Sean

@BassYerbouti https://www.talkbass.com/threads/orange-sp212-need-feedback.1107186/ Interesting thread with input from some members that post here. it does descend into chaos by page 3 but there's some useful info.

How did you get on programming the MIDI switcher?

I'm using an LFSys.co.uk Monaco. 60 litres, 14kg, 600w. It goes very loud and you get plenty of low end. There are other spec LFSys cabs available and using a pair of 10" Monza or Goodwood cabs would give a very versatile rig. Remember that these aren't "normal spec" drivers and the cabs and x-overs are high end and designed specifically for delivering what we need as bassists by a bassist that spent his career working in that field. We're rapidly moving away from the 10" drivers sound like this, 12" drivers sound like that mentality of the past. Some of us attended a blind comparison of speakers/drivers recently and the results were very eye-opening. My amps are barely ticking over at stupid volumes through the Monaco in decent sized venues but the most important factor with these is that you can hear yourself beautifully from any angle because the dispersion is so wide and high. Edit: Worth adding too is that next month I’m starting playing with a indie/rock covers band that does quite a few decent sized gigs with just a vocal PA and uses backline to fill the room with sound. I have absolutely no doubts that my single cab rig will be more than adequate for the job and would be ample for much bigger rooms. This video from last weekend (outgoing bassist’s last gig, not me btw) gives an idea of the venue size played with just vocal PA.

All this has been very useful. Thank you, folks. Going to the "what", and taking @Phil Starr's advice Lighting to make the band look good - yes. Lighting to allow the band to see what they are doing - yes, definitely. Lighting to improve the audience experience - yes. Plus Ease of use for total noewbie. Ease of set-up. Expandable for the future. Easily transportable. The band I've just come out of had a t-bar with, I think, 6 PARs and they pointed in different directions, some flashing colour to sound changes, others just lighting the band. It’s amazing how little notice I took and now with the new band, I need to know all about it. Here's a link to some video from Saturday night. It's a very typical venue layout, the stage area was generous for a 4-piece. How would you go about lighting that if it was your band?

£300-500.

For context, last night I went to see my new band play their last gig with the outgoing bassist. No lights, no back drop. It's rock/pop/indie covers playing pubs/clubs/functions. I'm going to grab this as an opportunity but have no real experience, it's always been other people in all the other bands I've been in that do lights. So, where do I start? Plug and play, portability compact being the priorities, I guess.

Which ones are these, Phil? Do you have any photos or videos of them in action?

I got excited about a new Gallien-Krueger in-ear amp for a moment 😀

Everyone's experience is different but my solution to this problem is to walk away and let them get on with it. You don't need that level of cr4p in your life.

The Germans have a green one B Stock for £619 https://www.thomann.co.uk/cort_artisan_space_5_sdg_b_stock.htm They also have "A Stock" at £675 but you'll have to wait a week or so. Free shipping! Great deal. I got labelled as "entitled" and unreasonable when I expected free shipping on a £700 spend earlier in the year. If I hadn't just landed a "rescue" bass, I'd buy one just to see. I played one and thought it was a lot of bass for the money.

Breathe. You'll work it out. They're excellent basses. My tastes are so broad with colours, finishes, neck carves, etc that if my #1 priority was low price, colour wouldn't matter. It's not like any of the colours of the Space basses are horrible. I'd be happy with any of them.

Gorgeous, that.

My tip of the day is... Keep the truss covers removed. I'm always adjusting truss rods, 1/8th of a turn here, tiny tweak there.

Those Freeway switches are fantastic too. Modern P neck, great looks, loads of switching/wiring options including traditional J options. I can’t believe I didn’t play it at a Bash! Too busy talking!

Hi Matt - Stunning. Does the Triad have a P profile neck?

