JapanAxe

Tuner pedal for silent tuning (and changing over basses if necessary). Put a fork in me, I’m done.

This may help: https://www.electrosmash.com/mxr-phase90 I would be looking to increase the gain of the input buffer, or if that causes distortion, the output buffer.

A familiar story - welcome aboard!

I carry loads of spares of all types of cables. Each has a label on it stating its approximate length in metres, as well as a velcro cable tie. Yes I lend them to other band members, but I quickly retrieve them at the end of the gig because they are easy to identify. #controlfreak

One of us! One of us! And HNBD, you have bought well.

Whereabouts are you @Mickyk? I’d be happy to take a look at at it (foc).

I know, very disappointed in John Fogerty there.

I came to bass from guitar so I started out with a pick. It took me a long while to crack the standard two-finger approach, and a few years ago I moved over to fully floating thumb. Nowadays my preference is fingerstyle - I love the feeling of connectedness to the instrument. I still use a pick where either that particular sound is required, or I need to play fast repeated notes.

Best thing would be to drop a verse and a chorus, the intro, the solo, and the remaining verses and choruses. And the bridge. God I hate that song.

Wow - that is a cracking collection! And a fellow Swindonian to boot - will you be rocking these around local venues?

Barefaced One 10. Whether that is tiny enough is your call!

That headstock - is it the work of a certain purveyor of guitar conversions?

I practise my guitar fx changes along with the other aspects of the song. I rarely touch my amp between songs. Add me to the list of those who can’t stand between-song fiddlers!

Any good for metal? Does it play like butter? *fetches coat*

Some of my least favourite gigs have been where the band members have been spread out in a long line, backs to the wall, so that we all felt separated from one another. The sense of playing together was lost. This just takes it to another level.

No, but… I used to be Keef in a Stones tribute band, and bought a 1987 Les Paul Junior that looked and sounded great, although it was far from perfect in the playability department. I liked it a lot and ended up using it in another band in place of my CS sunburst LP. A couple of months later I went to World Guitars to try a fuzz box, and the proprietor Jeff (RIP) handed me a Gibson CS336 with P90s to play through it. The guitar was phenomenal, but I was nowhere near having the funds to buy it. I bought the fuzz and left with a lingering yearning - if only I hadn’t bought that Junior! Fast forward a year or two, I am browsing the WG website one evening, and there is the CS336 again, obviously traded back in. First thing next morning I phone WG. Yes they still had it, so I drove straight up there, confirmed the guitar was still awesome, and bought it. Happy ending! I took the CS336 to a function band rehearsal and the singer made me promise to bring it to the gig - that’s how good it is!

That's just an idealised illustration - I doubt that the filter slopes are really that sharp.

I’m with you on that - tweeters are for adding weight and hiss to your setup!

Thanks @BassmanPaul and @beans-on-toast that's really useful. I built my amp cathode biased so no issue with the bias tap.

Ha ha, yes I know how diodes are oriented! I recently rebuilt a modern Princeton Reverb and it had BYD33V diodes fitted to the rectifier valve in exactly this way. Thanks, I might get some of those.

Lead guitar with a pub covers band (signed up as a dep, now regarded as a member) playing all the usual suspects. We don't do Wonderwall but a group of young people were so insistent that we caved in and busked it to a rapturous reception. Second late night in a row - absolutely Donald Ducked today.

What silicon diodes did you use? On my recent B15-inspired build I had a GZ34 that was arcing. I fitted a new GZ34 and then tried a UF4007 before each anode on the GZ34, but the amp didn't work with the silicon diodes fitted.