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EliasMooseblaster

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Everything posted by EliasMooseblaster

  1. [b]Update 13th Sept: this amp has now been sold.[/b] [b]Update 17th Aug: now only £70![/b] The time has come to part ways with this faithful little guitar combo. A bit of a rarity, I believe: whilst Vox still make Pathfinder amps, the 15R doesn't appear to be in production any more. - 15W solid state amp, 8" Vox speaker - separate Gain and Master Volume, with Gain Boost switch - bass and treble controls - built-in tremolo unit, with speed and depth control - built-in reverb - jack sockets for Line Out, Headphone, External Speaker and Footswitch As the photos show, there is a small amount of cosmetic damage to the amp: some scuffs in the Tolex, and the original owner somehow managed to get white emulsion on the flex. The amp is nevertheless in perfect working order. Hasn't been pushed too hard, either: I've owned it for about seven years, and it's been gigged about five or six times at most. Probably the loudest solid state combo I've ever encountered. Not sure whether it would keep up with a 15W valve equivalent, but it's certainly loud enough for small gigs, recording or rehearsal. A rich, warm tone which overdrives nicely with the gain wound up. The tremolo and reverb units provide additional 'cool' to what is already a good-looking and good-sounding amp. I'm selling it for two reasons: one is to fund another purchase, and the other is that, nice as the tone is, I'm looking for something a bit different. I live near Kingston upon Thames and work in London, so I'm happy to meet buyers anywhere on the TfL network. Otherwise I'm happy to post to other parts of the UK; I'll need to look into postage costs. [attachment=196976:voxFront.JPG][attachment=196971:voxTop.JPG][attachment=196978:voxBack.JPG][attachment=196975:voxPanel.JPG] [attachment=196974:voxScuff1.JPG][attachment=196973:voxScuff2.JPG][attachment=196972:voxScuff3.JPG][attachment=196977:voxFlex.JPG]
  2. Just a quick update: still a few sets of RS66s to go; I believe one will have been cut for a T-bird and the other for a P-bass, but I'll check. I've also got a set of [b]Rotosound Purples - .012 -.052[/b], cut for an SG-style guitar (i.e., 3+3 headstock). I'll throw in the unused spare top E with these. Probably going to have an additional set of [b]RS66s[/b] cut for an Epi EB-3 [b](2+2 headstock)[/b] after Monday night if anyone fancies those.
  3. A big +1 to Up Around the Bend. Another suggestion which used to go down a storm with my old blues/rock trio: [i]Time [/i]by Pink Floyd. If the lead guitarist is up to the job, every hero-in-their-own-bedroom guitarist will be queuing up to shake his hand after the set.
  4. I'm just filling in the online form to see if they'll book Cherry White for an evening in the near future, and I've been asked to name our price. Trouble is, "our price" depends very much on how much stuff we have to bring...does anybody know whether White Trash have their own amps and drumkit, or will we have to throw our own stuff in the back of a van?
  5. After a bit of a hiatus (i.e., a few gigs that were cancelled on us), we played at [b]The Islington[/b] last Friday, 17th July: [attachment=196673:IMGP6491.jpg][attachment=196675:IMGP6506.jpg] [attachment=196676:IMGP6526.jpg][attachment=196677:IMGP6535.jpg]
  6. Tomorrow Bump because it is tomorrow. [video]http://www.youtube.com/watch?v=Bp7UAvkMf64[/video]
  7. As I've mentioned in a few other threads, I'm very conscious that my vocal abilities are very limited. (It certainly doesn't help that, given my natural register, I have to do the bottom harmony of any BVs, which is notoriously the hardest one to get right.) On the plus side, I'm going to have a bit more free time over the next few weeks, so I thought I might investigate singing lessons. Can anybody recommend a reasonably-priced vocal coach near Kingston-upon-Thames, or the SW London area?
  8. [quote name='urbanx' timestamp='1436952095' post='2822236'] How long is this tour?! Could you take it as annual leave, and use you're office job to fund it? [/quote] This isn't bad advice, actually, and is probably a good example of why these things are best approached on a case-by-case basis. I recently had the chance to go on a tour that would have just about fit inside my annual leave allowance - if it had been with my main band then I probably would have done it. Being nearly 30, and considerably more cynical, I knew that one tour wasn't going to break the band into mainstream success, so, depressing as going back to the office job would have been, it would have been less depressing than going back to Job Seekers' Allowance! (But since they weren't my main band, and I would have been left with no holiday allowance afterwards, I decided to pass up the opportunity, I should probably add.)
  9. [quote name='KevB' timestamp='1436517187' post='2818704'] Just out of curiosity does anyone know what happens in public libraries? I assume some sort of artist payment occurs when people borrow an album, any idea what the royalty rates on those transactions are - similar to streaming? [/quote] Yep, there are services which collect royalties every time somebody checks out a book, CD, DVD, etc. I think it's the PLR for UK authors, and PPL for UK musicians. I don't know exactly what the rates are, but one certainly wouldn't rely on them to form the backbone of one's income!
  10. [b]Just a week away now...[/b] [attachment=195975:indieNoir.jpg]
  11. [quote name='Damonjames' timestamp='1436365640' post='2817547'] I don't see them collapsing... The sad reality is that until listeners begin to once again place a value on music, the payment for it will continue to fall. [/quote] Couldn't agree more. It's all very well telling us to opt out of the major commercial services and use Bandcamp or Pledgemusic, but your average punter fears the unfamiliar - they'll look for your music on iTunes or Spotify, or whatever they normally use, and if they can't find it then they'll not bother.
