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JapanAxe

⭐Supporting Member⭐
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Everything posted by JapanAxe

  1. It's Friday evening and all is well with the world. Just a surplus bass amp lurking in my kit cupboard, telling me that very soon I will have TOO MANY AMPS! Therefore: BUMP.
  2. [quote name='Wonky2' timestamp='1426878802' post='2723122'] Ordered some feeler gauges which came today.... Gonna have an evening at the table with her..... Rather then just making tweaks i will attempt the factory figures using the old dude from elixir strings guides... I've always done ok with this but just made tweaks if you know what I mean, in the attempt to lower action.... This time , with this bass, its neck off every time you want to tweak the truss rod so yes, a pain in the arse. [/quote] Bear in mind that the action should be measured with the bass in the playing position, not on its back. Apologies if you already know this!
  3. Google translate works for me!
  4. I used to play through two 15in cabs, which was plenty bright enough for me. The reason I chose 1x15s over 2x10s? No stupid tweeters! I voted with the majority on this, so I guess I am subject to the same preconceptions as most other bass players. It is already clear that arguments have been marshalled, ready for the 'I told you so' when the uncomfortable truth is revealed...
  5. [quote name='Conan' timestamp='1426686598' post='2720769'] While I don't doubt the experiences of the respondents so far, I do think that a lot of us hear with our eyes and muscles. If we heft in a heavy piece of gear, we expect it to sound "heavyweight" too... Maybe another blind test is called for (like the one relating to cone diameters)? [/quote] This is a challenge that needs to be taken up on a BC Bass Bash, along the lines of Lozz's 'blindfold' Precision test.
  6. I've never bothered trying to measure the height of the strings off the fretboard. I go for as low an action as I can that will still allow me to dig in a bit with my plucking hand without too much fret buzz. I have a lower action on my Sandberg than on my old P, and I put that down to vorsprung durch technik
  7. [quote name='Mornats' timestamp='1426795371' post='2722138'] Often overlooked but should be standard practice for anyone using cables! [/quote] Yep, over-under coiling and Velcro cable ties. No tangles on my watch!
  8. I had one of these (different finish). Almost too many tonal options, including a great P sound and a lovely fat bridge HB.
  9. Another thumbs-up from a paid-up member of the Sandberg Owners Club!
  10. BUMP. Now also selling my Ampeg SVT 3 Pro - see link below.
  11. [quote name='disssa' timestamp='1426754339' post='2721480'] Jepp, sorry... But wherever you write something about the Veyron, the first answer is something like that. Over and over again... Ok, I will compare this amps at our practice session today... [/quote] Cheers disssa! Seriously, there must be many bass players wondering whether the Veyron amps are a worthy substitute for the Streamliners. Looking forward to hearing your comments...
  12. [quote name='dieseldalziel' timestamp='1426425245' post='2717895'] So does anyone have one of these yet? Either tube or Mosfet? I'm very tempted.. [/quote] [url="http://basschat.co.uk/topic/258138-bugera-veyron-t/"]disssa has one[/url]
  13. I think [url="http://basschat.co.uk/user/28991-ambient/"][b]ambient[/b][/url] was after one of these.
  14. [quote name='disssa' timestamp='1426706260' post='2721149'] [url="https://www.youtube.com/watch?v=ZWmHrjWhCKU"]To say it like Homer[/url]... [/quote] Sorry! You have to wonder whether Behringer had that in mind though...
  15. Oh wait.. [i]Bugera[/i] Veyron. My bad!
  16. I describe myself as a semi-pro bass player and guitarist. That has more to do with how I approach the engagements I do, and the bands who I work with, than with my level of technical ability. I see plenty people more capable than me, and a fair few less capable, so I am somewhere in the middle ability-wise. However, I am more useful to a band than a sh!t-hot player who doesn't prepare for the gig, turn up on time, help with the load-in/out, dress appropriately, etc...
  17. [quote name='ahpook' timestamp='1426525327' post='2718860'] One more vote for the Ultra-Low in and boosting some of the mids using the midrange control. Works for me on my SVP-Pro [/quote] Just out of interest, is that just for recording, or are you feeding the signal to a power amp and speaker on stage, or straight into the PA?
  18. I am getting this up for sale before I change my mind as I do love the sound of this amp. However I have just put down a deposit on a very special and rather expensive amp head, and I can't avoid selling either this or my Streamliner to free up funds and cupboard space, not to mention keeping Mrs Axe at bay! This is (I believe) a late 90s SVT 3 Pro, i.e. not one of the earlier 'III' models. It was built in the USA and is a substantial bit of kit. It can be rack-mounted (2U) as long as you ensure adequate ventilation. It delivers 450W RMS into 4 ohms, or 275W RMS into 8 ohms. You can find a summary and the owner's manual on [url="http://www.ampeg.com/products/pro/svt3pro/"]this page[/url]. For those not familiar, the 3-band EQ (with selectable mids) is built around three 12AX7 valves (not just a token one!), there is a switchable 9-band graphic, and there is a further 2-valve stage (one 12AXY, one 12AU7) which drives the MOSFET power section. The control labelled TUBE GAIN actually controls the plate voltage in this driver stage - once you have set your stage volume, you can create some valve compression by backing off the control (thus restricting the headroom); or turn it up full for maximum dynamic range. This is not one of those amps that has yielded its full potential by 10 o'clock on the volume control. It will happily run with the master at, say, 2 o'clock (as I always did), and there is room in the gain structure to extract more volume by using the level control on the graphic if you wish. There are plenty of posts on BC which attest this is not the 'quiet' amp some have claimed! Everything works. Some of the push switches make a slight pop when operated, and the exterior is somewhat scuffed and worn. The only notable damage is to the DI level pot, which has been broken off. The shaft can still be turned, and the ground lift can still be operated by pulling on the end of the shaft. (Please! This is a family forum.) These amps need to be properly biased to work at their best, and I have fitted a multi-turn trimmer pot to make this easier. It is currently optimally biased, and should not need further attention. You can see what I did [url="http://basschat.co.uk/topic/235017-nad-ampeg-svt-3-pro/page__view__findpost__p__2446435"]here[/url], and there are various gut-shots in the same thread. The current (Far East built) SVT 3 Pro's retail at £889 at GAK. I am asking [b][s]£420[/s] [size=5][s][size=4]£375[/size][/s] £345[/size][/b], less than half the new cost, and [b]UK delivery is included[/b]. You can save yourself £20 by collecting from me in Swindon or Oxford; other meet-up type arrangements by negotiation. Please ask any questions about the amp here in this thread, but keep discussions about money etc to private messages. SALE ONLY for the reasons given above!
  19. Bump for a vintagey head. Deposit has gone down on major purchase, so deffo no trades!
  20. In case you were unaware, these retail new at £199, and the single version retails at £139. Hence this BARGAIN BUMP.
  21. [quote name='JTUK' timestamp='1426518014' post='2718723'] Why have different speakers and configs if you can't hear the difference and a stage sound is what you play to... the audience doesn't matter from your POV if you are running FOH. [/quote] GAS mainly!
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