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Chienmortbb

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About Chienmortbb

  • Birthday 01/12/1951

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  • Location
    Poole, Dorset

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  1. Chienmortbb started following If you took only 1 cab for a heavy rock gig... , Something special , Cat5/6/7 Ethercon Stage Boxes and 3 others
  2. Chienmortbb
    Good luck and keep us informed.
  3. Chienmortbb
    We had this over July/Aug/Sept often two per weekend. Now nothing since 15th November to Feb 9th.
  4. Chienmortbb
    Has anyone used these in anger? Of course it is not as good as using audio cable but I suspect it would suffice in many applications. Thomann Cat Snake
  5. Chienmortbb
    I have a new amp incoming but this thing has been bulletproof. If I don’t sell it and can manage financially, I may keep it.
  6. Chienmortbb
    I did think about adding condenser but you are still the exception for vocal mics on stage.
  7. Chienmortbb
    Now £30. Made with Neutrik connectors, right-angled on one end and straight on the other. Uses Sommer Spirit LLX, just about the best cable you can buy. Coils easily and features low loss due to its low capacitance. This cable is brand new and ready to post. Add £4 for postage
  8. Chienmortbb
    I agree but for us weekend warriors, £3K vs £30? In saying that I progamme mine so rarely that I have to re-learn it. Also the firts PARs I boughtb were a new model but the protocol had changed from the old model but they had included the protocol document for the old model. I wasted hours...
  9. Chienmortbb
    The BUMP button usually appears at the top after 3 (I think its 3) days.
  10. Chienmortbb
    I would profess to be a lighting genius but trying to programme a DMX system can be challenging. I bought one of these cheap DMX controllers HERE. It is a real learning curve and the one thing you soon learn is that DMX Is not standard. Even within different PAR cans, the commands are different. You can resolve this using different addresses but be prepared to spend some time perfecting things.
  11. Chienmortbb
    We have had the discussion on here about what mics we use/prefer, but what do the other members of your ensemble use? It is multi choice so you can vote for both.
  12. Chienmortbb
    It has been a thing at the cheaper end of the market, paying lip service to the higher frequencies. Shame on Eich for saving money this way although they are not alone. It is one of the reasons that boutique makers like Greenboy, LFSys, and others exist, because the usual suspects play fast and loose with the top end. SEarch on here or on T*lkbass for Markbass combos and the issues with their top ends. If the best you can do is a tweeter and capacitor, do not bother.
  13. Chienmortbb
    Yes you need to be careful here. Amplifiers have limits to the size of capacitive load and you could cause your amp to shut down. This is true of Class D amps but may class A/B amps have trouble with capacitive loads.
  14. Chienmortbb
    I don't want this to descend into a fanboy flame war but as the Barefaced battalions are already firing a lo-fi barrage........I had the 12" Monaco and now have the 10" Monza, they all think we are nuts but I agree. The Monza is a tad down on the Monaco for sensitivity so I would consider a second to be sure but one Monaco, absolutely. On a sensible note, it's hard to be sure without knowing how loud the rest of the band are. Talk to Alex at Barefaced, talk to our own @stevie about what you need, but have all the details ready when you do. We are all biased, but of course the Barefaced boys are more biased than me 🤣
  15. Chienmortbb
    Sorry for the delay in my reply but, if anyone wants these cables, I can get them as I have a trade account with Sommer, however they are almost €12 before VAT and shipment and the extra customs and handling charges that good old Brexit has resulted in. ( I was looking at retail price, I can sell it at £7/metre). So you are sailing close to £16 per metre plus connectors and connection charges.
  16. Chienmortbb
    Probably just a resistor in line, standard fare to limit current and reduce RF interference. It will do flip all to limit loudness.
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