solo4652

[quote name='Spartacus' post='535419' date='Jul 8 2009, 09:21 AM']What does 'burping' sound like?[/quote] Sort of echo-y, especially in mid tones. Lack of crispness and definition - normally not a problem with G&L.

[quote name='neepheid' post='535417' date='Jul 8 2009, 09:19 AM']Does it do it in passive mode as well as active mode?[/quote] Yes

I have a G&L Tribute L-2000. I normally have it switched to "both" pups, sometimes switching to bridge for a more jazzy sound. In the last 2 days, the bass has lost it's smooth rounded P-sound no matter which pup I select, and is sounding very burpy. Major fiddling with the amp to heighten the mids and treble doesn't seem to improve it. I have fitted a new battery - no change. My other bass seems to be working as normal with no noticeable tone changes. Any ideas? Steve

I'm sure that most people are aware of this but as a relative newcomer to Ebay I wasn't, and it could have cost me dearly. I bought an item using Paypal and it arrived wrecked in the post. Numerous emails to the buyer produced no replacement or refund - nothing. Because I left it for more than 45 days to raise a dispute with Ebay and Paypal, neither will pursue my complaint against the seller. Fortunately, I've only lost a total of £8, but it could have been a lot more. I'm regarding it as an important lesson learned for a cheap price. So, if you want to raise a dispute with either Ebay or Paypal, make sure you do it within 45 days of the transaction. Steve

[quote name='solo4652' post='521470' date='Jun 23 2009, 09:49 AM']I've just replaced the nut on my P-bass. The old one came away easily with a gentle tap on the end. The new one, a brass one, was a little wider than the slot, so I had to file the slot out a bit. Trouble was that the new brass nut was bigger all round than the old nut - it was higher as well as wider, and I han't appreciated just how that would impact on string height/neck relief/saddle height/intonation. Fortunately, i didn't glue the new nut in place before realising I had to deepen the existing slot. Couple of spots of superglue gave an instant weld. So, just make sure that the height of the new nut is the same as the old one or you're likley to give yourself problems later with string height, neck relief etc[/quote] Actually, I've just re-read the OP and it seems you have the exact opposite problem - original nut is cut too low. Anyway, I was surprised just how much difference a small change in the height of the nut made to subsequent neck relief/saddle height etc.

I've just replaced the nut on my P-bass. The old one came away easily with a gentle tap on the end. The new one, a brass one, was a little wider than the slot, so I had to file the slot out a bit. Trouble was that the new brass nut was bigger all round than the old nut - it was higher as well as wider, and I han't appreciated just how that would impact on string height/neck relief/saddle height/intonation. Fortunately, i didn't glue the new nut in place before realising I had to deepen the existing slot. Couple of spots of superglue gave an instant weld. So, just make sure that the height of the new nut is the same as the old one or you're likley to give yourself problems later with string height, neck relief etc

[quote name='mathewsanchez' post='509255' date='Jun 9 2009, 05:01 PM']Wasn't that for sale on the forum? Think it's a 'Vintage' brand p bass with 70s fender decal added. And i think it's been relic'd not natural playwear.[/quote] Ah, right - I see what's happened now. When it was decribed as a "vintage bass", I thought that meant...

[quote name='steve-soar' post='509275' date='Jun 9 2009, 05:18 PM']Could limbo under that G string. [/quote] Yes - you're right. Action has now been lowered. needed a bit of fettling of the brass nut. All now fine.

[quote name='Rayman' post='509890' date='Jun 10 2009, 09:00 AM']That's a beautiful colour, superb bass.[/quote] Yes - I think the body colour goes with the fretboard colour very well. You can't be far from me, and I think you're a bit of a Stingray fan, aren't you? You're more than welcome to come round and have a go on "Lilly" and a cuppa too. PM me for my address and phone number if you want. Steve

WHAT!?? You mean it's not really a 1970's Fender Precision!!!? Steve

Here's my No. 3 bass. Bought recently for £75. I've added a brass nut, and I've shielded the cavities with best-quality maxi-turkey foil (on offer at local Co-op). Bit of spraying of pots to get rid of some minor crackling. Bass looks like it's had a fair bit of use - see mojo on body, neck and headstock. Plays really well - very clear, deep lows - just like a classic P-bass. Tone full-on gives a surprising amount of top, and rolling it off a little gives a very satisfying, smooth funk tone without being indistinct or blurred. Tell me what you think: [attachment=26770:Blondie_1.JPG] [attachment=26771:Blondie_3.JPG] [attachment=26772:Blondie_4.JPG] [attachment=26773:Blondie_5.JPG] Steve

