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Cairobill

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Everything posted by Cairobill

  1. First off, I'm a precision novice but recent sessions using a great 1977 P has me thinking about adding a P style bass to my gear. I have an awesome jazz neck that I am going to get a body made to match and I'm considering going the P/J route with a precision body. I'm hoping for a bass that combines the thump of a P with the tonal colour (when needed) of mixing in some bridge pickup. Anyone know of the pitfalls of such a design or have any recommendations for pickup matching and pickup suggestions to get a good growly, thumpy P tone? Body wood will be alder and the neck is a maple board. The neck has some heft to it and a good heavy tone to it. Cheers! Nick
  2. I think people who criticise rock and pop bassists have difficulty understanding the meaning of the word genre. Colin Greenwood is a walking textbook of pop/rock style and plays what is right for each song that he records, down to a specific string, bass and amp. To criticise him for not playing like a fusion player (or Mick from Supergrass who was half of one of the most dynamic rhythm sections of the britpop era) is nonsensical. I would expect that most chopmeister bassists would produce ersatz mushy session drivel if ever called upon to play in any of the bands mentioned in this thread. It's simply not a genre they understand. Also, just because something sounds easy doesn't mean it is.
  3. That's actually really good news for me as I have just ordered a new bass Still, the one gap in my brood of basses is a nice maple with blocks J!
  4. Great to hear, I'm going to pick up one of these cabs then get an amp to drive it. The question is which one....probably best to go with the one it was designed for...hmmm
  5. Are you using the Trace V4 to drive it? I'm in the position of picking up a matamp 4X10 and am wondering what amp would best match it. I'm wondering whether a GT200 is a good route or would that be too much? Cheers Nick
  6. It's a sign of the times. Used to be that touring was there to support album sales. Now it's the only real source of income, hence the hikes. To think of all the amazing bands I saw for a tenner back in the day...wowsa...
  7. Yes, there were particular characters on talkbass mouthing off about the moral/legal intricacies of the situation that would easily qualify for the appellation 'cockmaster'. Quite amusing...
  8. DR hibeams recommended in this parish. Amazing strings.
  9. Very tempting but it's probably a bit too swish for the stable. I'm hoping to liberate some dosh at the same time unfortunately. Thanks for the offer though, the kingbass is a lovely thing. Nick
  10. very nice indeed. You can't beat a 4001...I would have one in every flavour if I could...
  11. It has the classic tonal variation of a vintage jazz . Obviously there are many variations as you tweak the blend between the front and back pickups as per any jazz bass. The demo is 100 percent neck, 50/50 neck and bridge and 100 percent bridge. Overall I would say it's firmly in the darker, more vintagey end of things. The strings are over a year old though. Best, N
  12. Thanks Kevin, flattered to have a man of your calibre (Pino who? ) give the bass some props! Best N
  13. Here's a thought. Trade options (with at least £750 heading my way) could include interesting Jazz, P Basses, Rays or Rics. It would have to be pretty local I'm afraid as I would like both parties to try before they buy. PM me with ideas... Cheers, Nick
  14. i saw you play that bass (before the body refit) at Southampton University many years ago with Stump. It sounded fantastic. Your approach to bass playing was like no one else and I liked that a lot. I seem to remember we had a drunken conversation in the bar afterwards too!
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