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Maude

⭐Supporting Member⭐
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Everything posted by Maude

  1. I like this idea. It's like a less dangerous, less aggressive, less likely to take chunks out of your bass while trying to remove a couple of fingers version of a router. Could be slow if a lot of wood needs removing but sharp chisel first to nearly the right place, then finish off with the drum sander equipped drill.
  2. I saw Type O Negative at Donington and Pete Steele played a doublebass on a strap like a regular bass and it didn't look absurb, such was his stature at the time. Absolutely huge but not in a fat way.
  3. I don't have a degree but I can rescue a mean rubber brick from the bottom of a swimming pool whilst wearing pyjama bottoms if needed.
  4. What's Your Name - Lynyrd Skynyrd (Don't tell him Pike)
  5. The Squier and Fender VIs are definitely bass guitars, strung EADGBE as a standard guitar but an octave lower, as is the Eastwood and all other 'Bass VIs'. Not to say you can't tune them differently with suitable strings but they are intended to be, and leave the factory as, a bass guitar.
  6. That tailpiece definitely looks off. I assume the bridge is angled for intonation, if not that's way off as well.
  7. I know what you mean, and I do to an extent feel that way, but, there were no used ones available and I was considering buying new. Then this came up a few hundred pounds less than a new 'normal' one. So on the one hand it cost me less than a standard one, which I wouldn't worry about dinging, so I shouldn't care if this gets a ding. On the other hand it's more of a collectors piece so maybe should be boxed up and not played. I'm fairly careful with my basses, my main gigging basses have yet to be dinged, and I feel a bass is for playing anyway so this one gets used. As it's only used at home I'm not overly concerned and I doubt these will ever be worth big money anyway. If a cheap used one popped up would I buy it and sell it this to avoid the dilemma? Maybe.
  8. For me, a lot have already been listed here but this one was bigger than most to me in my teens. Simon Gallup, I just loved his sometimes melodic, sometimes frantic, but always driving the song approach to bass.
  9. Peter Hook and The Light are a Joy Division tribute band and tour relentlessly, world wide and mostly packed out, so the audience is definitely there. He laughs about fronting his own tribute act. I like their old school way of touring too, lots and lots of small venues as opposed to a handful of huge ones. As for a singalong, jump to 2:30, although I'm still uneasy about the joyous nature everyone sings along to such a sad song. As for tribute acts, I feel like you should make as much effort as possible to be like the act without becoming a cartoon of them.
  10. Ha ha, you've singlehandedly driven up the market price of Sunn Mustangs 😁. I check in on it earlier today and it was £230 I think. Then when I looked near the end and saw it at the top end of the £300s I thought folks were getting carried away, then it ends at over £400!😲 Madness I tell ya! Madness 😁
  11. Well @Rayman, is there another cream one on the way? 😉
  12. Route out the back of the body to lighten it and then counter the neck dive by the popping some lead weights in the newly made cavity. Anything else you need help with just give us a shout. 🫡
  13. Funnily enough I've just been playing mine and was messing about with string bends up that end (I don't normally) and I find they really help. Instead of your finger sitting on the fretboard and the string being kind of trapped between your fingertip and fret, with the scallop your finger sits lower and the string sits higher on your fingertip and slides along the fret much easier. Hard to explain but I find bends are easier and cleaner with the scallop. Hope that helps. Sorry to jump on your sale thread @BaggyMan, GLWTS it's a fantastic bass in the best colour.
  14. I love the Shergold/Hayman-esque vibes these basses give off. 😎
  15. Billygoat be a Hero - Paper Lace
  16. Teenage Punks - Sultans of Ping
  17. Train to Skaville - The Ethiopians
  18. I suppose, although I'm no aficionado, it's a catch all, umbrella term for country, bluegrass, blues, jazz, etc without having the snobby "that's New Orleans Jazz not Appalachian Mountain Bluegrass" catagorising. One of the bands I play in does Mod(60s & rivival), Ska(1st & 2nd wave) and Northern Soul, there is also a crossover from punk where ska was prevalent. We could do with a similar catch all term as I usually just say "the Mod band" but you can get the odd '"The Clash aren't Mod", or similar comments. Unfortunately, catagories are annoying and useful in equal quantities.
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