay a bit of a premium for decent service. One thing to add to this - I bought a tuner pedal in a store in LA last year. They couldn't have been more different. went out of their way to help, the guy serving was a guitarist who tracked down a bass player to ask specifically how the pedal he liked worked with a bass and the pair of them gave me great advice on both the operation of the pedal and how it would work in a live gigging situation. All done with a smile and a "hope it all works out for you - bring it back if you're not satisfied" attitude!
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Anyone tried the SWR LA 10? I've been offered one really cheap so kinda interested!