Chienmortbb

I think the Jaydee has gone, and it was a bit rich for my blood anyway.

It is water-soluble, so you could thin it and brush that on. I think I did that on one cabinet.

I think those Thomann lights are a bit expensive. IMO the best vendors for lighting are Stsge or DJ suppliers. Terralec do a good range Terralec Lighting and these are worth a look Equinox Light Cluster. if you search DJ Suppliers , they will have more choice, both in price and range. I advise getting a set that has DMX control as you may want to get more lights later and you need to be able to control all of them.

I painted the baffle Matt Black as Tuffcab is not a good idea in a baffle. I stopped the Tuffcab at the inside edge and started the Matt Black from there.

On the prototype, I put the handle on after applying Tuffcab. The advantage of masking is that it guarantees that the handle will sit flush but at the handle dimensions are variable (on most strap handles). If you are not going for a full-on Artex type of finish, then the handle will be secure and in my case is sat well on top of the Tuffcab.

Anyone that is still legitimally here, well done. If you get past Black Friday, you are on the home run.

Can you get longwave on those?

Last week’s gig for my band was in an almost square room with the stage in the corner. It really was the easiest sound check we have ever had. The sound out front seemed well balanced everywhere and especially on stage, despite us using the passive mains and monitors. As some will know, I have a shiny new system waiting in the wings but my shoulder injury means I cannot lift the Subs until the New Year. I wonder whether the positioning of the stage has as much to do with the sound as anything else. With the corner stage, the wall reflections are quite different to a central stage in a square/rectangle. Of course these corner stage setups are not the norm but as this was the first time at this venue for us, I am hopeful we can return next year. The nice touch was that we were paid more than the agreed fee .

That is about the length on the prototype.

Nice looking bass, what is it?

Our usual hall put up its prices, so I suggested using the rehearsal rooms at Absolute Music. These are well-equipped, but one of the guitarists insisted on taking his amp and the drummer said he did not like playing other kits, so would have to take his own. However, they have good rigs, TC, Orange and Blackstar. The College close by used to hire its music rooms out, and I used that with my previous band. They had Ampeg combos. Not my favourites.

In my experience, all DMX controllers need both the manual for the controller and the DMX protocol for the individual luminaires. I once bought some moni PARs where the factory had changed the DMX protocol in the MK2 but left the protocol for the MK1 in the user manual.

You will need to know the dsp/crossover settings that Barefaced used to get the sound right.

They have just restocked at my branch of Lidl.

That looks great. Well actually it’s hardly noticeable and that is exactly as it should be?

You my friend have very good taste in tipples

Strange, I have found the cabs a bit sterile when listening, maybe it was the amp settings.

Never got on with those, but horses for courses.

Return to gigging for me last night after a medical "holiday". The Rebbels played a new venue, Bluebird Social Club, Longham (just north of Poole and Bournemouth). My partner said it was "a dump" last time she went there, although that was decades ago. There was a vintage carpet on the floor, but it was tidy and the tables and chairs were new and pristine. At 7pm it was empty. I took both my Fender Aerodyne and my Kala U Bass Solid Body as I am recovering slowly from a rotator cuff/shoulder injury and could not even pick the Fender until last Wednesday. However, a good practice session at home was encouraging, and I started playing the Fender. After about 5 songs, it was clear that I would have to switch to the Kala. By this time, the audience had swelled to around 40, although the place still looked empty they were enthusiastic, clapping more than was just polite applause and some line dancers were on the huge dance floor from the start. The audience reaction seemed to energise the singer, who was not only on the top of his game vocally but great in between songs. Despite the audience size, we were paid £25 extra and immediately booked again for the new year. I returned home happy 🤩, but knackered.

First gig in a while for me, hernia op and rotator cuff uff injury means I have not played in anger since August. Still struggling so will take the Kala UBass Solid Body. Depending on the audience, might tell a joke about the UBass shrinking in the wash. However on Thursday I managed a session with the Fender Aerodyne so will start with that but change to the U Bass if necessary.

This is true of all electronic and musical instruments too. It is the joy of making, t(at is satisfying not financial savings.

I have a rotator cuff injury and cannot currently play my 34" basses. I have a U Bass (23") and it helps, but I am now looking at a 30". Not only that, but I am on a budget. I could probably stretch to £250, so what is worth getting? A bit of info, the Kala U Bass Solid Body is not as good as any cheap bass I have bought in the last 10 years, so I have been looking at Ibanez, Hartwood, Harley Benton and looking for advice.