Jonse

Ayyyy!

https://www.ebay.co.uk/itm/383584165155 "Custom, unique, one of a kind." 😬

Cool!

Think I remember reading it was a homemade distortion pedal based on a Proco Rat. Think I also read he doesn't know what happened to it sadly.

Used to stock a variety of Alex's cheeses at work. Couldn't buy enough Blue Monday, simply flew out the door. Cool name helped too I reckon.

I can't really comment on the paint colour, but I've heard of it being dark brown and not black before. Regarding the solder, the control cavities are often coated in a metallic shielding paint. Looks as though those blobs of solder could be connecting the brass plate to the paint, so as to retain continuity. I could be totally wrong of course.

There's no right or wrong order, but I tend to follow convention when it comes to pedals. I would order it: Tuner - compressor - boost - distortion - chorus - flanger - amp. Not too different from yours but in my experience the compressors I have used have worked better when fed a cleaner signal I.e. before distortion.

I experienced something similar with my barefaced six10, it would distort on the low G. I ignored it and played as normal and it just went away. Maybe it's the speakers breaking in. You've had your one10 around six months, I'd say my problem occured around the same time.

Bought a can of maplins brand contact cleaner about ten years ago. Still using it!

Fiddling with the set up so haven't done the wiring yet, but this is how I'm doing things nowadays.

Used to have a Guild D15 acoustic. Wonderful guitar.

Both!

Agreed

Never had a problem with my precision but I do carry previously installed backup strings (also which I've never had to use.)

They're great basses. That's heavy though.

I like limelights and the roadworn range. I feel the Fender road worns are a great starting point that feel and look played in, but it's easy to make your own mark too. The bass below isn't mine. But it shows you how these uniform, factory-worn basses can get their own character after time.

Was listening to a bit about him on 6 music earlier on. Will be sadly missed.

Yes, in hindsight (one too many pops last night) Bob wouldn't be the best choice for contemporary, underground bands / audiences. I suppose the closest thing we have at the moment would be BBC introducing, but it'd be cool to have something televised and presented to the masses.

Watched guitar heros at the BBC. Can't recall how many times I've seen those clips now. Whispering Bob is still around, bring back Old Grey Whistle test with some contemporary acts. Be better than whatever shíte Jools Holland is peddling!

Not mine but like this one a lot. Wornfrets on Instagram.

Never thought I'd find myself posting in this thread but here we are. Looks to me string brand might be a factor. You have daddario chrome's on the Stingray right? The chromes on @Silvia Bluejay basses match up well and below are the chromes on my precision. So maybe chromes are designed to line up somehow? Or maybe this is all just nonsense.

aaaaaaaahhAAAAAhhhhhAAAAAAAAAAHHHHHHH

I've used the DI for recoding and that sounded good, but I'm sure I read somewhere that they were made to be miced up. Might have read that on talkbass. Ample power with the matching 210 cab for recording and at - home practice.

It's been my at - home practice amp for the last six years or so. Used every day, never failed to power up or anything. The only think I had to replace was the switch since I use it so often. Sounds great! My only criticism is that the fan noise is a bit loud but hey, turn it up!