uk_lefty

I could only buy a relic instrument if the wear doesn't have a gloss or poly coat over the top of it! It's artificially worn to a point and no more is permissible!! I don't like a lot of the relic jobs out there, even sandberg. The whole one colour over another thing baffles me too but if other people like it it's their choice. I don't think I've ever seen anyone else with a relic instrument on my local love circuit apart from my guitarist who just bought a Vintage brand strat for peanuts to knock about with. My jazz is mid nineties and has many many dings and chips out of the paint and the neck is starting to darken in some areas and fade in others. On stage you wouldn't notice any of it though.

[quote name='TheGreek' timestamp='1486920242' post='3235526'] Sometimes we get paid in our pocket..sometimes in our hearts.. [/quote] Very well said!

DV247 were great with me when I ordered a pedal that didn't work, they replaced it immediately, and when that didn't work I go a refund. Really good service and friendly on the phone. Have bought various bits from Gear4, an acoustic guitar a few years back and recently a bass case. I used them because while they were same price as some others they are Yorkshire based and that swung it for me. Recently used Andertons for the first time and found them excellent, best price and great service when I phoned realising I hadn't added some essentials to my order.

Why doesn't he just use a fender Dimension....?

[quote name='Kevin Dean' timestamp='1486486578' post='3232209'] Maybe it's because most people use two ? [/quote] True. But most of the more expensive lightweight cabs take more wattage, and a lot of the new class d head units pump out more than 500 watts. I'd have thought cabs would follow the trend with head units really. 250 works for me now with my current set up, but if I upgrade from a combo to a new head and cab then this may get left behind unfortunately.

My only criticism of the cab would be power handling seems low. I expected more than 250w

Saw them at download 2016 as part of this tour and was comprehensively underwhelmed, I'm sad to say. I think Ozzy has gone on too long. Musically the band was good but without any dynamism from the vocals (or tuning or timing) it was a bit hollow. Wish I'd seen them many years earlier

So this came out for a gig last night, in a big hall with around a hundred and twenty people and no pa support for the bass. I paired the cab with the tone-man 300 combo and switched off the tweeter. I played my p bass, hohner B2a and jazz bass in drop D. The cab gave added depth to the sound and with the tweeter disabled the high notes were nice and even. I slapped the jazz and the hohner a tiny bit and played some imitation reggae, as well as straight ahead rock. The sound was excellent on stage and clear off it, no need for pa support. I use a hartke bass attack for my eq and had a scooped mid sound throughout. I have to say that now I have one of these lightweight cabs I want a 2x10 and a head to replace the combo. The ease of transportation is so much better than a heavy combo which really does make a difference. The sound from the cab is probably better quality than the combo but I suppose that is to be expected from the difference in product range. All in all I am glad I bought this new rather than spend less on a second hand heavy weight cab. I can't fault the quality and the tone holding up with the amp being pushed at 75% volume for a thirty five song gig. If I can sneak them in the house I would love to buy the 2x10 and a rootmaster head unit.

I saw a bassist in a rage tribute band play in full clown outfit including white gloves. Played every line note perfect, no idea how he managed it.

Whether it's a personal favourite chillies album or not it's a great "bass album" there's no denying. Is he making complex lines sound simple or simple lines sound complex? I'm not sure, but it is a cracking album in every respect. Great to hear the bass isolated, one of the album's that spurred me on to learn more in my frustrated early bass playing days

I used rounds on my fretless for years and there are some scars on the fretboard. Living in small towns before the days of reliable internet shopping and choice of strings I had to. I used nickel rather than stainless to go easy on the board but am going to take a punt on the Ernie ball cobalts for a round sound but with the flat feel under the finger tip. I mainly used Ernie ball flats on this fretless since 2006 and I'm only on my second set of them.

[quote name='LewisK1975' timestamp='1485950926' post='3227914'] The idea was to hold the tug bar with your fingers and play the bass near the neck with your thumb. [/quote] Hmmmm wouldn't be my preference

I don't understand what a tug bar is for?

Bought a delay pedal from skb558. Arrived quickly and kept in touch by text. Thoroughly decent chap, sent me a fantastic pedal for a reasonable price and offered extra comms which could help anyone worrying about PayPal transfer of money outside a structured web transaction. Deal with confidence!

[quote name='redbandit599' timestamp='1485385320' post='3223674'] For the OP, Download can be fun if you go with it. Plenty of stages, so lots of variety. The mud last year was biblical though!I If you really don't fancy it why not see if your Mrs has a metal interested friend to go with, I know loads of girls who go, and it's a friendly crowd. If you think you might have a tendency to be one of those who end up huddled on a fold up chair under a tarp - then probably more fun for all if you bale. That might sound a bit off, don't mean to be! \m/ 😀 [/quote] I went for the first time last year. I am too old. To the OP, be careful where you camp. There is a very active airport runway inches from your face if you're camped in the wrong bit. The line up looks great (to me) this year and in the side tents you might find something a bit different. It's a nice crowd too, people are friendly if you're lost or whatever. Just hope you have good weather and security don't physically force you out from under the only bit of shelter in to the rain for no reason.

