Jump to content
Why become a member? ×

solo4652

Member
  • Posts

    1,960
  • Joined

  • Last visited

  • Days Won

    1

Everything posted by solo4652

  1. Quick update: I was invited to jam/audition with a rock covers band, which I did. Great guitarist and drummer. But, they were wanting to play Anarchy in the UK in pubs that looked decidedly dodgy. Not for me, really. So, having put in stupid amounts of time to learn loads of songs for the audition, and having been offered the bassist slot, I decided to say "Thanks, but no thanks". I'm still wondering whether that was wise. Then I was approached by somebody else. He and his songwriting partner are putting together a set of electro-folk songs and they were after somebody to write basslines for their songs. I can't do that, I thought - I can belt out a bassline to Rain (The Cult), [i]but writing a bassline?![/i] Anyway, I had a go, and I've come up with some basslines which I'm really rather pleased with. And I enjoyed the whole process of listening to a song, working out the chords, experimenting with roots, 3rds, 5ths and suchlike. I haven't played with the songwriters yet - that's on Friday - but I'm looking forward to it. So, from loud semi-punk to restrained electro-folk in the space of less than a week. Still looking for that good-time, rock/pop covers band... Steve
  2. [quote name='TayoSteve' post='464696' date='Apr 17 2009, 09:19 AM']hi...were a 2 piece just coming out of a band, i play rythym and backing, my friend sings, were based in warrington.....not really covers though, original stuff, currently a 10 song set list we are working through....practice fridays in a rehearsal room....let me know if your interested.....thanks[/quote] PM sent.
  3. Hi, I have a tone-tastic 1987 MIA peavey Fury. It has the most wonderful, bright, clear piano-like tone which I really like. But, it has a skinny J-neck which I struggle with. Yesterday, I tried a new MIA Fender P and secondhand Stingray, but I was a bit disappointed - the P didn't give me the tonal range or clarity I have with my Fury. The Stingray was getting close, but was just too expensive. My Fury has a 4-bolt neck, fitted with a microtilt adjustment thingy in the pocket. 21 frets. Neck pocket measurements (OMG, I've just taken the neck off - my poor bass is now IN BITS): length: 92 mm, front width: 58mm, rear width: 62mm, front depth: 15mm, rear depth: 18mm So, I'm left with the option of replacing the J neck on my Fury with a P (or some other wide) neck. Some questions, please: Will a replacement neck significantly change the tone? I really don't want to change it much (just need more finger-room/greater string spacing) Anybody got something which might fit? Ideally (ha!) something which will drop straight in and I can re-use the existing tuners, bolts, plate, string tree if needs be. All ideas welcome. Steve
  4. I have one of these and it's loud, punchy, woody, and top-notch quality all round. There's on on ebay; [url="http://cgi.ebay.co.uk/G-L-L2000-Bass-Tribute-Series_W0QQitemZ230335234567QQcmdZViewItemQQptZUK_Musical_Instruments_Guitars_CV?hash=item230335234567&_trksid=p3286.c0.m14&_trkparms=72%3A1688%7C66%3A2%7C65%3A12%7C39%3A1%7C240%3A1318"]http://cgi.ebay.co.uk/G-L-L2000-Bass-Tribu...A1%7C240%3A1318[/url] Steve
  5. Hi everyone, I live in Stockport, and I'm the wrong side of 40. I started playing bass 1 year ago, and I've been jamming and rehearsing with a pop/rock covers band. We were well on our way to gigging, but, it's all gone toes-up, unfortunately. So, I'm now wandering around like a dog at a fair. I'm not hugely experienced, but I'm really keen, dependable and hard-working. I'm semi-retired, so I have lots of availability for rehearsals and gigs. I'm playing Coldplay, U2, Semisonic, Blondie, Stones, REM, Selecter, bit of soul - all sorts, really. Ideally, I'm looking to join an established serious-but-fun pop/rock/indie covers band that's looking for a reliable, committed, ultra keen bassist who has plenty of time, energy and availability to invest in the right setup. I've posted an "available" ad. on Partysounds, and I'm checking Gumtree daily. All other suggestions gratefully received. Thanks, Steve
  6. Brilliant, helpful responses! Thanks.
  7. If I buy a used bass off ebay from the USA from a private individual (not a shop), will I need to pay VAT and/or import duties, please? If so, aproximately how much is this likely to be? Steve
  8. Just wondered whether this might help you. It's not free - it's about £13, but it looks ridiculously simple to use - and that appeals to me! [url="http://www.quickbeat.com/cb/?hop=playfave"]http://www.quickbeat.com/cb/?hop=playfave[/url]
  9. Thanks to everyone for the quick and informative replies. Sounds like I might be showing some early signs of Paranoia here! I'll tell my friend about the Works Registration Service, and then he'll be able to decide for himself. Thanks, Steve
