0175westwood29

it’s starting electronics gone

stomp upgraded

That will work for sure, I like having the audio separate but that’s just a preference. also adobe has a super simple sync feature built in

Show your settings and also is the comp first in line?

Well maybe not making more modding a squier to become one new turner pickups and a underhill tone circuit ( based on what’s in a mk1 wal ) dong have a pic of the circuit yet as it’s on it was from the us

the stomps on and got a few patches loaded oh and so is the octave clang

Yep basically!

this sounds great in the loop of a damnation audio dirt fixer will get a little video up later tonight

kemper rig made its live debut at the weekend I still have a board so it’s more of a hybrid rig and it’s a powered rack so I can use a cab on stage

yeh it sounds killer! And thanks to reading the kemper manual and looking online, it’s totally fine to run the power rack with a 4ohm cab 😄

Not with there ml5 the ml10 you are able, I don’t need order switching so went with the 5.

I have one I. The loop of the other needed something I could midi control, send them to foh in there own signal so having two makes a big synth sound

ok so it still needs some cable ties tbh but I’m happy

Stealth Moose | Knuckle Sandwich | Official Lyric Video https://youtu.be/1JrFtmcbpDc

You can do things together, but some like to treat the audio I try and get it right so I don’t need to do anything in post. with a good sync clap or I palm mute and chug to sync together it’s very simple in (for me) premier pro as you can auto sync so it takes seconds

We’re really happy and I’m super happy with the bass sounds on the ep it’s a 4 track release. We kept things all In house recorded the bass using a mix of two notes wall of sound and my board or my board feeding my old bass simplifier theres also a clean di and some synth in there https://stealthmoose.bandcamp.com/album/click-to-continue

Oh it’s 100% meant for that but my insert cable to allow me to split the meatbox made me have to go there and I also don’t hate the pedal being up there either

If your getting a sound your happy with on abelton then it’s a simple as recording what you want to see and just making sure there’s something like a 4 count or sync clap so you can sync things in your editing software. I use a mix of camera and iPhone video but always split the sound and video tho I used to try and run from my mixer into the camera and do it all in one but was just a pain.

Really nice actually def super close to the og