  12. You can tell it's a serious gig when it's got its own trailer: [url="https://youtu.be/C0_Ozi3jmKE"]http://youtu.be/C0_Ozi3jmKE[/url] From the official event page ([url="https://www.facebook.com/events/828886583860254/"]https://www.facebook...28886583860254/[/url]): "A night of femme-fatales and unique acts from the dark side of Indie playing an incredible mix of musical genres... Also included will be stalls, artwork, film and fashion. This is not just another gig. Prepare yourselves for... INDIE NOIR #5 All pre-ordered [url="http://www.wegottickets.com/event/323773"]tickets[/url] include a FREE compilation EP with a track from each of the artists... HANA PIRANHA Singer and violinist hailing from New Zealand play cathartic gothic-rock songs from her upcoming album Fishing With Dynamite. [url="https://www.facebook.com/cherrywhitemusic"]Cherry White[/url] The elegant sound of contemporary classic rock, steeped in a barrel of blues, with plenty of attitude. [[i]And obviously featuring Mr E Mooseblaster on bass; they totally forgot to mention that...[/i]] SUMER Music to take you out of the space you're in and transport you away entirely MISHKIN FITZGERALD Known for her role and singer and pianist in the punk-rock-orchestral band [url="https://www.facebook.com/birdeatsbaby"]Birdeatsbaby[/url], Mishkin's solo work has been described as "a mournful take on Patrick Wolf and Regina Spector via mid-period Depeche Mode". Also included will be a stall from [url="https://www.facebook.com/hippypoppinsshop"]Hippy Poppins[/url], an incredible costumer designer from London, and artwork displayed from [url="https://www.facebook.com/audreybishopart"]Audrey Bishop[/url]. We will also be showing clips from famous films and who knows what else?"
  13. I'll tell you where guitarists are leaving us behind, and that's in low-wattage valve amps. I think a lot of manufacturers are cottoning on to the idea that most guitarists no longer have any use for a 100W valve head and a couple of 4x12s, and increasingly I've seen a rise in valve combos putting out 15W or less. Now I realise that a 15W bass head is not going to give you a huge amount of deep bass response, but I'm a little surprised that the smaller valve head hasn't taken off in the same way for bass amps. The Ashdown Little Bastard does surprisingly well for a 30W head (I've gigged it a few times), and I would have thought that a lot of players who like a vintage valve sound might find, say, a 50 or 60W head sufficient for small gigs. (Though I should add that I've been perfectly happy with my own 100W bass head so far!)
  14. To answer the titular question with an example, I don't think anybody needs to be "qualified" to criticise this performance: https://youtu.be/FjeMDvCdrtc
  15. It always seems such a waste to throw out old strings. Unfortunately I can't find any recycling facilities that could reuse the metal, but I'm aware that some people on here are quite happy to use "deadened" rounds, or might be looking for a spare set or two but don't have the readies right now. I'll need to take a proper inventory of how many sets I've got, but I believe there are at least three or four to go: [b]Rotosound RS66LN, Swing Bass Nickel-plated Roundwound Strings, .045-.105, for long-scale basses[/b] They will have been variously cut for Precisions, a Thundebird or an EB-3 (SG style), so if you specify what bass you want them for, I can find a set that's most likely to fit! Happy to post anywhere in the UK.
  16. [quote name='neepheid' timestamp='1435826939' post='2812689'] I have no cheesemaking skills whatsoever. Does that mean if a cheesemaker hands me a piece of defective cheese I have to just chow down with a straight face and say "mmm, that's delicious"? [/quote] Well, quite. That's the last time I go for lunch at Alex bloody James' house!
  17. As many have suggested, part of the problem with the question is the nebulous definition of "rock star." When I first started to invest serious time and effort into Cherry White, people would always ask, "ooh, so you're going to be a rock star, then?" And I always corrected them, saying "not quite; I want to be a musician." Because after all the years of hair metal and increasingly ridiculous behaviour and posturing on the part of the Axl Roses, the Dave Lee Roths, hell, even the Liam Gallaghers and Robbie Williamses of this world, it occurred to me that the term "rock star" had become dangerously synonymous with "d**khead." And of course, if we go by that definition then Mr West is a strong contender!
  18. [quote name='Beer of the Bass' timestamp='1435579511' post='2810139'] When so much of their message in the early days was about not bowing down to their elders, I find it odd that I'm now expected to do so towards them. [/quote] Perhaps now would be an appropriate time to wheel out the quote: "Meet the new boss, same as the old boss."
  19. Bands have a habit of not necessarily doing the right/respectful thing, though, don't they? I thought that after Jon Lord's departure and passing, Deep Purple would have called it a day. Ian Paice is now, strictly speaking, the only original member of that band, and there appears to be no way the others will consider working with Blackmore again (though to be fair, [i]Rapture from the Deep [/i]was a surprisingly good album). But I digress; somehow I suspect there will be enough demand for other members (current and former) of Yes to keep playing that they'll consider it viable. And if they do, then some incarnation of Yes will go back on the road, and we'll be on here having various discussions along the lines of "I saw them last week and they were good but gosh it's not the same without Chris Squire" - much like we've been doing lately for The Who!
  20. Based on what I've heard from others applying for various US visas, green cards, etc, I suspect your avatar may sum up how you feel by the time you've completed the application!
  21. [quote name='tinyd' timestamp='1435315412' post='2807558'] So you've been to my gigs, then ? This is very true - I bought my BG to my last jazz gig and it was definitely 'different'.... There's something about the envelope of DB notes that lends itself better to walking bass lines IMHO, but it's subtle and can be achieved on BG with a bit of muting / EQ etc. [/quote] I believe it's the way the note 'swells' as you play the string, such that the peak volume actually arrives a little bit 'late' and gives the impression of playing behind the beat. Which is not to say you can't deliberately play behind the beat on a BG - or, indeed, get close to the effect using a fretless.
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