The wife and I don't have to compromise too much on these things... Ok she took me to London bass guitar show for a birthday a few years back, I didn't stay too long so she wasn't hideously bored and she got a kiss from Mark King... Being left handed there was only a couple of basses there to play so it worked out ok. I guess it's at home when she moved in to my bachelor pad we had to compromise. Having a trace amp rig where most would have a tv and a row of guitars where most would have seats, patent drawings of basses instead of family pictures... That all had to be 'compromised out'

Interesting stuff. I mentally can't get past the tiny cab but hearing is believing I guess. Interesting what direction peavey are looking to take this, I'm really not sure. Is it the start of a high end amp range for peavey so their name stays on the workhorse budget friendly stuff? Is it product dev and market testing for crazy ideas that will later filter in to peavey products? Interesting that a lot of us want the old trace sound. I loved my old trace gear but the size and weight just wasn't practical. In keeping the name going are Peavey trying to keep the sound going or are they trying to keep the principles going? What I mean is, are they not bothered about recreating trace tone for us oldies in the UK who remember when everything was better, or to them does the trace name mean "innovation", "reliability", "high tech" or other such things that they feel they are representing in green products with the trace name on them? No idea what the answers are, just trying to guess at what they're doing.

Eventually used it last night. I paired the 1x15 rootmaster cab with my toneman 300 combo which is also a 1x15 speaker. The tone-man combo is the same as a mag combo. I was playing an MIJ 1970 P-bass re issue with Steve Harris Sig strings and Sig pickups. Took it all to rehearsal with my rock and soul covers band. So... The cab definitely gave me a volume boost. Having said that, the combo isn't the loudest so the idea was to keep these together for gigs where we have to provide our own PA and backline, with a PA that can't handle bass going through it. A week on Saturday will reveal whether that's been a good idea or not. The cab is a good weight for one handed carrying, about a third the weight of the combo. Soundwise it was what I wanted, I really pleasing fat, round bottom end sound. Drummer loved it, as did the rhythm guitarist, gave them that extra foundation through the guitars and vocals. I tried it using the amp eq and also bypassing the amp eq and using my hartke vxl for eq which I've done constantly for almost a year. The hartke gives me more presence and that suited the rig perfectly. I tried wah, flange and the amps built in overdrive and sub harmonics too, all handled very comfortably. I set the tweeter to high, but unfortunately wasn't carrying a more articulate bass so couldn't really test this out. I found some notes above the 12th really rang out clear (e.g. c on A string, above 12th) but adjacent notes wouldn't ring out as much which was annoying. That could be anything from tired strings or tired playing rather than the cab until I investigate further. I didn't bother going round the back to turn it to low or off due to how busy the room was with so much gear in. I'm unlikely to use this again until a gig on 4th Feb where it will be taking the P bass and either a jazz or a headless brromstick bass so will give it some higher notes and snappy string noises to see how it goes. For the price I paid I'm happy, but I can't justify really expensive gear for my low paid or no paid gigs. It seems like great value though compared to other lightweight 1x15 cabs. Ideally I'd want to pair it with the rootmaster 2x10 and maybe an old hartke or trace head unit, but that's a long way off. And there was no buzzing.

I would go for ash body if you're having a maple fretboard, alder if you're having rosewood (which my phone auto corrects to firewood, interestingly!). The ash and maple combo should give a brighter sound with a bit more snap, alder and rosewood is your traditional darker and rounder sound. The vintage versions, I believe, have the bridge pickup closer to the bridge in the 70s position. Great to have these options for a lefty!

Well done! Great bass. Suppose with all of these things whether bitsa/ warmoth or complete custom it is hard to find a second hand buyer who wants exactly that so you have to price low or break it up for parts

For my fretless five I rest my thumb on the protruding edge of the fretboard around the twenty-something fret. If I'm not going for mwah tones I'll rest on the back pickup, something I've always done since having a two pickup bass and seeing Fleas instruction video for the tight focussed sound. Both these I use for the low B and sometimes E and A, then it's resting on a string

Interesting that the Origin head doesn't have their overdrive and sub which seem to be on everything. Not saying that's either good or bad, just surprised it wasn't there. Looks a decent head unit.

[quote name='FinnDave' timestamp='1484777808' post='3218453'] Obviously, I disagree, but that's the beauty of free choice, we can totally disagree about something yet still get along [/quote] Quite a few panning Radiohead here. I used to absolutely love them, still like them a lot. It's good not everyone likes them, means the music doesn't get overplayed and you could actually get tickets to see them Although I was sat next to some drip who whined "this doesn't sound like the album" all the way through...

Every Kasabian album. Seriously, one ok single and they're hailed as "rock gods"??? My @rse!

[quote name='Merton' timestamp='1484682648' post='3217503'] If it has a white cone it's the White line cab [/quote] It's silver....