  10. Hi, The guitarist I jam with likes to write his own songs. When he emails MP3 files out to the rest of us, I'm a little concerned that, via the internet, somebody may discover his original material and "permanently borrow" his songs. Is there a really simple and quick way he can protect his songs, please? I was thinking about something like simply adding "Copyright of John Smith", or suchlike. Thanks, Steve
  11. Thanks for all your replies. It turns out that the drummer is a bit of a computer boffin, so he's taking responsibility for this. Thankfully. Steve
  12. What about the OLP TB4 bass? Can't seem to find out anything about it. Anybody tried one? What's the neck width?
  13. [quote name='OldGit' post='433867' date='Mar 13 2009, 04:26 PM']or I could promise to not not pay a rednose collector near me?[/quote] That's a double negative, isn't it?
  14. [quote name='OldGit' post='433291' date='Mar 13 2009, 09:35 AM']hey I just [b]knew[/b] that was a Michael Jackson look-alike selling out 40 dates at the 02 Arena this week .... or maybe this one.. It's the psudo military uniform that's fooled them ... Genral Sir Michael Jackson. [color="#000000"]Oh and by the way, absolutely great idea![/color] Please don't play Siberian Khatru by Yes for me How do I get some rednose money to you?[/quote] Paypal, cheque, banker's draft, cash, postal order - we're not fussy.
  15. Well - what a day it's been! We've been completely mad-busy this morning. We turned up for rehearsal and we were MOBBED by people asking us to not play. At one point we had Radio 1, Radio 2, Radio Five Live[b] and[/b] North-North-East Tonight lined up and begging us to not play. We had no idea we were so famous! That so many people wanted us to not play was quite...touching, really. At rehearsal, the bassist didn't turn up. But that's OK because it meant we could get through the songs quicker, so we ended up not playing more songs than we expected. However, unfortunately the keys player did turn up which sort of surprised us - first time we'd ever seen them, and we had got very used to not playing with them. Some good news - we were approached by a promoter who certainly wanted us to not play at the MEN Arena tomorrow night. Well, we tried our best, but we have already agreed to not play at the Budokan, and we didn't want to let anybody down. Can't not be in two places at once, after all! Some not so good news - we have been approached by the Spice Girls' management company who threatened us with an injunction. Apparently, the Spice Girls have the sole, exclusive rights to not performing for money, and so we either have to stop not performing, or perform for money. I think. So, I'm afraid I won't be able to contribute to this thread any more for legal reasons. However, there's just time to let you know which were the songs that most people asked us not to play today. It looked like it was going to be between Lady in Red, and "anything by U2", but the overall winner was Money for Nothing, which absolutely nobody had seen coming at all. Steve
  16. Don't know whether this is the right Forum, but it's sort of appropriate to put it here anyway. So, here goes... My band has come up with a way to make money for Red Nose Day, and we'd like everybody's help please. It's a marveloous idea - we're so rubbish that people pay us [b]NOT[/b] to play their favourite songs! How brilliant is that! We expect to be overwhelmed with requests along these lines: Hi! I hear you're not going to play songs for charity today - is that right? Yeah! We've been practising very hard by going to work and we now have an extensive back-catalogue of numbers which we're happy not to play for a fee. Do you do Status Quo? Ooooh, tricky. You see, the thing is that Quo numbers sound good, but are deceptively easy to play. So, we have to work hard at not playing them. For that reason, we charge more not to play them. Oh. How about Take That? Similar argument really. Take That songs are really popular and we get asked all the time to play them. In fact, it takes a lot of time and effort to avoid playing them, so we have to charge more to not play them. Abba? No problem! Their songs sound straightforward but are in fact technically difficult to play, and we really struggle with them. For us, it's very easy not to play them, so we can certainly do that for you. In fact, I tell you what, we have a 3-for-2 offer on just now with Abba songs - makes things easier for us. Same thing applies to any Motown number (not including Mony Mony). So, what's your request then? I'm going for Summer of 69, please. What!? We're are professionals you know! We wouldn't be seen dead not playing that! We do have our standards. We sort of sepcialise in not playing an Oi!