The FBA is good, very detailed and well presented like most of the SBL material. Good workbooks and play-along tracks and the course is huge. Like a lot of the Accelerator courses it's like an expanded and more detailed version of some of Phil Mann's (and others') courses that are already in SBL. I like Phil Mann's approach to teaching and get a lot of what he's done. His theory courses are very engaging. There's nothing that I've seen in FBA Accelerator that's not available elsewhere, and we can say that about most courses, but it is well presented, has loads of material etc and that's what makes it what it is. Like all this, you need to put in what I call "boot camp time", you need to sit and pump out the exercises and not skip bits. Trust the process. I was watching one of Phil M's videos and he was talking about studying with Jeff Berlin and learning all the patterns all over the neck and it seems that's the concept the FBA is based on.

A super sweet transaction, just 5 star all round, delivery, packaging, comms etc. Thank you very much for another great BassChat deal

It arrived today. It’s the lightest bass I’ve ever played, it's like a toy. It’s got the same Gotoh Resolite tuners as Gary's CST that I played recently and it’s got no neck dive. It's really well-balanced, which I wasn't expecting at all. On the lap, it stays put and on a strap with a shiny textured internal surface it sits well, so that's all good. Neck carve is standard Euro LX shape. The finish is ultra thin matt, it feels like my oiled Euro5LX to the touch. I know a couple of folk have found this finish to be a bit fragile, so we'll see. This will be gigged. I've been playing it through the HX Stomp with GK800/Ampeg810 rig settings with the DarkGlass Legacy pre-amp dimed and it's exactly what you'd expect. My ebony board peacock one is just 22 lower on the serial numbers indicating that the two were made during the same short period. Another comparison is that the RST resonates differently acoustically to the gloss finished ebony board one and they've both got new EXL170s on. I'm not going into tonewoods and all that wizardry, I'll just bring a few along to the next Bash and let people see/hear for themselves 😉 The build quality of it is as we've come to expect from the Czech factory, it's absolute top notch all round.

All my amps go there. 4 this year. And I'm in Gloucester. It's 2h each way but worth it, especially for old tech.

A lot of nomenclature systems get messy over time. We don’t really know what LX stands for. Despite my speculation at Length Xtension, it’s more likely a reference to the layering of the wings as it came after the solid wing Euros. LT = No idea??? RST = Roasted (must be). CST = Custom Shop Top? XL (as in NS5-XL) must refer to the 35” scale. I had a ’01 and that was 35”.

Due to arrive tomorrow and continuing a trend for Japan Exclusives (my third), here it is. I've had an eye on it for months. It's one of 5 made in that spec. EX = Exotic, LTD = Limited, NAM (Spector Colour Code) = Natural Maple. Nothing to do with NAMM but one of the 5 of these was at NAMM last year to show dealers what is possible with special orders. It's a 3-piece roasted maple neck with a 4A North American flame maple top, walnut sandwich layer, empresswood wing-backs and the headstock matches the top but seems to be gloss vs the matt finish of the body. The wood build is as per the standard RST but in a limited edition finish. It has EMG P (reverse) + J pickups with ivory coloured covers and the DG Legacy Tone Capsule where the standard RSTs have Aguilar humbuckers and an Aguilar preamp. There's an LHZ-04 preamp on standby ready but after playing Gary's CST the other day, I think I'm going to leave the DG in there for a while.

What does NS-4 mean? They've got 2 humbuckers usually. 4 coils? NS-5 must be 5 strings.

I think the subtly of the humour there probably warranted an emoji 😉

Jack Bruce's NS-2 https://www.digimart.net/cat03/shop5033/DS09888998/ Jack owned this. PJ Rubal has given it the thumbs up. The switches are killswitch and phase switch. I'd love a factory fitted killswitch. Walnut wings, Badass bridge. Sadly, JB moved on to Warwick after this. To save you doing the conversion, it's £35k.

Mike Mills is always a reference for me. Learning Kenneth and then using those ideas in other songs is valuable. Not just that song but as a concept. I like to play with concepts to help composition like, trying to come up with what Mike Mills might play on Sweet Child of Mine as a simple example. It makes you think about applying what he does over something that exists that you only have certain scope with. And in the band I've just left, I did a sort of "What Would Duff McKagan Do" over Summer of '69. Well, if you want me to play certain songs in a non-tribute, low-pay setting, I need to get some fun or benefit out of it!