uk_lefty

You and me both! I'd have thought the best way would be to stick them side by side in the same room and play them (with the same bass) and if one has more output than the other that's your answer.

I never understood it either. 4 years ago I bought a first gen V7 and the tuners felt a bit cheap but held perfectly. I've now got a second gen V9 and it detuned itself during gigs. I'd like to have tuners that hold. May as well go lightweight too because it's a big beast to get through the length of gigs I save that bass for.

It's just a bit uninspiring to look at.... I know, shallow.

Hi... So for years whenever someone says "if you buy a Sire V7 you must upgrade the bridge and tuners!" I always said No, my V7 was perfectly adequate. Well, I sold that V7 but later got myself a V9. It sounds and feels great and it's my go-to for Weddings and other gigs where I don't need the ballsy Stingray sound. However... The tuners aren't great. They don't hold tune as well as I would expect so I'm looking to upgrade them. The bridge looks and feels a bit of a cheap afterthought too. I'm quite surprised seeing as my generation 1 V7 was more reliable. Nevertheless, it's a very good sounding bass so I'd like to swap out the tuners and bridge. Any advice on which tuners people have used before would be gratefully received. I've seen YouTube videos where someone has got Hipshots but had to rig something to fill a few mm in the headstock holes and I'm not so keen on doing that, though I've had it before on an old Fender. For the bridge I'm even thinking of the single rail thingys but only because I like the look.

Could it be because being a musician implies long travels, parking in all sorts of places, late night driving and expensive equipment in the car? Regardless, no matter what you put your actual occupation as if you play pub football on a Sunday you're not going to say "footballer" even if they pay you a fiver a game. Same with being a weekend warrior bassist. My argument is it's not a paid job, its an absolute drain on my finances!

Ha, maybe in my youth... We get a great gig there every quarter, private parties and they've got a sister venue in another town so I never want to rock the boat in any way.

Wowzers. A pro "repaired" that at some point??! Looks like I did it.

Played my ABM set up at Friday nights gig.... Soundman had to walk out front and ask me to turn down a few songs in. Volume was barely near 10% 😎

Yup. I bought mine, not B stock, from a retailer in Belgium and paid VAT on bringing it in because that was very cheap compared to anything in the UK... If I'd have waited your PMT deal would have blown that out the water for value.

What's the plan?? Very interested in what these can do, the price is so tempting.

I've only ever had lefty instruments... If I got into buying right handers I'd be bankrupt. I recently bought an Epiphone Casino six string though and I sweat sometimes when I look at it it must be a righty body, the lower horn seems ever so slightly bigger than the top horn. I should measure it one day so it's not taunting me from across my office. One bass I'd like to try flipping though is a Gibson/ Epiphone EB-3. If I was playing heavy rock/ classic metal I'd want one done up like Iommi's SG.

Maybe the stockroom has a lot of mirrors in it and they all looked right handed... But little did they know...!

https://youtu.be/mPObzJkWueY

Watched that last night... For a few seconds. It's not my thing.

Any other bass chatters playing or watching? We will be on the main stage at 2pm on Saturday, the Desert Penguins, playing our "pop goes rock" covers set. It's a great one to be doing for me personally, I've only been in the Penguins less than a year, but my former band was the very first band to play the very first Todd in the Hole a few years back. Hoping this weekend we will be playing to more than a handful of punters and all the stall holders setting up! Unless everyone is hiding from the sun, of course!

I know this gets discussed a lot and there's a handful of really good people out there making custom pickguards... I just wanted to do a little note here for Gig Ink... I think he's on here but can't find the username.... Anyways I have no real affiliation apart from being a paying customer twice over. Once to get a p pickup surround after I'd done some pretty shoddy "routing" and now to get something a bit different for my Stingray. I'll try to do proper pictures in a few days time but this is a mirror pickguard with my band logo engraved on it. It's a bit Phil Lynott without being totally Phil Lynott if that makes sense... And it was turned around very quickly from the original ask so I could have it for a gig this weekend. While I know there's other good quality people out there, I wouldn't hesitate to use Gig Ink again.

Absolutely gorgeous!!! It took me long enough to get a lefty Jack Casady bass so I'll be sticking with that, but whenever I see one of these I get the GAS. I also realised recently that I've moved from having mostly Fender basses and guitars I've somehow got a bit of a Gibson derived bass and guitar collection: Epiphone Casino electric guitar, Epiphone Jack Casady bass, Kramer (after the Gibson buy out) fretless bass... I might have to chase down some kind of EB2 or Grabber now!

Still discovering. I had it disengaged first time I used it live. I've got a gig Friday night but unlikely to use the Ray as I need it fresh for a big gig Saturday afternoon.

That's utterly insane. Prices for most things shoot up as soon as the word "wedding" is mentioned so they're just jumping people's prices up even more to line their own pockets for what? If they're not happy with how much money they're making they need to address it themselves, not shovel it on to others. Rightly taking a public pasting.

This is my thought process too. Buy strings that were built for that bass! Obviously there are other good strings out there but I just use stainless steel Ernie Ball's on mine. Now I've got an ABM600 I'm loving my Stingray more and more. Soich more I treated it to a custom scratchplate today with the band logo on it...

There's no way you can protect yourselves against the drunken stupidity of others. Even lashing black and yellow warning tape around every possible thing you don't want people to go near, let alone touch, won't stop a p!ssed up idiot. How far should a band go at these things? Have a burly mate in hi-viz acting as security? Dad's metal gates around the stage area (my guitarist would LOVE that!), or something else? I really don't know the answer but having seen so many drunks tumble over and cause near misses at gigs, and I don't gig anywhere near as regularly as a lot on here, there are serious accidents waiting to be caused with a band potentially in the cross hairs for a claim. Worrying stuff.

The Markbass one doesn't feel like it should do but it can prop up a decent sized cab for a whole gig. I've had mine for quite a while, you can't go adjusting the angle and it feels a bit steep but it really does do the job.

Changing strings is a great way to change your tone. It's easy to just buy what you always had but changing gauge, material and shape of strings can really breathe life into a bass you're not bonding with.... Then you can go through the whole process again later :). Over the last twenty years my fretless has probably had everything except those weird neon coloured strings and each time it gets new strings it sounds different.

Don't know of you're being serious or not... But that was from an ITV "Comedy/ Drama" years back when Martin Clunes and Neil Morrissey were in demand after Man Behaving Badly finished. Neil Morrissey is the singer in that clip and I recognise the guitarist from various other stuff on the telly.

Bargain.