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An amp is split into 2 stages. Pre & power. The input gain is how much signal from your bass is going into the pre amp. Increase this until it starts to clip (sound bad) & then turn it back a bit. The output volume (or whatever it's called on your amp) is how much is going into the power amp section. Put your input gain right down & turn your output (volume) to @ 1/4 on (so it's not too loud). Turn everything on your bass full & then turn your input gain up whilst playing until it starts to clip, then turn it back a touch (just until it no longer clips). now you don't have to touch this ever again unless you change your bass. Use the output to control how loud you want the amp to be (keep an ear on the cab for any farting, etc.

Get your cab in a corner. What size & how many drivers are in your cab? For £1k there's plenty of choice for loud rigs & going 2nd hand will get you a lot more bang for your buck. If you're not deaf already, get yourself (& your bandmates) some lugplugs. Lots of close range cymbal bashing in a small place will soon kill your hearing. I'd suggest to your drummer to rehearse using hotrods too. My last drummer did & it made a huge difference to how loud the rest of the band was at rehearsal.

[quote name='ezbass' timestamp='1363371559' post='2012041'] Well I matched it to my normal rig settings at home (much to the neighbourhood's disgust no doubt) and there was loads more left on tap, which of course I tried But of course this is not a fair test and the real baptism of fire will be next week. I'll post my findings after. [/quote] You can indeed just plug an active bass straight into a power amp. The active circuit is really just a pre amp. I used to take just my bass down to jam nights & plug straight into the desk. No DI. Oh, that is a very nice rig.

I tried that app, it's crap.

I never use paper at a gig. I prefer to learn the song before playing it in front of people. I do plan on using the iPad at gigs, but using iMPC for playing loops & samples or playing a synth app.

I think 51mon would be the chap to ask as he seems to know a lot about them. I'm sure he made a thread about compressors. IIRC, he suggests avoiding compressors that don't have a meter. He did recommend the Markbass Compressore as one of the stomp boxes he rates.

Aww man! This was 1/2 price in December & I couldn't get it, now I can't get it until the 27th. Guess it's not for me yet.

Dr Dave has just said what I was gonna post. Don't start with your flashiest song for your first gig. Choose something that you can all play easily & sound good. The first gigging song is your most nerve wracking one & once you get the initial "ooh, an audience are watching me" stage out the way, you can then break out your fave basslines. My singer always said that the first song is usually a throw away number that no one will remember, but it needs to get the audience's attention. Chuck the slow songs in the middle & maybe one near the end & finish with 2 really good songs that get everyone dancing & wanting more. All the best with it & remember.... Have FUN!

I use the full site on my phone & iPad, but haven't tried the mobile one since the first version (which wasn't very good). Gonna give it a try next time I'm mobile BCing.

[quote name='funkgod' timestamp='1363209620' post='2009963'] For smaller club gigs i have for over 15 years been using a SWR 350 super redhead, in that time i have tried a few just to see what they were like, tried the Eden metro, but it could not get to the volume of the red head with out farting, i took it back after 1 gig, i did spend time at a practice with it trying but was disappointed with it. I also tried the markbass cmd102p that was about the same, so back to the swr, it might just be my playing style but the eden and the markbass did not work for me. i have for bigger gigs an extension cab for the red head with two eminence 10 KAPPA 400w each which take alot of shifting, and an swr500 and swr 6x10 cab for the outdoor gigs. i think even today the red head takes some beating for its size, and the sound of it i love. if you are looking for an swr used then go for the early Super redhead 350, i have not tried the later 400 one some info here.... [url="http://www.swramps.com/en-GB/products/search.php/?partno=4420100010"]http://www.swramps.c...rtno=4420100010[/url] [/quote] Super Redhead is a lovely combo & was nearly getting one. Surprised to hear that the MB never had the volume for you as I found the MB quite a bit louder than every other 2x10 combo I tried (& I like quite a bass heavy sound). My 2p for Tony, take all the recommendations on here & try them all out. Find what suits you the best.

Looks like you're sitting with a handful of tracks & an instrument for an hour or two.

Can't comment on the Ampegs (though I've heard that whilst their valve amps are great, the SS are not so great. But don't take that as gospel) but if you like your GK sound, why not get a smaller GK rig or combo?

Here's the 2 that I've been listening to most recently The old... [url="http://www.youtube.com/watch?v=S0yUzV1IHm0"]http://www.youtube.com/watch?v=S0yUzV1IHm0[/url] And the new... [url="http://www.youtube.com/watch?v=PdDXNs1E6s8"]http://www.youtube.com/watch?v=PdDXNs1E6s8[/url]

@ 5 years ago, I spent quite a good few months trying loads of rigs. Ended up with the MarkBass CMD-102P & I'm still very happy with it.

Test it without the looper before assuming it's defo the looper. Most likely it is, but there's also the PSU.

Have you tried this without the loop?

The Roland ME50b is about as simple as it gets. If you know which effects you want, then I'd go for separate stompboxes.

Last time I used a chainsaw it was painful. Not so much for me, more so for the ex guitarist.

[quote name='RAY AGAINST THE MACHINE' timestamp='1362575193' post='2001495'] Used to be ..rock covers (I'm a metal head ,) Wanted to play in electro metal( ministry /front 242 etc ) never happened. If I were to join a band again, I'd go for tangerine dream meets tool kinda band. [/quote] Satsuma Spanner?

Worth asking for a chord chart, but if he hasn't got one (which may be most likely), then learn 2-3 songs. Sit & listen to a couple that you think you can create a good bassline to that will show your skills (use a mix of simple & complex to suit the song). I listened to a few tracks & worked out the chords when I joined a singer/songwriter & he liked the basslines that I came up with, so it should be a doddle for you.

If you're wanting an Ibby, have a play on an SR (now the prestige range).

I started on keys & did a couple of solo gigs in the late 80s playing instrumental stuff like Tangerine Dream & JM Jarre. Then decided to join a band in the early 90s & played rock covers (GnR, The Cult, Led Zep, etc). Then went on to do some thrash (Napalm Death, Megadeth, Metallica). Then in the late 90s, got into computer music & spent a lot of time writing chillout/trance (& even some happy hardcore). Joined an originals rock band in the mid 00s that ended up doing all sorts of stuff, from rock, punk & blues right through to reggae & jazz. Me & the singer from that band then made another band to do songs that wouldn't fit in that band. A mix of folk, americana, jazz, blues & experimental. Spent a few years playing in the church band. Now trying to form an acid jazz/breakbeat band (maybe with some dubstep thrown in there for good measure).

[quote name='plunkrock' timestamp='1362472207' post='2000075'] I hope that's your finger... [/quote] Do you really think I've got a hairy finger? It's actually my thumb!

Here's mine...

I got shown these for the 1st time at the start of January. The would be singer sent a link for the Cromeo one (he would have made a good singer too, but he felt he would let us down). We was gonna do a cover of Can't Get With That. Thanks for reminding me of them