/Swing type vibe - It's not everybody who can't play that you know... Look, I think you're pulling a fast one here. I've heard that you charge people for songs that you haven't played before - sounds like a scam to me. Rubbish! We approach each song in the same professional way and aim to do the very best we can to not play it. Failing that we play it as badly as possible - although, obviously, you'd be expected to donate a bit less in that case. And so on. We've actually had a lot of interest in bands who are keen to not play for money - in fact we're seriously thinking about franchising the whole idea. We've had interest from; The Stones (who want to not play because the're a bit old now), Spandau Ballet (bit, well, 80's...) and Michael Jackson (not playing because he died years ago). If you'd like us to not play for you today, then post your request here and we'll see what we can do! Please be patient - we expect to be very busy and it may take quite a bit of time before we don't play your song. However, we'll let you know just before we don't play it, so you can be sure it's your song we're not playing next. Wouldn't want anybody to think we're taking their money for nothing. Regards, Steve
  17. [quote name='Eight' post='432242' date='Mar 12 2009, 10:59 AM']Yes, I use it a lot both on Linux and Windows. Its quality. But like Audition, its really a sound editor with some multitrack features; not a music production centre. However, if all you're after is to record rehearsals and don't need to do fancy mixing or effects etc. (it has some though) then it'll be great.[/quote] Just tried to download the Audacity software onto my (fortunately) spare laptop. McAfee threw an utter wobbler. Result was a disabled laptop with what looks like a virus. McAfee now working hard to sort it out. I give up. I'll just use the Sound Recorder that comes with windows. Flaming computers.
  18. [quote name='crez5150' post='432184' date='Mar 12 2009, 09:53 AM']I think that if he's just learnt to turn the laptop on, trying to install Linux may fry his brain[/quote] Quite right! I'm being pointed in the direction of Audacity freeware. Anybody used this, please?
  19. Hi, Is there any free software for a laptop running Vista Home Premium we could use to record ourselves at rehearsal, please? Don't need anything pro-quality - just need to be able to review our practice sessions. What about a mic? Could we use one of the mic's at the rehearsal room plugged into the input jack of the laptop? Please don't get technical with your answers! I've only just managed to work out how to switch on my new laptop.... Steve
  20. I particularly liked this in the ad; "Item does not come with a hard case"! Excuse my naivety, but does this thing really exist? or is it a photoshop creation?
  21. [quote name='The Burpster' post='426533' date='Mar 5 2009, 06:06 PM']repairs and tech I think will start juices flowing.....[/quote] Thanks - I wasn't quite sure which forum was the right one.
  22. These pickups came with a brand new MIJ Tokai Hardpuncher P-bass I bought 6 months ago. I had the chance to replace them with some fender pups, which I did. I've since sold the bass. So, the original pups are for sale. hardly used, never been outside the bedroom. Unmarked and working perfectly when they were replaced. £25 ex p&p. Please PM me if you're interested. Steve
  23. Just spotted this. Words cannot do it justice. [url="http://cgi.ebay.co.uk/NEW-PRO-6-NECK-GUITAR-AND-BASS-TRIPLE-NECK-DOUBLE-NECK_W0QQitemZ200314773389QQcmdZViewItemQQptZGuitar?hash=item200314773389&_trksid=p3286.c0.m14&_trkparms=72%3A1688%7C66%3A2%7C65%3A12%7C39%3A2%7C240%3A1318"]http://cgi.ebay.co.uk/NEW-PRO-6-NECK-GUITA...A2%7C240%3A1318[/url]
  24. Hi, Here's my problem. My No.1 bass is a G&L Tribute 2000. Marvellous thing - big, full tone with lots of adaptability. I love it. It also has a wide P-neck, which I'm comfortable with. My No. 2 bass is a 1987 MIA Peavey Fury. This is not far behind the G&L in terms of richness of tone and I don't want to sell it because of that. But, it has a skinny J-neck. If ever I had to switch to it in an emergency, I'd struggle. Consequently, it's not being played, and is unlikley to be while I have the wide-necked G&L. So, I'm considering a replacement P-neck for the Fury. What would be a good one? Ideally, I'd like a Peavey-licensed neck to retain the logo, but I realise that's a long shot. Despite being a cracking bass, it's probably only worth about £250, so I don't want to spend a fortune. Finally, how much would a luthier charge to swop the necks, assuming we re-use the tuners? All suggestions welcomed. Thanks, Steve
  25. If you divide a combo's power output (Watts) by its weight (Kgs) you get an index of Watts per Kilo which may enable some sort of comparisons: Watts/Kilo for the combos mentioned here: Roland D115 = 12 Markbass 151p = 22 Markbass 121p = 30 Eden Nemesis NC115 = 13 Eden Nemesis Rs 210 = 15 Mesa Walkabout Scout = 14 So, Markbass 121p gives best "bang per Kilo" at 30 Watts/Kilo Could do something similar with Watts/price to get "Bang for buck"... Or maybe even Watts/(Weight X Price)? Yes, I know, there's an awful lot more to choosing a combo than Watts/Kilo etc, but it may give some sort of start-point for comparisons. Just a thought. I'm bored today. Steve
×
×
  • Create New...