
chrkelly
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Everything posted by chrkelly
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Apologies Ari but just told my other half about this and she almost kicked me out of the house. In the interests of having a mildly stress free life for the near future, I think I'll have to pass on this one. It does sound like a stunning bass though and I'm sure you won't have a problem finding a buyer for it. You don't see many fretless MTDs available at all. Good luck with the sale, Chris
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I've got a K&M too, had it about 10 years. Nice and comfy but very heavy. If I have to use public transport to a gig, the stool stays at home. Major- Mine doesn't have the backrest and it's still very squeaky! I would never bring it to a session. Mine's all gaffa taped up at the mo to stop it. They're fine when new but over time all the moving parts work loose.
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[quote name='Toasted' post='549556' date='Jul 23 2009, 11:25 PM']That's gotta be the most bass you can buy for £1600.[/quote] Very very true. I'd have this off you in a flash but I have one already. They're amazing instruments, there's something about the ergonomics that make them so comfortable to play, you don't have to fight it at all. Mine's so resonant I've had to completely rethink my muting technique. Here's another one in action in the hands of [url="http://www.youtube.com/watch?v=2OiBzYckcYI"]David Dyson[/url] Someone buy it quick
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Good thread, Jake's right on the lock thing. If it's locked and they want to open they WILL break it. The other problem is if they do open it, they're usually not too careful about closing it properly again. Last year on tour in the States they had opened my double bass case. They looked behind the bass and then didn't bother doing up the straps again before closing it. Got to the gig and I had a few open seams and a detached fingerboard! Fortunately there was a great luthier 10mins up the road and he lent me a great bass for the gig, repaired mine over the weekend and than delivered it back to my hotel! Great guy. You just have to accept that it will go all wrong the odd time. Touring wouldn't be as fun if everthing works out perfectly all the time
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It makes me sick the lengths some people will go to. The effort it takes to run away with a double bass! What the **** was he thinking? Your stuff's never safe anywere though. I did a gig at the theatre Champs Elysees in Paris last year and some guy walked in, straight past the security guard, and down to the dressing rooms (which are not easy to find) and made off with everyone's valuables. Luckily we were playing the gig at the time so all the instruments were on stage. I always stick my bag in the flightcase side stage now.
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Pirastro Obligato and Evah Pirazzi Strings
chrkelly replied to Major-Minor's topic in EUB and Double Bass
My good bass had a set of regular EPs on it when I first played it last year. They were really nice but I just didn't get on with the massive gauge. They're almost the size of guts but with the tension of steels (my bass has a 110cm stop though). I found them a bit too bright on my bass for orchestral stuff but then again I'm used to original flexocores. The C ext string was nice though, you could really hear the low notes. I'd imagine they'd work well on a big boomy bass in the orchestra. They're definitely great pizz strings though. -
Double Bass Tutor In South East London
chrkelly replied to originalfunkbrother's topic in EUB and Double Bass
hi Funky, I'm based in Catford if that's any use. My tour finishes this weekend so should be free after that. Cheers, Chris -
+1 on the Ikea. Cheap as chips. Just remember to buy a cushion for it or your arse will be killing after an hour or two! I'd go for the shorter one, like the Major said it will enable you to get both feet on the ground. Much better for your back in the long run.
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Now sorted with a bargain £700 old german ply 5 string. Plays amazingly and vibrates very well for what it cost. Usual tightness for a 5 but the solo gauge spiros are in the post.
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[quote name='Moo' post='500523' date='May 29 2009, 03:12 AM']Another site also suggested the Obligatos were only good for 6 months hard playing, with de-tuning between gigs to release the tension.[/quote] I wouldn't recommend de-tuning strings all the time. That's what will kill them after a few months. Always leave them tuned to pitch, otherwise you will have serious tuning problems and most likely, an out of place soundpost. For strings, Pirastro have just brought out a weich/soft version of the Evah Pirazzhis. Should be very nice.
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Edited with a drop in funds due to my good bass getting a make over. Now £2000 max to spend [quote name='jdstrings' post='494837' date='May 22 2009, 02:49 AM']Hi, I do repairs and setups on double basses and often have one or two for sale of the sort you mention. Also I can supply a panormo model bass made in Europe by Calin Wulthur (and set up in my workshop) for a little over £3000. Check out my website for more details of available instruments... www.jeromedavies.com Good luck finding one! Jerome Davies.[/quote] Cheers Jerome, not sure if I can go that high now but I'll keep you in mind for the future
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What's the most double bass sounding EUB ?
chrkelly replied to 6stringbassist's topic in EUB and Double Bass
[quote name='owen' post='498404' date='May 27 2009, 12:06 AM']The most double bass sounding EUB is the one which is set up like a DB. I could not believe the difference lifting the strings up made to the sound of my NS5 EUB. There are allen screws on the back. Fabulous.[/quote] Very true, works the other way round too. A double bass with very low action and spiros amplified will sound like a fretless on steroids. I'd also try a set of dark orchestral strings (like flexocores or belcantos) on the NS. Those instruments have so much sustain, you need a dark thumpy stringset to try to counteract that. -
[quote name='BigBeatNut' post='499732' date='May 28 2009, 11:43 AM']I'm interested to know why.[/quote] I bought one a few years ago. Checked all the measurements and it looked like it would be a good fit but when it arrived it was massive, especially the neck section. So much pointless material, you could have squeezed about 5 necks in there. Because of this it weighed a ton. Stitching was crap too, handles coming loose etc. Maybe I just got a bad one but I've since heard similar storys about the quality of their electric bass bags too. It was quite comfy for having a sleep in though! Flightcase-wise, the Stevenson case is the industry standard but a bit ott unless you're doing some serious touring. Those styrofoam ones like decent though for transit van gigs.
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I'd check out the Soundwear and Mooradian soft cases. They're the best I've seen. I use a Soundwear Performer which is brilliantly made with loads of padding. Downside is it's heavy. Thomann stock Soundwear, not too sure about the Mooradian, you might have to order direct from the states. Whatever you do, don't buy a Ritter!
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Great guy, just bought his Zon fretless yesterday. Brilliant bass in brilliant condition and beautifully set up. Tim really looks after his gear. Great cup of tea too! Well chuffed
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Help needed - Epifani UL-112 vs any other lightweight option
chrkelly replied to tremblap's topic in Amps and Cabs
Have you tried an Aguilar AG500 with the Epifanis yet? I've owned both, although not at the same time, and I'd imagine they'd give you that clear meaty sound similar to what you're used to with the Eden. -
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Thanks Deaky. Looks like a good bass but unfortunately Scotland's a bit far for me. Cheers anyway and good luck with the sale. Chris
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Cheers Jake, Sounds good, I just need to try as many as possible at the mo. I'll pm you soon to arrange a play.