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JapanAxe

⭐Supporting Member⭐
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Everything posted by JapanAxe

  1. Just read the article transcript. Scruton's complaint is more about the ubiquity of muzak and other unavoidable background music in public spaces. I agree with him about that part, but I would like it neither more nor less if that were classical music rather than pop. I particularly loathe the endless regurgitation of Christmas hits at this time of year - I wish it would just stop!
  2. I love JJs, excellent quality but not stupid dear, well worth it.
  3. This is a typical partisan conceit. Another example would be the idea that blues, and/or rock derived from blues, is somehow more 'authentic' than pop.
  4. [quote name='steve-bbb' timestamp='1446979252' post='2903824'] gig went ok word of advice to anybody considering taking a booking from The Sun in Faversham - as a precaution make sure when you agree the booking and confirm that all parties involved are fully aware of t&c's re the fee [/quote] Eh? Normal pub T&C's are that you turn up and play between the agreed times!
  5. [quote name='walbassist' timestamp='1447420501' post='2907536'] D'Addario Chromes are pretty bright. [/quote] Yep, I use them on my Pawn Shop Mustang, which is fitted with a big ol' humbucker.
  6. [quote name='rmcki' timestamp='1447360789' post='2907122'] I've had a Sandberg for a few week now, i'd say its a P-bass with options. [/quote] I concur.
  7. [quote name='JapanAxe' timestamp='1444386447' post='2882753'] Another Precision. One is great, so two has got to be better, right? The thing is I'm unsure which way to go with this. Options include:[list] [*]Another original 70s model; [*]An original 60s model (£££!); [*]An American Vintage Reissue (aka Pure Vintage); [*]A Custom Shop repro (relic'd or otherwise); [*]A Limelight or similar repro (ditto); [*]A cheaper/newer model to use as a 'beater' or for reduced risk (dodgy pubs, overnighters, overseas gigs). [/list] I will be hitting the Gallery and Denmark St tomorrow. I'm calling it a fact-finding mission for now, but who knows... [/quote] [quote name='JapanAxe' timestamp='1444500353' post='2883741'] My fact-finding mission was a success. Tried a delightful Pure Vintage P (in Sonic Blue) in Wunjo - thought I could definitely go for one of those, but no rush to buy. Then on to the Gallery and a Custom Shop '59 relic P in white with gold 'guard. I spent ages playing it (a good sign when you don't want to put it down) and was all set to make an offer, but after I got the chap to take some relief out of the neck, some of the mojo seemed to go. Weird. Also tried a bass built around a late 70s P neck with rosewood board - played superb, sounded good, looked hideous (to me). The quest continues. [/quote] [quote name='JapanAxe' timestamp='1446408924' post='2899199'] Well the Limelight is out of the running - I wouldn't be comfortable with the fake-ness thing (don't ask). Another London trip booked for next Saturday... [/quote] Sorry to self-quote, but this post would make no sense otherwise. My latest London trip was worthwhile, not least because I discovered how useful Google Maps on my phone can be - tell it where you want to go, specify public transport, and it tells you the bus stop and service number, how to walk to it, and when the next one is due. Outstanding! The Oyster card is a wonderful thing. Anyway, Wunjo had sold their last Pure Vintage, and the only thing in Denmark St that I even wanted to pick up was an original '59 at £9,995 i.e. somewhat outside my budget. New Kings Road Vintage Guitar Emporium (snappy name eh?) had a white P described as 'hybrid 60s/70s', which immediately caught my eye - basically 60s neck and pickup, unknown body (likely 70s from the white paint discoloured to yellow). I notice that the home-made scratchplate was somewhat wide by the controls so I asked them to remove it - sure enough, there was some extra routing, and you couldn't have fitted a normal scratchplate, so I passed. Played and sounded great, but I wasn't feeling the love. Top marks to those guys for helpfulness btw. Nipped up to Bass Direct yesterday afternoon and tried 4 Precisions: (1) 1969 in heavily distressed weird dark green finish - really light, played and sounded great, except for some fret buzz up the dusty end. Could be a high fret, could be an up-turn. Also it looked hideous - I want better for my £2,500! (2) 1993 MIJ in yellowed white / red tort - a real looker, very road worn, good player, but a weak G, even when the lads in the shop had kindly raised the pickup with some foam. (3) 1984 Squier JV in black - completely meh, sounded and played like a very ordinary bass. Did not live up to the legend. (4) CS '59 in sunburst / gold anodised - although my large hands are very tolerant of different neck profile, I make an exception in this case - wide, shallow, with a horrible sharp profile to the edges, completely different from the '59 I tried at the Gallery. Also tried a PJB Double 4 while I was there, and decided it wasn't for me. A practice amp really, I reckon it would be lost the moment someone else started to play. You may think I'm being picky. That's because I am. I'm not complaining though, as I am in the fortunate position of taking my time for the right bass. To be continued...
  8. Cool stain and oil job then!
  9. Bass - live, nope; home recording, yes. Guitar - live, yes for effect or fat boost; home recording, sometimes.
  10. Is it any good for metal? Oh, wait...
  11. I think Scott Devine has started playing one of these in his videos: [media]http://youtu.be/8opX_-lZ_BA[/media]
  12. Available New Year's Eve and some other December 2015 dates.
  13. Available New Year's Eve and some other December 2015 dates.
  14. [quote name='yorks5stringer' timestamp='1446822140' post='2902668'] Sonic heaven, lumbar hell. [/quote]
  15. Most puck purchasers seem to use them in conjunction with car jacks, but for jacking up cars, not cabs.
  16. Sorry, nothing there for me to like
  17. 5x clip-on 2x pedals 2x multi-fx
  18. Sugar pine is used in some custom builds - in fact I played a friend's Rutter Tel/Jag hybrid which I think was made from sugar pine.
  19. [quote name='xgsjx' timestamp='1446654292' post='2901197'] I got a length of acoustic drum riser foam & cut it in half & placed them under the cab anytime I was on a wooden stage. [/quote] Exactly what I did, works a treat. I started a thread about it [url="http://basschat.co.uk/topic/224651-the-cab-now-arriving-at-platfoam-3/page__p__2308648__hl__platfoam__fromsearch__1#entry2308648"]here[/url]. However, the latest scientific research shows that the best stand for a bass cab is another (matching) cab*. [size=2]*Just to be clear, I made this up.[/size]
  20. Strangely, when I saw the thread title I knew it was going to be about Bono and U2!
  21. +1 to all positive comments, GLWTS!
  22. [quote name='4-string-thing' timestamp='1446590311' post='2900712'] I was being ironic..... Take a £199 bass, probably cost about £75 s/h.... trash it a bit then put it on Ebay for £250! Wish I'd thought of that.... [/quote] Don't worry, plenty of people have.
  23. [quote name='discreet' timestamp='1446590311' post='2900711'] It's been hand-polished!! [/quote] The finish was so shiny that it slipped off that chair when he was taking the photo.
  24. [quote name='Meddle' timestamp='1446589005' post='2900695'] "I won't except anything under £100" [/quote] BIN £100 or make an offer - I guess he means a [i]higher[/i] offer then!
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