JapanAxe

The civil law principle is known as [i]nemo dat quod non habet[/i], meaning nobody can give what he does not have. In this case, if the boy or the shop did not have title to the instrument, then they can't pass that title to you, i.e. you never own the bass. Returning it for a full refund is the way to go.

[quote name='Bill Fitzmaurice' timestamp='1453325279' post='2958543'] The TV show didn't examine it in depth. Women are genetically pre-disposed to not like low bass effects. In the wild low frequency vibrations tended to be harbingers of nastiness, like earthquakes and stampedes. Men are the opposite, as said stampedes were a sign of lunch approaching on the hoof. This to a great extent explains male fascination with big subwoofers, explosive effects and loud cars and motorcycles, whereas women could care less. What explains the female infatuation with shoes is anyone's guess. [/quote] Very true. My toddler grand-daughter will happily sit on my knee and bash away at notes in the middle of my keyboard, but if I play low notes on the bass she backs off and clings to her mum's leg.

Also worth considering that a frequency of 19Hz has been found to cause feelings of fear and anxiety. I got this from a TV programme about how natural phenomena give rise to 'supernatural' effects.

[quote name='cameltoe' timestamp='1453244772' post='2957883'] I'm in St Austell, if anyone wants an eyeball report! [/quote] Perhaps try to arrange a viewing and see what excuses come up?

It's rare, it's red, it's roadworn!

[quote name='Number6' timestamp='1453048112' post='2955919'] Although it is subjective. What sounds shocking to you may be another players tonal aspiration. It really is wide and varied. [/quote] True enough, but it was a tone I very much did [i]not[/i] envy!

Not always by any means. Some players I hear sound great, some don't. At a recent jam, I let a guy play my bass ('73P) through my rig (Demeter head + BF Midget cab). I love my sound when playing through this, but he sounded shocking! The reason? I play with a light touch, over or behind the pickup; he played with an upright-player's attack, right up by the neck.

[quote name='crward77' timestamp='1453039630' post='2955808'] I had a look for an Op Amp. But i couldn't see anything that looks like this... which is an op amp on wikipedia. [/quote] Er... that's a 'vintage' op amp!

It was last night - see link in post above. It would have been a bit nonsensical to insist on double bass when the pianist was playing an electronic keyboard!

The band leader had only ever seen me play a P bass, and in discussing technique I had made it clear that I didn't play upright, so no it wasn't a problem.

Last summer I depped in a covers band at a local 'Party in the Park' type of event. We went on after a One Direction tribute (backing tracks) and were followed by a Pink tribute (backing tracks). The headliner was a Robbie Williams tribute (full band plus dancers). I enjoyed the experience and would do it again. I quite like tribute acts to my favourite artists, because I can get to hear my favourite music played live without all the horrors that accompany the real thing (see another thread somewhere). I have no time for backing tracks though, and I have to say the Pink tribute seemed to make no effort to engage with the audience. As has been said above in so many words, vote with your feet and/or wallet. EDIT: Forgot to mention, we received quite a few compliments (including one from the chap who booked the acts) on being a 'proper band'.

I'd suggest a set of Chromes on your Stingray. I have them on my G&L, which is not a million miles from a 'Ray in terms of pickup design and placement, and the bass sounds as big as a rhino.

Music. The exception would be the work of the late Mr Bowie, maybe because his songs' lyrical content is so open to the imagination. Like bubinga5, I am often surprised to learn what a song is 'about'!

[url="http://basschat.co.uk/topic/7919-how-was-your-gig-last-night/page__view__findpost__p__2955507"]Result[/url]

Played my very first jazz gig last night, with a trad jazz 7-piece. We did a fair few swing numbers that the client had requested beforehand, and I have played swing on a couple of big band shows, but never done a gig where the band was actually billed as a 'Jazz Band'. I am completely new to trad jazz as a genre. It was also the first reading gig where I used my iPad rather than paper sheet music. Well I can report that it went very well. Although I 'fell off' a few times, I got back on track quite quickly each time. Despite there being at least 3 deps in the band, it was pretty tight. I enjoyed it enough that I would do it again. Full disclosure: my lowest-paid gig in quite a while, but that's jazz for ya! Pics or it didn't happen - well here's the stage setup:

I suggest you remove Hartke from your list - the ones I have heard have been defined but not warm.

Chris, where do you live? There may be a local BassChatter who can help you narrow down the possibilities.

Sounds like you already have a clear idea of what you want!

I'm confused, is this an electrical buzzing coming through your speaker(s), or a mechanical buzz where something loose is vibrating? The remedies are completely different!

The big caps look normal. The gunk around the base of each cap is to stop them vibrating and breaking the circuit board tracks. Can you clarify which output socket you plugged your cable into, and what was on the other end of it?

[quote name='ballstomonty' timestamp='1452928559' post='2954756'] Record the gig if you can, it'll give you real insight into what's going well/ what could be improved in your jazz chops. Do you have to solo? [/quote] Record the gig? - Now there's an idea (although a frightening one)! I have a couple of written solos, which will be getting some extra attention this morning. I have never had any interest in soloing on bass in the way that, say, Scott Devine seems to enjoy.

I understand the OP's need to de-bulk his gigging setup as much as possible to take on public transport. Unless I am also singing (in which case I need another box of bits and a mic stand), I can get all my kit from car to venue in one go. The one thing I have never been able to further downsize is my Hercules stand, which supports the bass from the headstock. I have a lightweight A-frame stand, but I just don't trust it to keep my bass from getting knocked over on stage.

About 18 months ago I decided to branch out and play as widely as possible. The sax player in my new functions band has asked me to dep with her 7-piece trad jazz band, and that's happening tomorrow night! I had kind of written off trad jazz as trite music played by old fellas in stripey jackets and boaters, with lots of widdly clarinets, but I am finding myself really enjoying this. I have played some swing stuff before in a dance band and a big band, and in fact there is a certain amount of swing in the set at the client's request, but I have had my eyes opened by the trad material - great up-tempo tunes, lovely chord progressions, and a very satisfying musical result when it all comes together. At the first rehearsal I was somewhat wrong-footed by the sheer speed of the music I was trying to sight-read - 4-beat at 230bpm anyone?! - but a bit of wood-shedding has sorted that. I have also found that I can do a passable walking bass when playing the swing material from chord charts, mainly from my knowledge of chord construction. So wish me luck - I will report back on Sunday.

[quote name='sunburstjazz1967' timestamp='1452887513' post='2954534'] I can live with the 80s disco look... [/quote]