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Skinnyman

⭐Supporting Member⭐
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Everything posted by Skinnyman

  1. In the interest of full disclosure I should mention that when taking the pictures, I noticed that on the outer edge of the lower horn there is a small area where the paint is a slightly different shade. My guess is that this was caused by the early morning sun just catching that one part of the bass. You can see the slightly lighter patch in the photo…
  2. Thanks to everyone for the interest shown in this. It’s now sold and gone to a happy new owner! I’m selling my 1982 Fender USA Precision Bass. It’s Olympic White with maple neck and fretboard and is in immaculate condition (see below for the reason why!). The bass has quite an unusual history. I bought it in 2015 from @darbiter who, when I picked it up, told me that his family used to have a music business in London and that this was a bass that his dad (or grandad, I can’t remember which) had taken to use with his band. I got the impression that this was a last-minute, need-a-bass-for-a-gig-tonight, spur-of-the-moment kind of thing. Whatever the reason, the bass didn’t do many gigs before it was put away (under a bed, apparently) and was forgotten about until they came to have a clear out, discovered it and put it up for sale. The bass still has the original factory packaging along with the thumb rest, pickup and bridge covers (which have never been fitted). I only gigged the bass a few times before I got the Jazz which became my main gigging bass and the P was then used exclusively at home. A couple of years ago I got hold of a heavily discounted set of Fender Vintage ’63 pickups. I fitted them to see what they sounded like and ended up leaving them on the bass because they sound really good. The original pickups are included of course so the bass can easily be returned to original factory condition. The bass weighs 10.2 lb on my digital scales, is nicely balanced and sounds phenomenal. I did a little research when I got back home and discovered that Dan’s family, the Arbiters, were significant figures in the UK music scene throughout the sixties and seventies and, in addition to owning the Sound City music store (amongst others), designing and selling their own range of guitars, fuzzboxes and amps (and designing the drop-T logo for the Beatles), were also the official distributors for CBS Fender products from the mid-seventies. So this is a Fullerton-era Precision bass that was the personal bass of by either Ivor or John Arbiter and which has remained unused for years until I bought it. I doubt the provenance makes any significant difference to the price but it’s part of the instrument’s history and should be recorded. It also explains why it’s in such good and original condition. (Dan’s original advert is still on the site, along with a helpful discussion about the serial number. Sadly, the pictures no longer load - apparently there were a few which showed the date stamp inside the neck pocket which dates this to 1982). I'd rather not take the bass to bits at this stage but if serious buyers want pictures of the neck pocket and wiring harness please PM me. As you can imagine, I’m reluctant to send this by post so would much prefer collection or a handover in person. The bass is available to try out here in leafy Lincolnshire or there’s a good chance I’ll be able to arrange to deliver/meet - please drop me a PM to discuss options. Please note: I'm struggling to know how to value this - given the condition and originality, I've tried to pitch it at what I think is a fair price for a Fullerton-era Precision but if I'm wildly out then I'm hoping that the BC collective will be able to help me get to a more informed valuation! Pictures below...
  3. On hold, pending completion 😁 This is a bit of a feeler - I’m not using the Wavestate at the moment through lack of time and we’re moving soon to a smaller house so it’s time for a clear out. (Basically, I think this just means that I won’t be broken-hearted if it doesn’t sell and I end up keeping it 😁) Anyway… Up for sale is my Korg Wavestate. I bought it at the start of the year and used it quite extensively for a few months but just recently band and work commitments have meant that I’ve not had chance to use it and with our downsizing house move imminent I’m under pressure to clear things out. There are plenty of videos on YT about the Wavestate so I won’t go into detail about what the Wavestate is. 😁 Mine has been upgraded to V2.0 and works with the new editor and librarian software. It’s in immaculate condition having lived under the decksaver (I’ve hardly used the synth itself for programming as I’ve done it via the App and my Midi controller). I’ve got the original box and manuals including the software bundle activation codes (I used the free Skoove trial and one of the soft synths but the rest of the bundle is still available). Its available for collection/tryout here in sunny Cleethorpes for £320 or I’ll post it (within the UK) for £330. I’ll add some pictures later when I get chance but for now, here’s the link to the Korg website https://www.korg.com/uk/products/synthesizers/wavestate/
  4. I started with a Roland Gaia. They’re a bit over-priced new but used ones are better value. Nice and simple to operate, I found it a great tool for learning how to program a synth. It’s been out forever so loads of used ones. Some look down their noses at it but as a simple but powerful first synth I think it’s hard to beat. I’ve now moved mine on and got a Korg Krome because I wanted a decent arpeggiator and loads of presets (the Roland Juno DS and Korg Kross do a similar job) but I often wish I’d kept hold of the little Gaia for its flexibility and ease of use.
