Maude

That's exactly my reasons, but Fleabag liked the Warman MM pickup and it's only £20 so it would almost be rude not do a twin PU. But the vanity whore in me prefers the look of a single PU Ray.

I still bought one though. 😁 I bought a pair of the KZ ZS10 in ears just to use as earphones but like the idea of using the YSC with them for for monitoring, if we're ever gigging again.

Now wondering whether to put two pickups in. 🤔

But you don't know you don't need it until you've bought it, used it for a couple of days, raved about your purchase, tucked it safely in the back of a cupboard, forgotten about it, found it again at a later date and wondered why you bought it in the first place. Then you know you don't need it. 😁

Yes you're probably right, at the moment the neck doesn't fit the body anyway so I've got some measuring to do. It fits the pocket but the neck has a curved end and the pocket straight. I'll probably file the actual neck flat to suit the pocket and leave the curved end of the fretboard to overhang the body slightly. This will possibly result in needing to move the bridge slightly to get the scale right, that's why I didn't want to just slap the PU where the hole in the guard is. But as you say, the measurement from the neck end will be more consistent (once the neck is fitted. This is all just thoughts from the garden at the moment as I've got three other builds in mid swing at the moment, and I haven't even done any kind of measuring on the neck or body. It'll all be easy enough to sort, I just want to make sure u get that PU in exactly the right place. 🙂

Thanks again. 👍 Yes I can see more surface contact area making a difference (maybe 😉), I'll see what I decide to do. I might just use a fender style and see what I think, easy enough to swap afterwards if the MM one has a larger footprint. Thanks for your help.

Thanks for doing that @mcnach. What controls have you got on that one? Also forgive my ignorance, but isn't a classic Stingray bridge just a more rounded BBOT, albeit with string through body? As @drTStingraysaid, all the parts play their part, but surely getting a MM pickup in the right spot is the bulk of the sound?

Thanks @drTStingray. This is only a bit of fun to use up some spare kit lying around as I'm getting bored. I have a right hand P body and a left hand maple blocked and bound jazz neck, tuners electrics, bridge etc, and I've just ordered a Warman MM pickup which is only £20. The only other bits I'll need are a scratchplate and control plate. So all in it'll be around £50 for a reverse necked precision-ray. As the blocks and binding are black on maple I was originally going for black body and black plate, but I might go gold body and black plate. As I said, it won't replace a gigging bass and will just be cheap fun but should result in a cool looking bass that sounds different from anything I've got at the moment.

This is another way of judging it but I've seen scratchplates with the pickup hole in varying places, also the neck route might not be the same as a Ray (I'm using an SX body) so I think the one measurement that counts in getting a pickup in the exact Ray placement along the speaking length of the string is from an average of the saddle distance to pickup. I'll make a scratchplate to suit whatever the distance from neck route to pickup ends up being if necessary. 🙂

It'll be having a MM pickup only.

As I'm going to go ahead with putting a MM pickup in a spare P bass I've got I need to know the exact spot to put it. Did the pickup placement change over the years or has it always been consistent? If consistent, could some one with a Ray let me know the measurement from the bridge saddles to the lower edge of the pickup, the measurement will have to be from an average of the saddles as obviously they will all be different due to intonation. From the bridge edge would've been better but I won't be using a Ray bridge. If the placement changed over the years, what would be considered the best one to go for and why. Thanks. 🙂

On the contrary, I think we need more distraction at this time. Yes there are far bigger issues at the moment, but there is also an awful lot more time for the majority of us to worry about those issues, which is not good. Thank you for sharing though, it's all good info. 🙂

No I can imagine. 😖

Great name for a thrash metal band. 😆

And a drum kit.

These are my answers but I just quoted Stews post for ease.

Isn't this how a real washing line should look? 😁

I haven't actually started the MM style yet as I only had the idea yesterday after reading the MM pickup placement thread and having bought a Precision for a project a while though that this ciuld be that project. I also have a nice blocked and bound (black) maple Jazz neck, soooo was thinking black P body, maple J neck and black scratchplate. The three I'm in the middle of are a trio of shite wood wonders. An 80s? Hohner Arbor fretless P (ply body), an early 70s Kay (ply neck and body) and a 90s Danelectro Longhorn (kitchen worktops or something body). The build threads for the Kay and Dano are here, and here.

Hmm, I do like it but I really don't know where I stand on 'novelty' scratchplates. I use the term novelty loosely. I like them but not sure I'd live with it myself. 🙂

I like that, seems a nice intuitive layout.

The Boss tuner app is great, it's just like the real pedal.

Is it an accordion?

Well I've ordered the pickup, but, and it's a big but, if this lock down had not happened I wouldn't have had this spare time to fill and I've used the time productively to complete lots of stalled bass projects. I suppose I could've spent the time to make the best of the gear I already have, which is the point of the abstinence, ah b0llocks you win. 😆

That's fair enough @Al Krow, I may as well get that Talman ordered that I was going to try piccolo strings then 😁