JapanAxe

Depends. If it's a reading job, it isn't a good use of my valuable time to learn the material, but it helps to be familiar with it. In my country band, we often take the song round again if people are up dancing, but I know how each section goes, and how to link them. And for depping in other bands, I may know how the original recording go, but I frequently have to adapt to a different song structure, or even the wrong chords!

Yeah I bought and sold mine for about £20!

The successful applicant will end up with a Peugeot 206 outside their house, and the band members inside said house.

[quote name='Lozz196' timestamp='1477429832' post='3162245'] In terms of what it was used for, a Fender Twin that had no gain or drive, when it was a provided amp for my old punk covers band. The Sex Pistols, Clash, Anti Nowhere League etc don`t sound great on a clean guitar. [/quote] Didn't Steve Jones use a Twin live?

[quote name='Chewie' timestamp='1477397172' post='3161936'] This is a great thread........... Heeeeeeeeeeeeeere's mine.......... [attachment=230755:IMG_3623.JPG] [/quote] Ooh - liking the look of those. PM me if you want to met up and compare Precisions, we are almost neighbours...

I've had exactly the same experience, but I was the guitarist and the keys player missed a gig through sickness. Bliss!

Have you had a patch lead go bad?

[quote name='blue' timestamp='1476765276' post='3156994'] Now that I think about it "Ain't No Mountain High Enough" always gets me. Blue [/quote] For me, this thread ended with the first reply - good call, Blue!

[quote name='moonbass' timestamp='1476652113' post='3156076'] Or just do it with a bass: [url="https://youtu.be/1XmcX9x4OqY"]https://youtu.be/1XmcX9x4OqY[/url] Still pretty great! [/quote] And 'only' 4 strings!

Blue, it sounds like touring would suit you perfectly. Why not pursue it? Have a think about where the opportunities are and make some approaches, talk to people you know in that part of the industry, find out how touring bass players got to be where they are and see if that route is available to you. You only live once!

Available much of December including New Year's Eve.

Available much of December including New Year's Eve.

If it wasn't for drummers, who would build all the sheds?

[quote name='Woodinblack' timestamp='1476564278' post='3155321'] Carlsbro stingray! [/quote] I'll see your Carlsbro Stingray and raise you a Carlsbro Hornet 45! I played mine in a church music group and it seemed OK because I knew no better. It only took one actual gig for me to realise how totally inadequate it was in every way. I replaced it with a Sessionette combo which did me fine until I did a gig with a horn section. The world of valve amps was beckoning...

All in all a great country gig near Leicester. My favourite moment was the drummer's introduction to one of the songs: 'You can waltz to this if you want. 1-2-3-4!'

Splitting a humbucker rarely gives a sound close to that of a lone single-coil pickup, for reasons to do with their construction. The Seymour Duncan JB sounds quite good when split, and some other HBs are allegedly designed to split in a convincing manner. If you like your split sounds, stay with them. If not, a shopping trip may be in order.

I had an Octave Mandola (Irish Bouzouki) which sounded GDAE an octave below a regular mandolin. Although the wider neck was better for me than a mandolin, the longer scale length made close-voiced mando chords impossible. To the OP: Take a trip to Hobgoblin Music in Bristol. They have a good array of mando-type instruments. Also the shop is staffed by comically-bearded gentlemen. While you are there, both the Music Room and PMT are within 10 minutes' walk.

[quote name='joeystrange' timestamp='1476465700' post='3154639'] Do any of you guys using IEMs NOT use your own PA? Would it be a lot more difficult if you were to use them with a house PA/engineer? [/quote] I will be doing exactly that tonight - just need a reasonable monitor mix from the desk to the transmitter box.

Blue posed the question: Where is Skegness? Everyone has missed the obvious answer: [size=8] [/size]

Excellent informative review Paul, just the things we all need to know.

I have had a single and a double for at least 7 years. If they were going to go sticky they'd have done it by now I reckon!

In the OP's example, the semiquaver runs stand out. I would play through those slowly at first and work out my fingering. If I realised that they were a particular scale (as here) I would 'pencil' that on the piece, whether in reality or in software.

The dominant 7th refers to the 7th chord built on the dominant scale degree, so in the key of C that would be G7. Things get a bit more complicated because the same chord can function as a 'secondary dominant' so for example the chord G7 may be used in the key of Eb to take you to the chord of Cm. If you are going to play a 7th as part of an arpeggio or scale run, you need to think of the chord behind it and its function. Much confusion arises because the term 'minor 7th' can refer to an interval (pitch distance between 2 notes) or to a chord (minor chord extended with a 7th). I'm going to butt out here and suggest you find a good book about chords! EDIT: What Stickman said while I was typing on my iPad!

This happened to an instant corkscrew device in my kitchen. I don't know either!