Chienmortbb

DeOxit or any cleaner can only be a temporary solution to noisy pots, any contact or switch cleaner should be used sparingly. In this case, the effects loop is two switches and the contacts can only really be accessed from within the case. For switches or switching jacks, I recommend a standard switch or contact cleaner, which is both cheaper and probably more effective. The other option, although not ideal, is to install a patch cable into the EFX loop, although even those contacts may corrode over time.

Where are you based? Someone mighty be able to take a look for you.

I have no idea but am answering to bump the question to the top of the pile.

MK2 will use the same spacing of the horizontal bars, but the PSU will be mounted in an enclosure under the board. The power sockets will be underneath, making it easier to mount pedals. I had the board on all day, yesterday in ambient 23 Celsius, without any problems. Running on batteries or the new power supply makes no difference as far as I can hear. I will get the scope on the output one day.

All installed and wired, just need to stop playing and start tidying up the cables and adding Velcro.

Almost finished, Got some cables to tidy up though and more velcro to add.

No criticism of the playing except, it was all on the higher strings of a 6 string. Hardly pushing a bass amp.

They would be alright if they stopped that AND kept their left hands away from the LH side of the keyboard.

V1.2.2 Firmware is now available. It is a maintenance release so no new features.

Silent Plugs are only available in TS or mono configuration.

It is mainly wired IEM systems. Te Behringer ones are OK, but some are not. TRS to XLR should be OK.

I bought the CQ20 for the extra (XLR) inputs and the built-in power supply.

Be aware that some IEM systems only have stereo on the XLR part of the combi input. It is not available on TRS.

The Rebbels are playing a pub Festival at the Swan in Stalbridge, near Sturminster Newton, Dorset. We played the pub last year and were invited back for the Festival. We were expecting a full FoH and sound tech but it appears there are two bands on two stages and we need to use our own PA. We are not even on the poster ! https://www.facebook.com/share/1AHNsDR6zk/?mibextid=wwXIfr I will post pics an reports on the “last night” thread.

Ampeg were a great company but time. and tech moves on. I never got the Ampeg Bug although I loved Trace Gear. I think Peavey have honoured the Trace legacy despite my initial fears. Like Trace, Ampeg have limped from owner to owner with none really taking tha brand seriously. Portaflex was a disaster, it took almost ten PF500 iterations before the amps were right, meaning you cannot trust them. I don’t think Trace ever had such a problem but the name of Ampeg went from top dog to has been rapidly and are now a brand rather than a make.

Stunning!

I agree and would add Sade to that short list.

Listening to. “The Covid Enquiry”. Cannot wait for their second album.

The Ampeg sound may be revered but the looks made the Linear Concord look good. The cab looks OK but the head looks like it was built from someone’s parts box. Of course beauty or sexiness is in the eye of the beholder.

The BLX130 is the one amp I regret selling and I sold it because,,,, I could not find the extension cabinet.

I think there are enough springs to change them all. However I would try the bad one first and cry for help needed.

Just about to post these but thought I would take a look. They are much smaller than I imagined. They have sent you a few. You should be able to fit them but if not, the offer still stands.

I have had real trouble with a TC Mic Mechanic alongside a Zoom B2 Four, On the same power lines there is a high pitched wine (Chateau Neuf Du Pape?). I had the same problem with the B1 Four and the Mic Mechanic. I must get the 'scope out and see whether the Mic Mechanic puts noise the powerline.

Do you have any problems with noise? I often find that using a digital pedal on that same supply as analogue pedals can induce noise on the power lines.

A lesson I learnt many years ago.