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solo4652

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Everything posted by solo4652

  1. Here's another option for you: [url="http://cgi.ebay.co.uk/Line-6-BackTrack-Portable-Recorder-Mic-/130497666821?pt=UK_Recorders_Rewriters&hash=item1e62445f05"]http://cgi.ebay.co.uk/Line-6-BackTrack-Por...=item1e62445f05[/url] There are 2 versions - make sure you get the one with the on-board mic. I have one and I use it regularly to record rehearsals so I can practise the band's version of songs later. It's small (about the size of a small mobile phone), [i]really[/i] simple to use and gives surprisingly good results. Saves tracks as WAV files which are easy-peasy to open on your PC - even I can manage it. You don't need to worry about batteries - it recharges from your PC via the supplied USB cable. You can pick them up off ebay for £50, no problem. Cheap and cheerful bit of kit that's really helped me to learn a band's setlist. Steve
  2. Vote of support for the Line 6 amp. I have one and it's been invaluable. I use it at home for practice and I also use it regularly for band rehearsal. It copes pretty well with a guitarist, keys player, vocalist and (un-miced) drums. Doesn't sound thin or weedy at all - very impressive little amp. Steve
  3. Not quite my genre, really. Still, you never know, there might be sombody on here who... [url="http://www.joinmyband.co.uk/classifieds/scarlet-carnagegothic-metal-meets-theatrical-gore-t192725.html"]http://www.joinmyband.co.uk/classifieds/sc...re-t192725.html[/url] Steve
  4. Mine are definitely split shaft - I've seen them! Ruler. Bit technical for me.
  5. Folks, I need some replacement knobs for my Tribute L2000. Split shaft. But I can't find out whether the shafts are 5mm or 6mm. Can anybody point me in the right direction, please? Cheers, Steve
  6. Folks, Just a bit far for me. Might suit somebody else, though. Steve [b]BASS PLAYER URGENTLY REQUIRED to complete our current Line up. This is a permanent position so preference will be given to musicians willing to commit to this band. We are a South Yorkshire based 9 piece Function Band of experienced easy going musicians and performers. Must have own transport, good equipment and willing to rehearse. Competent reader preferred, we can provide you with dots for our complete show. Email in the first instance, including your phone number: [email protected] Sheffield, South Yorkshire Tel : 01226 765643 or 07970 098830 [/b]
  7. Looks like this may be sold pending payment and delivery. Steve
  8. [quote name='Bassnut62' post='1089294' date='Jan 14 2011, 01:21 PM']P to the M incoming[/quote] Received, and replied. In fact, I've sent you 2 PMs because I forgot something. It's an age thing...
  9. £475 and I'll courier it right to your front door.
  10. [quote name='Ou7shined' post='1087115' date='Jan 12 2011, 07:39 PM']All I can say from here is that it's a post '80s body because of the control plate (or lack there of). The stamp should be in the neck pocket. I wonder if it has been painted over?[/quote] Thank you - all information gratefully received. When I first got the bass, I took it apart to look for the date stamp in the neck pocket. As far as I can recall, it didn't look like it had been re-finished or anything, but of course it's possible. I thought about having another look but, to be honest, I'm loathe to disturb the shim. Steve
  11. Yep - the Hotwire halfrounds give it a rich, deep tone. Silent strings too - no hiss when you slide your fingers along a string. I use them on all my basses. I'm afraid I don't know the age of the body. I cannot find a date stamp in the neck pocket anywhere. The neck's clearly stamped, but not the body. The neckplate is clearly not the original 3-bolter so the code on it doesn't really help to date the body. Are there any other clues to the age? - just let me know and I'll report back. It's not in its first flush of youth, and it's obviusly had a fair bit of use. But it's as solid as a rock with nothing other than cosmetic wear that I'm aware of. An absolute belter of a bass - loud, proud and a danger to low-flying aircraft. Steve
  12. Much as I love G&Ls, I don't need 3! So, this needs to go to a good home: The body is a USA L2000 with the original micro-tilt thingy in the neck pocket. The body is pretty heavy with a deep grain visible through the finish. I’m fairly sure it’s solid swamp ash. The body is in good condition. There are the usual surface scratches but absolutely no major issues at all. On the front, there is an old ding which has been repaired and is barely noticeable – I’ve tried to photograph it and you can just about see it between the rear PUP and the middle switch. The (non-original) neck plate carries the code B000679. My research suggests the date of 1979. As far as I’m aware, the pickups are the original USA MFD pickups. Bridge, tuners, switches and 2 of the 3 knobs are all genuine USA G&L. All the electronics work perfectly and as they should. The neck is not the original. It is a USA G&L ASAT neck, with the date of October 21st 1997 stamped on it – you can just make this out in one of the photos. Maple neck with rosewood board. 