  5. Paul sold me his RCF Digital mixer. Promptly shipped, well packaged and just as advertised! A pleasure to deal with!
  6. £45 posted within the UK I bought this last year for a specific song that we’ve now dropped from the set list. As a result, it’s had very little use and is in immaculate condition. A really nice, old-school wah pedal that runs on mains or battery. Complete with EHX power supply and, if I can find them, the box and instructions.
  7. I’ve bought a lot of stuff from Absolute over the years and they’ve always been excellent If you like the DS61, keep your eyes open for a Korg Kross or Kross 2 as well. Very similar in many respects
  8. Hmmmm. The D looks to be listed on EBay for about £250. Maybe I let mine go too cheap! Prices of “vintage” synths seem to have rocketed….
  9. You’ll always be my George, George. 😍
  10. I bought a Juno D from someone on BC years ago and sold it on last year to another BCer. Not much over £100 and the sounds are plenty good enough for covers band work. The newer DS has more features but costs a lot more…. If you go for used, just check all the buttons work as they can get a bit erratic after a lot of use….
  11. For me, definitely. I don’t use a lot of overdrive or distortion and I’m not a big fan of slap. I like a big, fat, old school kind of thud with, sometimes, just a little grit and sometimes a bit more treble or high mids to cut through. I’ve had amps over the years with drive channels and I’ve not used them because they’ve sounded too harsh (to my ears). The Digbeth can do distortion if needed (I don’t) but, dialled back, it’s quite a usable sound. It reminds me a lot of my old Genz Benz Shuttle - and that’s a good thing in my book
  12. Do you want a workstation-type thing that has loads of sound patches? In which case, a used Roland Juno-D or similar. Do you want a “proper” programmable synth? In which case, a used Roland Gaia. If you’re in a covers band, I’d go for the workstation as that gives you a lot of patches ready made that will be usable with minimal tweaking….
  13. Ah, you got me! In fairness, I only got it from GAK because they were £25 cheaper than everywhere else and I figured it was worth letting everyone know 😁 I’m impressed with the little preamp though. I haven’t had anything from Laney since a little PA amp back in the 80s and I’d assumed they’d gone out of business years ago
  14. After I moved seats and stopped playing bass in the band, I sold my bass amps and cabs to free up some room in the house. I do want the option of playing live now and again so I just got a Laney Digbeth bass preamp. I’ve not had chance to use it in anger but so far it seems to be perfect for what I want. I’ve been able to dial in a really nice, fat sound that suits my Jazz nicely and the Ric sounds glorious when you hit the Tube switch with a small amount of drive dialled in. The pedal seems really well put together and at £125 from GAK, was a bargain
  15. Listening to the new album, Liberty, from Chas Cronk. Excellent.
  16. The way I play I have very little choice in the matter….. Anyway, welcome to BassChat. You’ll find a diverse bunch of people here talking about a wide range of interesting topics* *Or not.
  17. I’m constantly amazed at how easily the music industry is able to find new (or old) ways of selling us the same stuff. Over the years I have bought multiple copies of the same albums across different formats. LP. Quadrophonic LP. Cassette. Eight-track cartridge. CD. Digitally remastered CD with added bonus tracks. CD box set Steven Wilson Surround Mix. Streamed version from Spotify. Lossless digital stream Amazon Music. Ditto Apple whatever theirs is called. 180g Japanese pressed Vinyl reissue I daresay there will be more “definitive” CD reissues over the next few years as the assets are sweated yet again
  18. Tony bought my PRS Hollowbody guitar, joining BassChat specifically to buy it! Communication throughout has been prompt and the whole transaction has been effortless. Tony went to the effort of driving for over an hour to meet up with me. Online payment straight into my bank account and off we both went: simples! Welcome to BassChat, Tony. It was a pleasure to do business!
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