xgsjx

As Shep says, get the LPF (& an EP-2). I use mine for just about every style of music & is very useable in a rock situation, especially if you're wanting just bassiness coming through during the verses & opening it up on the choruses to get things rocking & so forth. The drive on the LPF can be kept down pretty low if you don't want drive on your sound, but for rock, why not? I also have a Bass Murf which I love to bits (& it's true bypass with a level adjust for the drive to keep it in check), but I would try one before considering it as it may not be your thing. It is a very unique pedal.

I wouldn't pop the 3.5mm adaptor straight onto the end of your mono 1/4" jack & then into your lappy. You'll be shorting a channel. If you're handy with a soldering iron then get a length of cable, a mono 1/4" jack & a 3.5mm stereo jack & just connect the lead to tip & sleeve of the 3.5. Or you could get yourself [url="http://www.amazon.co.uk/3-5mm-Stereo-6-35mm-Audio-Cable/dp/B0034DSUMK"]one of these[/url] & connect your bass to just one & select just that channel (Left or Right) in your software.

Although last week on Later he was using GK.

Fabric spray paint is cheap. Bass Direct are doing some good deals on Genz stuff just now. Sounds like a good day out!

[quote name='Merton' timestamp='1323008436' post='1458191'] Was it TE perchance? Didn't they claim to have made the first bass-specific 4x10? [/quote] I've not checked the web, but I would have thought the config would have been prior to then?

Do you have a budget? The Ibanez Promathean gets excellent reviews on here & also worth looking at are Markbass & Genz Benz combos. You could probably replace the TE 4x10 combo with one, I did. Had a Trace 4x10 combo & now have the Markbass 2x10 combo which is far superior in every respect (louder, bassier, clearer, lighter & more portable).

[quote name='stingrayPete1977' timestamp='1322989293' post='1457886'] So let's be clear then, 1-either every known manufacturer is unaware of Bills knowledge and needs telling how to do it as he has already stated regarding GK's design department. 2- They have the knowledge and know that it at least could be better the other way and should at least be showing their stacks the other way in some of their brochures etc. 3- Or it's because no one elses 4x10 cabinets have progressed past those from the 70's and actually still sound best the wrong (common) way round? [/quote] Could be any of those, or it could be due to the fact that it's been marketed like that for so long that the marketing dept (whom aren't engineers) don't want to take a chance & just stick with what they believe the average bassist will buy.

You can use guitar pedals & most often they're actually better than their bass counterparts. The guitar pedals I use are a Boss CE-2 chorus (there's a bass version), a PSK SDS-2 Distortion & a Moog LPF (though that's really a keys thing). Bass wise, I have a Boss OC-3 (which has guitar & bass inputs) & a Moog Bass Murf. Some guitar fx do lose bottom end (usually some gain fx), so best to try things or ask on here before buying.

Aaah, but could that bassier sound be due to the fact that the 4x10 had a more direct coupling with the stage & also if it had a tweeter, that wouldn't have been as close to ear height too?

Like TNIT says, it's about space to use them. I don't use chorus if the guitarist is using his as it gets lost in a swirl (pardon the pun), though this is only for a couple of songs. I do use a few fx but the guitarist uses a clean sound (or some synth) & the other musicians are a drummer & a mandolinist/tin whistler. The sound your band is trying to achieve as a whole is what you have to take into account & make the fx fit with it (sorry if that's obvious).

Get yourself a low pass filter & just roll everything back & get loads of lovely dubbiness

What wires do you have?

You mean you twiddled those knobs on your amp that don't relate to "volume"? Hmm, I wonder?

That's a tasty wee board you have there Woody (Wee? It's bigger than mine!). In a Punk band?

Yeah man. I want a BEF & HH & use it in front of the Moog LPF (so I can sweep what the HH does). Whether that ever happens tho.....

If you're making 2x10 cabs, then use 16Ω drivers to get 8Ω cabs. +1 to Mr Foxen's advice. Get the specs of the drivers that you want to have in the cab & make the cabs to suit them & make either 2 1x15s or 2 2x10s (mixing driver sizes gives unpredictable results).

[quote name='munkonthehill' timestamp='1322339127' post='1449704'] Im glad about that...I hate competition. [/quote] Same here. Just glad you're at the other side of the country!

Have a look in the "For Sale" section. There's a few.

I think if you're splitting it, you need to add some extra power as the CV is ± 5v. So for splitting, you'll either need to build a patch mixer or get one of these... Sorry for the GAS injection.

I'd been trying to find out about doing this. I asked on the Moog forum if a Y splitter would work if I wanted to control 2 parameters by the same amount, but no one seemed to know. Someone did say about getting a bunch of jacks & making a CV patchbay & powering it, but I couldn't find a schematic. I think what you're wanting to do should work. Send James at BOP an email & he'll let you know. My singer has had a few things made from him & is very happy with his stuff.

[quote name='Stu-khag' timestamp='1322207788' post='1447815'] I'm pretty sure I read his mam was classically trained and immersed him in music [/quote] I thought it was water that he got immersed in?

It depends on what you want to do. I'd have a look at the Soundblox BEF Pro with the Hothand for doing wah & dubstep, or if you're wanting something for those texture things (and dubstep, techno or DnB) have a look at the Moog MF-101 (there's one for sale on here with an EP2). If you want to hear the Moog, have a listen to some of my stuff [url="http://soundcloud.com/bassg/gjobwbass1"]here[/url] or [url="http://www.youtube.com/user/xgsjx#p/a/u/1/WTlxSVIq2gU"]here[/url]. The pedals you've mentioned all appear to be very good too.

Talent isn't inherited, it's hard work being cool & knowing how to pull!

The Murf can get some very unusual fx. I hardly ever use it for it's sequencer, but love it for the filters & LFO setting. The bassline is part of a collaborated project on a Facebook page called Organic Bass Wobble. One of the members there posted a beat & is going to do all the editing & mixing (with a video too). I was trying to add you to the page, but my FB knowledge is limited & don't know if it's only admin that can do it. Here's another from the same... http://soundcloud.com/bassg/gjobwbass3

Here's one of the noises I get when using everything on it... http://soundcloud.com/bassg/gjobwbass1