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julietgreen

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About julietgreen

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  1. It's gratifying to read this. At my last outing, I realised I'd gotten to the end of a short set and hadn't made any mistakes. It was a remarkable moment. It's rare. Usually there are a few and it's always about lapses in concentration.
  2. I'm keen to do the melody for j'attendrai on double bass for the Hot Club style band that I play in. As I'm newish to dB and I've not been doing melodies so far, I'm seeking advice on which fingering you would use moving from c to d to e and back on the g string as happens in this tune.
  3. I've got a good system that seems to work for me. I have a J-tone double bass pickup through a Trace amp into a little Mark Bass traveller cab. I think it sounds OK. I haven't gigged much with it for the DB yet - only tried out in rehearsals. The last gig I did, it had to be accoustic as there was no power.
  4. I'm playing double bass in a new Hotclub Style band. I love it. I don't have decades of double bass experience but it's huge fun and I can get away with not being the most technically dazzling player. I had the db set up a while back and it plays fine even though it's a student model. The string are still the ones that came with it when I bought it. Anyone play HC style and do things differently string wise? Are there specific strings that work better for you? Other types of insider information also welcome.
  5. These replies have really helped put things in context. It might have been a good networking opportunity but this was for a band I don't know and a bit of a drive away. I slightly know the person that asked me. I turned it down saying I'd be more than happy to dep for/at a gig. (It's mainstream jazz, so mostly leadsheet stuff) or to dep rehearsals online. I did this a lot between 2020 and 2023 (jamulus) and I found it to be an excellent way to rehearse. No humping gear. No freezing rehearsal rooms. No commuting. No standing around waiting for people to have fag breaks. I do enjoy playing jazz on EB but like some of you here, as I get older, I get pickier about how far I'm willing to go and how late I'm willing to set out!
  6. Have you ever been asked to come along to a band's rehearsal because their bassist was not able to make it but they really needed some bass. I find this an odd request. No gig. No fee. Just could you come and sit in for us.
  7. Yeah. The list could be long. A specific bassline to rhythm changes? And Misty?
  8. I was reminding myself of Night in Tunisia yesterday, and also, the Real Book suggested intro to Blue Bossa. I was thinking about pretty mainstream jazz that has special basslines with a mind to learning them properly. Herbie Hancock stuff, obviously. What else comes to mind?
  9. Hi Doddy Yes, I know the notes in those chords, so I was wondering whether other bassists would voice them. I realise the feel of the piece would contribute to the decision.
  10. Hmm... OK, cool. I'll have a listen to that one. It would certainly make remembering it easy. By 'one chord' do you mean one note? That's the thing...
  11. Someone I know has written a pop song with chords along these lines: E Aadd9/E Emaj7sus2 Esus4 (x2) E Esus4 , E Esus4 Aadd9/E E Emaj7sus2 So, essentially, it could be open E string throughout! I'm not sure what I would do with it. Put in those voicings? Create an ostinato bass riff? Is there a trick here that I'm not seeing? What would you do, given it's a basic pop style, guitar led song?
  12. Someone has asked me to play a (very simple) bass part to a bit of Bach. I have a basic double bass such as is used for jazz etc. The Bach part goes down to C. Is it feasible to drop the E string down? I know I can try it and see, but I wondered if it was something that was ever done.
  13. Many thanks for all the replies. At a basic level, are people saying it's plausible to put the mic into the Trace, as long as I deal with fb? J
  14. Hello all I've been playing a bit of double bass on Jamulus over the past couple of years - acoustic hot club style trio with 2 guitarists - and now there's a chance of doing an actual live gig (open air, summer). My system for going online has been a simple clip on mic positioned over the F hole, through mixer desk into interface and into PC. I have for my EB, a Trace amp and MarkBass traveler cab. Various PA speakers are available, too. What is the recommended set up for an open air gig - acoustic trio - though guitarists with own amps, presumably? Or what do you do? Many thanks Juliet
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