Hi, Took delivery of my "new" Stingray today. It was made in February 2000 and remained hanging up in the Bass World shop in Kent until Friday, when I bought it. Pearl Lavender body, and rosewood fingerboard. However, when I unpacked it - SHOCK - no frets! Not even lines. Gulp. I emailed the serial number to Musicman and they confirmed the manufacture date. They also said that "It's quite possible this is the only one like this (Fretless, Pearl Lavender, Rosewood) we ever made". The colour was discontinued in 2002. So, possibly a unique, unused bass that's already 9 years old! Off to the instrument Tech. today for a set-up. Pictures: [attachment=26764:Stingray_1.JPG] [attachment=26765:Stingray_2.JPG] [attachment=26766:Stingray_4.JPG] Steve

Nothing to do with me. Thought somebody might be intersted in it. [url="http://cgi.ebay.co.uk/VINTAGE-V940-ACTIVE-BASS-BUBINGA-SAH-260_W0QQitemZ350208882091QQcmdZViewItemQQptZUK_Musical_Instruments_Guitars_CV?hash=item518a1375ab&_trksid=p4634.c0.m14.l1262&_trkparms=%7C301%3A1%7C293%3A1%7C294%3A30"]http://cgi.ebay.co.uk/VINTAGE-V940-ACTIVE-...%3A1%7C294%3A30[/url]

I'm flying back from holiday late on Saturday, but should be able to come along. I can bring: G&L Tribute L-2000, 1987 Peavey Fury (For Sale) and an interesting, fake-aged, fake-Fender Vintage V4. Could you send me details please? Thanks, Steve

[quote name='tayste_2000' post='504567' date='Jun 3 2009, 11:51 AM']All sounds good, if you ever want to meet up I can give you a lot of advice for live playing, I'm planning a little basschat gathering in Stockport in the next few weeks, where no doubt Monz will be. If these are classic motown songs then I'd get the set list and go search the net for chords and tabs to save time and sit down and find a happy medium in your ability of what you want to play and what you don't feel comfortable with yet. Interms of gear you just need to put flats on the basses you're using, you can then get away with 1 bass as I've never seen anyone EVER break a flatwound string [/quote] Let me know about the Stockport basschat gathering. Would there be the chance to try each others' basses? That'd be good. I'm thinking about throwing some flatwounds onto my Vintage V4 beater bass. However, I'm totally convinced I'll just [i]have[/i] to buy a MIA P-bass...

[quote name='BassBunny' post='504343' date='Jun 2 2009, 11:25 PM']Hi Steve, What happened to the band John F was trying to put together? Did his colourful language get the better of you. The Soul/Motown gig sounds a cracker. As you know that is my favourite music. Do you know who it is by any chance, cause I might. All the advice above is spot on and I can't add anything other than managing the singers expectations. Not of YOUR playing, but the band in general. If he is used to singing to professionally recorded backing tracks, everything will be there. Strings, Brass, and all the Bells and Whistles. If it is a large backing band, (8-10 people), you stand a chance of getting near the backing tracks, but if it a 5 piece, there is likely to be something missing. Have been through a similar scenario and we got there in the end, but after some tantrums from the singer. Good Luck mate and you always know where I am.[/quote] Hello mate, Never did get to jam with John because - well, I think you've worked it out already. The soul singer is Matt Philips. See: [url="http://www.melodypop.co.uk/mattphilips/"]http://www.melodypop.co.uk/mattphilips/[/url] He's a friendly, approachable chap. Great soul singer too. This project has only just got started. Matt's manager is putting the band together. She envisages a 5-piece. [b]DRUMMER, LEAD GUITAR, KEYBOARD PLAYER STILL NEEDED.[/b] Like you, I'm wondering how we'll manage all the brass, sax, strings etc of the wall of sound. I wonder if some of that will still have to be on backing tracks, but I don't know. My reservations are giving way to excitement now. Today's job: The bassline on "You're the first, last..." by Barry White. I may very well be in touch for some advice about kit - I'm going to have to upgrade the combo and I'll [i]definitely[/i] have to buy another bass - no question about that at all! Cheers, Steve

Thank you to all the above for your help and encouragement. Interestingly, nobody has said "Don't do it". So, I've asked for the chord charts and I'm going to start slowly, keep it simple to begin with and see how well I can do.