Chienmortbb

In my opinion, the EVOX and the 745s were very close on the acoustic track and it was only the guitar sound on the Wishbone Ash track that really made a difference to me, I grew up with WA and the sound through various HiFi systems is ingrained in my memory. In saying that I always say that the ears have no memory so take that with a pinch of salt. I have also heard Phil's ART 310s on a separate occasion and agree that I would be happy to gig with any of them for vocals only or putting most of the band through the PA the big issue that both @Phil Starrand @Woodinblack highlight in different ways is that a misused SUB can spoil any sound.

They are just about fully programmable.

To be fair I thought the EVOX handled things pretty well but the guitars in the Wishbone Ash track were how I remember them on the 745s. If I had to carry them, the EVOX would win hands down, or is that hands up?

This is exactly the sound I hess as t from other sub on a stick systems and in the hall it was the guitar sound on the Wishbone Ash song that really showed the difference. The EVOX could not match the 745. This was not what I was expecting as I considered the Evox to be the best of these systems. As @Phil Starrand @stevie have said, it is the compression driver/horn combination that sets the best from the rest.

There will be an HPF on the phone and YouTube will add some compression. As I was stood behind the phone/camera I can say that what I heard on the video was quite close to what went on in the hall. My other comments, the ART 310s were a long way apart and it did notice when walking around the room, The ART745s were better than the EVOX "Sun ob a stick" and the ART 310s but the difference was not as much as I expected. The EVOX was very close to the 745 and based on this short shootout, was probably the best "tea chest bass" system I have heard. To clarify I have heard Bose, Yamaha, LD Systems and all three have a nasty mid range that spoil the vocal sound, although this could be the wetware and/or crappy wireless mics in use.,rather than the system. YMMV

I left the Micro SD card in my laptop so could not use the Zoom. The recording was done on my phone.

Yes. Alder Body rather than Basswood and P neck rather than J. Fender rip off of Fender Japan design.

Didn’t he give his name to a copy of the Fender Aerodyne?

Here is the video of the PA cab Shootout at the Bass Bash yesterday.

OK it is up, no editing just the raw footage as it happened.

I don't think they are.

Me too as I speak.

The video of the cab build is uploading as I type. I will post the link this afternoon.

On a serious note, the videos of both the 8” cab build and the PA shootout will be online later today.

“I wish I were using one of @Chienmortbbs cables….😩

Some BF cabs have not tweeter, so by definition are coloured.

You will have to delete some old photos..

Sorry we missed you @Kateplaysbass.

Was it in Warminster?

On the CQ forums, the consensus is that both the mic preamps and effects are a class above the Behringer compacts. Of course owner bias might be a factor but to me the biggest difference is the build . My CQ20 is built like a brick outhouse.

It looses wireless and two FX busses so you can only use two effects at time. The CQ18 and 20 have 4 FX Busses.

I want to ask what Darkglass Suite is but in reality it does not concern me so....

The IEC connectors are rated at 10 Amps, if they are to the standard. Many far east leads are 5 Amps at best so be careful.

That is superb, you must be proud of yourself?

I had a Monaco before my Monza and I agree. I changed as I needed a lighter cab and the Monza fitted in my car better.