xgsjx

I can confirm that the Markbass combos are excellent for sticking electro-acoustic guitar through & even does a decent job with the electric guitar. I dare say most of the digital amps would be too. Another option would be to get a good active pa cab & use an amp modeling pedal.

[quote name='tommania' timestamp='1376940076' post='2181294'] I've heard that a 4x10 and a 1x15 isn't a very good pairing, could you explain why not? [/quote] Same reason as to why you'd want 2 different speakers on your hifi or a pair of headphones with a different can on each arm. A 1x15 sounds different from a 4x10. There's already a lot of reading on here in relation to it & it can get rather technical as to why 2 different cabs are not a good idea, but hey, try it. Nothing to lose. Just don't get caught up in the "10s give you mid & top & the 15's for the bass" drivel.

Si, have you ever considered linking all those OC2s together & then playing through them up the dusty end on an electric violin?

I'd find a local bassist who has a different rig from your's & try each other's gear (his cab, your amp, etc). I've never found the LMII lacking though.

Stranger things have happened. Welcome to Basschat, it's a good place to spend time online.

Another OC3 man here. I tried an OC2 & it wasn't what I was looking for. Bought the OC3 off Shep & I'm very happy with how it sounds through a couple of filters & I really appreciate the decent tracking that it has too.

I like the look of the Babicz bridges. It's about which one has the best adjustments, the easiest string placement & which one you like the look of the most. The ABM ones are also well made, but they're redonkulously priced.

[quote name='discreet' timestamp='1376708969' post='2178335'] I do, and I do. [/quote] You may kiss the bride.

[quote name='shizznit' timestamp='1376694257' post='2178262'] Now that I didn't know! However, do you think it's a great idea for a manufacturer to leave it to their customers to open up their amp and fiddle around inside? That's asking for trouble. [/quote] Unless you're using rack fx (which very few of us do), I don't see the point of an fx loop.

[quote name='shizznit' timestamp='1376667376' post='2177745'] [u][b]Mark Bass[/b][/u] Owned - Little Mark III [i]Cons...[/i] Very little to mention. The only two things I struggled with was that there is no choice of parallel or series effects loop, but many other amps on the market of similar price don't have that feature either. [/quote] There's a Jumper inside the amp to select Parallel or Series FX, there's also another to select Pre or Post DI.

I don't hate sunburst, I just think it looks rubbish. It's like the spray painter got bored of doing a single colour & lacked imagination. It wouldn't stop me playing a good bass though.

[quote name='andydye' timestamp='1376555953' post='2175770'] Jazz basses, I hate playing them, they don't ever sound right to me and I always hate the matchstick neck on them, so why do I keep lusting after them! Yes I know they look nice, really nice I must stop buying them though!! [/quote] Despite not liking Sunburst (I'd put it on a par with how much I'd like a metallic pink bass) or that horrible top horn, I could sit & play a good fretless Jazz all day long.

[quote name='discreet' timestamp='1376558086' post='2175824'] One cow-sized spider. It would be able to carry you off in its jaws and cocoon you alive to be eaten later. A hundred spider-sized cows would just moo very faintly and do lots and lots of really tiny cow pats. [/quote] Cows fart a lot, so I'd imagine 100 mini cows together would be pretty stinky.

s you're looking for a buggered bugera?

Depending on the bass & the effects used, I find the following when using a complete rig from the following manufacturers... Ampegs have that Ampeg sound, they just sound Ampeg. unless you spend less than £2k on one, then they sound a bit like Ashdown. Ashdowns sound like Trace Elliots but more Welsh friendly. Markbass sound very much like whatever you put in them. Phil Jones sound similar to Markbass but slightly different. Gallien Krueger sound a bit like SWR. Trace Elliot sounds like a private investigator from the 80s. SWR have fallen away a little & trying to be Genz Benz. Genz Benz aren't made by AMG or Brabus. Krampera sound expensive & look interesting. Aguilar has a nice retro look & sound pretty much like all the rest to the punters, but no one knows how to pronounce Aguilar. These are some of the rigs that I tried before getting my Markbass combo. Hope it helps.

To the punter, it doesn't make a difference whether it's a J or a P. I used to play in an acoustic trio with my Ibanez SR1000 strung with flats & even used effects, the punters only saw it as an acoustic band.

Cover it with vinyl. Get a piece of sticky backed vinyl the colour you want (it comes in just about any you wan, patterns too), sit the naked body on it face up, grab a hairdryer & get pulling the vinyl round the body & up so the join is behind the scratchplate. There's a good vinyl supplier near you too.

Looking forward to hearing the 2nd lot of stems, but that first lot are glorious! Hopefully I'll get to squeeze a little time to start on mixing next week.

[quote name='51m0n' timestamp='1376378872' post='2172898'] Velcro just doesn't hack it for me so any suggestions that are significantly more robust would be very interesting! [/quote] Have you tried the Heavy Duty Velcro? You'd need to be giving the pedals a serious kick-in to get them to budge.

Yes. But make sure there's no short where you cut. Leave a couple of inches & slit the wire so you can isolate one from t'other.

If you like his sound, try a Markbass combo. I've been very happy with mine.

There's a lot of great combos that come within your budget that fit your "oomph & reliable" requirements & also include lightweight & sound good too. I'd have a look at MarkBass, Genz Benz & SWR (Super Redhead) for combos. Another option is a small amp from someone such as MarkBass or TC Electronic that you can pop in a shoulder bag & get a good light 2x10 or 2x12 cab. Best getting to a bas shop & ay through some gear to see what you like.

Superglue. Just make sure you get them in the order you want or have long patch leads. For Chorus, I use an old Boss CE-2. For dirt, it really depends on what sort of sound you're looking for as there's that many different types.

I think anyone whom dismisses a method for playing is only limiting themselves & being a bit uncreative. I like to mix styles of playing. Whether that be fingering, slapping, picking, tapping or whatever else, I won't write it off as there'll be a bassline that sounds better played X way. .73mm for me too. The yellow ones.

I tried the PJB briefcase about 5 years ago. Nice at low volume, farted when I turned it up a bit. Might have been a dodgy one, but it put me off.