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Everything posted by Skinnyman
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The Power of Love - Different songs with the same title!
Skinnyman replied to Ricky 4000's topic in General Discussion
Well that puts "Shut Up" in its place..... -
The Power of Love - Different songs with the same title!
Skinnyman replied to Ricky 4000's topic in General Discussion
We have a winner then. Assuming that you can post all nine of your new songs on here for us to listen to? -
The Power of Love - Different songs with the same title!
Skinnyman replied to Ricky 4000's topic in General Discussion
So “Shut Up” is ahead at this early stage with “Only You” a close (or distant) second (or not, as the case may be). Six seems hard to beat.... -
I'd forgotten about Huey Lewis. That's another of the beggars....
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S'pose we all need a hobby. I'm guessing there wasn't a fight for custody?
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Tina Weymouth BBC bass programme in Jan
Skinnyman replied to arthurhenry's topic in General Discussion
Only if they gave Andy Summers appearance fee to Sting.... -
Completely different songs as in Doctor, Doctor by the Thompson Twins and the different song of the same name by UFO. Not to be confused with the different song by Robert Palmer with a different name but the words "Doctor, doctor" featured prominently in the chorus.
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I guess it's actually "different songs with the same name where you start to play one version and the rest of the band are playing the other, especially where you don't realise until the chorus." A thread with quite limited appeal I'd suggest, but one to which I could certainly contribute...
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There's a confusing number of songs with the same name. Power of Love. Doctor, Doctor being just two. I have an unerring ability to learn the wrong one
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Wow. Multiply by quite a few customers and that's a lot of unnecessary recycling. Do Argos still print millions of catalogues? And i see that Yellow Pages has finally stopped printing a real book. Looks like CPC are trying to take up the slack all on their own
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I always loved the fact that when Alex left they became The Sensational Alex Harvey Band (Without Alex). I spent a lot of time in and around Glasgow in the Seventies and was introduced to the SAHB then. I guess I'm at an age where many of my childhood heroes are dying off. Time to dig out some old vinyl and reminisce with old friends and a wee dram tonight, I think
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Cant help thinking there's a sitcom somewhere in these and the audition stories....
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I learnt that the one thing you don’t have a spare of is the thing that will break so carry two of everything
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I used to have a real block with the solo in that song. Could play it perfectly at home or in rehearsal, always made a complete Horlicks of it at a gig. I've finally got past that now but i still shudder at the memory of the car crashes
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A great post and something I try to do myself - I'm maybe not quite as disciplined but that's my failing. The only thing I'd add is that once you've learnt the song, when you do go to play it with the band, listen to what the drummer's doing and be prepared to change what you're playing if needed....
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I use Guitar Tapp which is a really cool aggregator that brings together all the online tabs. Browsing through them, it’s amazing how much variation there can be for a single song
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Tina Weymouth BBC bass programme in Jan
Skinnyman replied to arthurhenry's topic in General Discussion
What? Hit me with a handbag and shut down the pits? -
I’ve had this before. Guitarist in a band I auditioned for insisted on everything being as per the original recording. No deviation allowed - now, I agree with Subaudio that you need to know the original and keep the key essence of the song before you start to make changes, but this was a flat refusal to brook any kind of deviation from the original recorded work. I didn’t get the gig because I wasn’t very good (which is fair enough) but I don’t think I’d have taken it anyway. i see the current audition as being professionally organised (as I say, out of my league but I’m of the camp that says you should play with people who are better than you are in order to learn) which is a Good Thing - but I will be on the lookout for the kind of control freakery that you encountered.
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I'm currently learning a bunch of songs for an upcoming audition and have (so far) been impressed by the attention to detail. MP3 recordings of the band playing their arrangements, a breakdown of the structure they follow and, in a few cases, the previous bass player's own handwritten tab. Very professional and making me feel very concerned that I'll be way out of my league! As far as the original post is concerned, unless it's a tribute band, I don't mind too much if the band changes the arrangement - even the original artists will often change the way they play things - but there is a "minimum standard" that should be achieved if you're going to play it in public and hope that people will pay you to do so. Rather, my biggest bugbear is learning a particular version of a song to be told "oh, we play such-a-bodies version" or "we do the version from their live album with the extended bridge section".
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Tina Weymouth BBC bass programme in Jan
Skinnyman replied to arthurhenry's topic in General Discussion
The biggest disappointment? I still don't know which is best for metal -
Tina Weymouth BBC bass programme in Jan
Skinnyman replied to arthurhenry's topic in General Discussion
Ditto that - but did anyone else think that Stewart Copeland looked a lot like Doc from Back To The Future? -
As I've had a few "fulfilled" dreams myself, I was expecting this to be a very different thread, given the title. But, to stay on topic, i also had a go with an SVT and 8x10 at our local rehearsal room and was also left a bit underwhelmed. I wonder if they sound better in a decent sized venue at gig volumes rather than in a rehearsal room where - even though they sound loud - they're not being stretched enough to sound their best. Whatever, it wasn't the earth-moving experience I was expecting....
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Whats the most ridiculous thing you have been asked for on stage?
Skinnyman replied to ubit's topic in General Discussion
Sorry, has to be done.... Was it a dance it a raffle? You set 'em up... -
We used to get £250 the first time we played going up to £300 once they'd decided we weren't just "a bluddy noise" and booked us to come back. A couple of places offered £350 but £300 seemed to be the norm. Start at nine, break for't bingo and then curfew at twelve. Strike down and out by 12:30 cos Howard has to lock up and he's on shift again at six....
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Not everything about the bass is great .....
Skinnyman replied to Barking Spiders's topic in General Discussion
Precisely. There's a symbiotic relationship here - or should be. Pubs need bands to bring in the punters and bands need pubs to give them a venue at which to play. And let's be honest, we probably need the pubs more than they need us OK, if you're a band of sufficient stature that you can play bigger, music-specific venues then all power to your elbow and play what you want. But if you're in a band that plays on a Saturday night down the Pig and Whistle and you're being paid to do so by the landlord then, in my view, your job is to entertain the punters first and yourself second. And if that means playing bloody Wonderwall yet again then i will play it with a big cheesy smile on my face.