Cairobill
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FS/FT - Nr Mint 1994 Yamaha TRB6 Six String (£1400)
Cairobill replied to Cairobill's topic in Basses For Sale
Yup demo sounds a good idea. It’s absolutely fearsome, this bass. Will sort! -
Up for sale is this very neat little synth box. A powerful sequencer with four FM voices, FX etc It sounds absolutely fantastic and the Elektron design people know what they’re doing. I would hold on to it but I’m using an external sequencer so it’s not being used it to its full potential. Part ex with a Behringer Model D or pro 1 plus cash would also work. Happy to ship!-
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FS/FT - Nr Mint 1994 Yamaha TRB6 Six String (£1400)
Cairobill replied to Cairobill's topic in Basses For Sale
Whoops thought it said. I’m in Kent nr Ashford -
This magnificent TRB6 is on the block as I’m on a one bass only regime and need four strings imminently. This is the early version of the TRB6. Having owned a Patitucci TRBJP1, it's of the same high quality build and has the same spec apart from no maple cap on the body and with a huge slab of high quality rosewood with dots instead of ebony/clef inlays. Pretty sure the preamp is identical. The bass has an ash body, maple neck, rosewood board and, most importantly in my book, a 34" scale. Weight is also great and unusual coming in around 9.5 lbs (4.3kgs). It has a great balance and a wonderful J bass tone with a lot of heft and shapeability with the powerful EQ. Condition is excellent - I even have the little plastic clip on guide to the preamp. Trades are welcome for the following basses. All would need to be on the lighter side of 9.5lbs for a Yamaha (as the old BBs trend heavy) and around or under 9lb for anything else. As I'm the singer in my band, I need something that won't load me up too much. - Yamaha BB2000 - Yamaha BB3000 - Fender AVRI P bass - Stingray Classic - Fender USA Geddy J Bass Pickup/meetup preferred. I’m nr Ashford in Kent. Pics! for a Yamaha sixer,
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Lots to think about. Looking forward to getting hooked up
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Ah fabulous. Thank you!
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Thanks all - this is good stuff. I like the idea of filtering out the clatter!
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My band is about to start making noise again in a live context. We're a three piece and I can happily hear all the noise from our amps/drums but I would like to have a feed of my voice into an in-ear (perhaps with a touch of compression and reverb) so that I don't over sing and get pitchy etc I can see systems costing a bomb and cheap as chips stuff but is there a reliable solution to just getting a feed of my voice that sounds even (and possibly vibey) in one or two of my lugholes? It would need to be something I could just setup in a simple rehearsal room with an el crapola desk and then take to stages of various sizes...is there something that works independently of the desk for instance i.e. taking a feed of my voice off the mic DI box? And if there is a solution, how do you choose to set it up?
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I love a jazz at home and used to tour with a Stingray and a 70s J as a backup. Whenever I switched to the J the bottom end and any thump fell out of the band. I'm pretty sure it was driver error but it always struck me as a potential issue. Doesn't stop me buying them and selling them though!!! I love the sound for recording.
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Threads like this remind me how much I need a P bass with old flats on it...argh gas
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I think one of the Bass Gallery lot will turn up soon and hopefully answer that question! Such an amazing period for bass design.
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I remember these days especially around '86 and 87'. I was there on quite a few Saturday mornings in that period. Always a fresh batch of shiny Jaydees, Smiths, Statii, Wals, Zons, Warwicks, Pangbournes, Wilkes and Steinbergers to play through a Trace stack. My eye was always drawn to the latest Status, Smith and Jaydee. Wals were fun but I recall them feeling old fashioned compared to all the serious graphite and US basses. Zons were rarer but amazing and I thought Steinbergers were a bit strange. Today, I would go for the Steinberger!
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@Beedster that is a rare and funky bass!
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I love the idea of some proper full carbon Steinies coming back into production but I am not convinced by fan frets. Having owned a Dingwall sixer I certainly won some but I also lost some and much prefer a straight 34inch scale six string. Let's have a 4, 5 and 6 at 34inch scale across the board please Mr Steinberger...
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Another option could be that neon-purple 1991 soundgear S1000 in the classifieds. Skinny neck, quite the plumage and in your price range. Not trad, but pretty rad.
