-
Posts
918 -
Joined
-
Last visited
Content Type
Profiles
Forums
Events
Shop
Articles
Everything posted by Cairobill
-
I have bought basses from the States in the past when the exchange rate was 2 dollars to the pound and scored some amazing deals. But with the rate the way it is at the moment, it's not really that cost effective - buying basses second hand on basschat is probably the best way to go at the moment. Nick
-
Ken Smith Artist Burner 5 for Trade :Feeler :New Pics
Cairobill replied to Mickb1773's topic in Basses For Sale
Just to give your ad a gee up. Hadrien Feraud (French super technician) plays one of these... Here's a Burner in the hands of a rather heavy player... [url="http://www.youtube.com/watch?v=dACuMHfEbrM"]http://www.youtube.com/watch?v=dACuMHfEbrM[/url] ...and it's still his main bass even after getting a Fodera... -
Hey nice bass mr Wateroftyne! Very classy - how does it compare to your last one (was it a 73?) if that's not a tricky question? I seem to remember almost buying it (your old one about 2 years ago) but for some reason bought my Nash instead...can't remember why....Nick
-
Here's a funny story - I bought an XL-2 in San Francisco a couple of years ago for 400 quid... It was missing the pivot on the back (which I replaced with a Steinberger designed 'boomerang') but was still in pretty good nick. The guy selling it had bought it for next to nothing in the nineties... It was a wonderful feeling bass with a huge, clean tone - very piano like, with endless sustain. The neck was narrow and deep (apparently Stanley Clarke advised Steinberger on the profile) and very comfortable. It was heavy in that it was dense, but the body was tiny, so there were no fatigue issues. It was a great fun bass but I sold it to make a profit to invest in a nice j bass. I don't really regret selling it apart from not being able to say I own a bit of eighties retro design - I just didn't really need what it offered tonally. In retrospect I'm glad I got the Steiny thing out of my system. They are great, but they certainly don't replace a good P or J, which have more tonal character in my opinion. Tonewise, they are an acquired taste in rock - while people like Geddy and Sting used Steinbergers at certain points their tone was a bit hifi and vanilla in my opinion. For Dub, though, they are f***ing amazing - just ask Robby Shakespeare or Bill Laswell! There is so much lo end in a Steinie. And to answer your original question - the reissues and old skool lookalikes are absolutely nothing like the original Steinies in tone or feel. Nick
-
-
-
They're ultrajazzes. I discovered recently to my surprise that contrary to popular belief the standard pup in a JB-63 is a set of ultrajazzes and the lollars are special order and down to the shop that is doing the dealing (although they're pretty common). I really like the DiMarzios - with my LMII/Berg setup they can go from a fairly high fi to Noel Redding in the tweak of a knob. The tone control is very powerful. I recently had a Nash tele with Lollars and it sounded amazingly good, it would be interesting to see what lollars sound like in a JB-63. The real point about the Nash instruments for me though is the feel - they have a very solid, well built and powerful feel that feels very efficient from finger on string through to the amp. It's difficult to describe but they 'feel like they sound good'. A real pleasure to play with in a band. They make recent Fenders feel like toys (and that's through personal experience...). Plus they smell awfully nice! Cheers, Nick [quote name='Crazykiwi' post='590473' date='Sep 5 2009, 10:52 AM']Are the pickups lollars?[/quote]
-
-
-
-
-
-
Vintage and Rare prices are very distorted on the upside but these have certainly gone up a bit since the Pound went down the toilet. I think the bottom line is that if you are about to buy a new Fender for a grand, this would be a much wiser choice, I've had a 76 and a 98 US Fender and this creams them in every respect...apart from being a bit scratched ha ha This is a very nice bass and here's a Saturday bump... CB
-
-
-
-
This very cool Nash jazz bass is for sale through basschat and the Gallery in North London. Price is 1200 in the Gallery. Of course, if we deal direct it's ONO. PM me... Am willing to post unlike before. Here's a demo on Youtube... [url="http://www.youtube.com/watch?v=5JV0qpZjRc8"]http://www.youtube.com/watch?v=5JV0qpZjRc8[/url] Cheers, Cairo Specs are Alder Body Flame Maple neck Very nice streaky rosewood board Nitro paint job with vintage correct silver undercoat and Candy Apple Red top coat Usual relic'd Nash style vintage hardware e.g. reverse tuners This is a church gig relic - not too extreme but definitely weathered Recently set up at the Gallery. Medium weight - 9.5 lbs on my scales... Comes with Nash semi-soft case
-
My God that was quick... I've ogled from the sidelines with this one including the last time it was sold...I plan one day to get a maple with pearl blocks jazz and this model will be the one. My first bass was a Japanese copy of this type of bass (albeit with black blocks) and I vow one day to have a real one! Incidentally a while ago I too sold a 1976, rosewood board, pearl blocks and binding Fender J for 400 quid through Andy's. It sounded great but weighed about 2 tonnes so I'm not too regretful... C
-
I use a Realist on my Bryant solobass into a Markbass head with a Berg 12 inch cab. The sound is full, very deep and woody, but I'm sure I can improve it by adding a mic. I am seriously considering getting a RE20 to mix it against. It's very interesting to know that's what Avishai Cohen uses.... Nick
-
-
-
-
I went for a Nash JB-63 after a LOOOOOONG search. It's incredible... Cairo
-
-