1 or 2 tiny marks right at the top of the headstock, but nothing else at all. I’m quite fussy about marks on the back of the neck, and this neck is completely clear of dings or damage. The rosewood board goes well with the black body, I reckon. In November 2010 I had the following work done by Philip Porter, professional Guitar Tech. in Stockport: - The neck pocket was shimmed to raise the action slightly. I believe the ASAT neck is a little thinner front to back than the L2000 neck. When I got the bass, the ASAT neck sat too low in the pocket and the action was too high as a result. All’s well now. The neck is now virtually straight and is set up with a medium action. - The frets were re-dressed. - A sticky tone pot was repaired and now works perfectly. I was going to replace it, but I didn’t want to lose the original pot. - Crackly volume pot cleaned and repaired. - The pup poles were adjusted to achieve an even output volume across the strings. - Full setup with new Status Hotwire halfwounds – my favourite strings. The result is a big, beefy, punchy sound. Wonderfully clear lows and highs. Massive amounts of volume and sustain on tap. It comes with a good quality padded gigbag. I'm not looking to make any profit on this. I'm keen to move it on so it gets played. £475 is what it has cost me including all the work to get it set up right. So it's yours for £475 – for an all-USA G&L. Bargain! By all means come round and try it (Stockport)- you're very welcome. I have a box and so I'm happy to courier it. Cheers, Steve [attachment=68562:012.JPG] [attachment=68564:013.JPG] [attachment=68565:014.JPG] [attachment=68567:016.JPG] [attachment=68568:018.JPG] [attachment=68571:022.JPG] [attachment=68574:015__2_.JPG]
  13. Ian, I think we're already in touch via North West Bands - right? Steve
  14. I'm after a Fender P/J bass, and I have a really nice USA P bass here. PM sent. Steve
  15. I've used Ged Green for repairs before. He's in Cheadle. [url="http://www.gedgreen.co.uk/"]http://www.gedgreen.co.uk/[/url] Steve
  16. Still looking guys. Thought I was sorted, but the project looks like it's stalled. Steve
  17. Now sorted in "Theory and Technique" Forum.
  18. [quote name='Lo.' post='1061120' date='Dec 16 2010, 11:02 PM']Had a listen to this - nice track. The bridge is just based on A/D/G/C x 2, but the bass starts the 2nd time on the third of the chord (c#). Here's a quick non-perfect take on youtube for you: [url="http://www.youtube.com/watch?v=rUHnPoopn0I"]http://www.youtube.com/watch?v=rUHnPoopn0I[/url][/quote] Thank you. My initial stab at the bridge was A/C/G but I knew that wasn't quite right. Thanks for your correction. The Youtube clip is also very helpful. I'd found this: [url="http://www.youtube.com/watch?v=jfe7WMkK9Hk"]http://www.youtube.com/watch?v=jfe7WMkK9Hk[/url] but it's a little difficult to work out what's going on plus it's a 5-string bass and I play 4-string. I've asked Jake if he'd kindly send me his tab. Steve
  19. [quote name='J.R.Bass' post='1063068' date='Dec 18 2010, 11:18 PM']No need for that mate. To the original poster, if you want it still, I'll have tab & notation done for you, just let me know. Jake[/quote] Thank you Jake - you're very kind. PM sent to you. Steve
  20. Folks, I've posted this in the "Grooves" Forum, but it may be better placed in here. Mods, feel free to disagree. I'm trying to sort out the bass tab for Free Me by Joss Stone. I've found what purports to be the chords on the net, but I'm far from convinced they're correct. I think I've got the basic riff/Verse OK, but I'm struggling with the instrumental section that runs into "And we're singing in our own voice..." Can anybody help, please? Cheers, Steve
  21. Folks, I'm trying to sort out the bass tab for Free Me by Joss Stone. I've found what purports to be the chords on the net, but I'm far from convinced they're correct. I think I've got the basic riff/Verse OK, but I'm struggling with the instrumental section that runs into "And we're singing in our own voice..." Can anybody help, please? Cheers, Steve
  22. Apologies if this has been posted here before. Just in case it hasn't, here it is: [url="http://cgi.ebay.co.uk/1952-Fender-Precision-Bass-Original-Blackguard-/220694217616?pt=UK_Musical_Instruments_Guitars_CV&hash=item3362668390"]http://cgi.ebay.co.uk/1952-Fender-Precisio...=item3362668390[/url] Steve
  23. Guys, Looks like I'm now sorted with a new band. Whilst looking, I came across this on Partysounds. Sounds a bit different - might suit somebody on here. Steve [url="http://www.partysounds.co.uk/go/local.php"]http://www.partysounds.co.uk/go/local.php[/url] Ref: 116351 Bass Player Wanted - Stockport Date: 07-12-2010 Description: We are a vocalist and guitarist/keyboardist duo from Stockport looking for a solid and intricate rhythm section.We enjoy listening to Blues,Rock and Progressive Rock,Minimalism,Jazz,Electronic,Metal and orchestral from Baroque to 20th Century.Our intention is to combine our numerous influences into a cohesive and original style.We need a solid bassist with a theoretical knowledge as we use odd time signatures,exotic scales,polyrhythms and intricate passages.Get in touch if you're interested Stockport Manchester North West Standard: Advanced Email Charlie Age: 19-25
  24. I switched from using a thumb rest to floating thumb, mainly to gain the string muting afforded by floating thumb. On balance, I personally prefer floating thumb because of the (relatively) unaltered hand shape you end up with when crossing strings. However, it has been suggested to me that my plucking has become softer having adopted floating thumb, and this in turn means I have to turn up gain and volume controls, and this in turn emphasises any bum notes I play. Anybody else experienced this with floating thumb? Steve
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