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I'd love to see a soundy in my situation. I have a valve amp with no DI & have no DI pedals, so the only option is to mic me up. Saying this, I play in a church too & I go directly into a DI box & use IEM & no amp. My plan is to get either a DI box to go after the amp or get a pre amp pedal with DI.

[quote name='Woodinblack' timestamp='1497858864' post='3320837'] Been looking at the blocks 25 as a replacement for my artiphon. First time I tried the rise I wasn't impressed, but spent some time with it in PMT Bristol a few months ago and it was really good. Very expensive though so I suspect I will never get one! [/quote] I was going to get a Rise about 1 1/2 years ago, but ended up getting a Native Instruments S88. The S88 is a great keyboard, but sometimes I regret not going for the Rise.

Been hankering for a Moog synth ever since I sold my Moog Bass Murf & LPF (now those 2 with an octave & you have some fantastic synth bass right from your bass guitar). I've kinda subdued it a bit by having a NI S88 & using Monark, which is a great VST version of the Phatty. Now though, I've been watching more Roli videos & hankering for a Rise 49. Great for synth bass & replacing the real bass too!

For cabs to go with it, I'd say either a good 2x12 or 2x10. I found a 2x10 more than adequate & you can always add a 2nd one if you need more volume. I've got a 4x10, which sounds great, but I did prefer the 2x10 I had.

[quote name='bazztard' timestamp='1497593542' post='3319263'] the most ridiculous statement ever made here [/quote] It's certainly up there. I found my old MarkBass rig to sound far better than the TE rig I had before it.

[quote name='JapanAxe' timestamp='1497555087' post='3319126'] I can't believe no-one's mentioned [b]heft[/b] yet. [/quote] Isn't that something to do with the wife?

Do Markbass still offer the "Emergency backup" service? Having a google & I don't see it. If GAK ain't playing ball, let MarkBass know on here... https://www.facebook.com/groups/2359467951/ I've seen them step in a few times.

[quote name='Cuzzie' timestamp='1496839507' post='3314205'] Don't get me started on watts, RMS, continuous vs pulse power wave forms etc. I'll pop a blood vessel! For sure though in principle amps work best at about 45-70% of their volume range, so more headroom is better [/quote] It depends on the amp & cab(s). I've got a Radiovox Valve amp. 4 KT88 valves & I've not gone much past 1 on the master (like my old Markbass, it goes to 6). I think it maxes at about 200 watts. Sounds lush.

Headroom is more about how efficient your cabs are, not how much wattage the amp has. However, most light amps are marketed as being between 500 & 1000 watt (even the ones that aren't capable of it ). So you're gonna find you have a huge choice. I'd try Cuzzie's list & add Markbass, Aguilar & Glockenklang too. Try as many as you can & have fun doing so.

[quote name='Jus Lukin' timestamp='1496795604' post='3313944'] I'm so sorry, checked the amp then nipped to the pub to make a couple of business calls- never really made it back! Visually, the front panel looks like brushed aluminium painted black. Temperature-wise it's very cold to the touch suggesting the same, but tapping with a pen sounds like it might be a kind of plastic, or just a thicker ali than the other panels. Very hard to tell, to be honest, although​ no signs of failure whatsoever. As I expected to be home sooner I didn't check the LMII! Glad you got a favourable response from the distributor, will you get a replacement or move on to something else? [/quote] The LMII is metal, the same as the rear.

I had the CMD 102p, possibly the loudest rig I've had, as well as the lightest. The B&W drivers have some serious travel & could easily outperform the Trace Elliott 4x10 I had prior to it. I think you'd struggle to not be heard with either combo.

I'd like a big lump of a valve amp to sit upon my cab, but isn't hernia inducing when it comes to moving it (my current amp weighs more than my car).

[quote name='Dan Dare' timestamp='1496343730' post='3310762'] There's a saying - "Compact/light, inexpensive, good sounding. Pick two". [/quote] Though with the Markbass combos & if you find £5-600 isn't expensive (which for a combo, it isn't), then you can get all 3.

[quote name='Dad3353' timestamp='1496367302' post='3310882'] To get the ball rolling... [url="https://soundcloud.com/dad3353/albertis-last-waltz"]Alberti's Last Waltz ...[/url] Enjoy. [/quote] No flies on you. Nice work too!

I've got a friend who's into purely analogue synths. He's went through loads, buying & then selling on if it's not what he was hoping. 3 synths that have remained in his arsenal since I've known him (about 4-5 years) are the AnalogKeys, Teenage Engineering OP1 (He sold his first one & then a month later went & bought another, as he found he missed it) & a Moog Phatty. I've played about with his synths quite a few times & just looove the Phatty. I need to go & see him soon as he's sold some other synths & got a couple of new ones. One being a Prophet 12.

The advantage of running at 4 ohm is that you're getting everything from the amp. The disadvantage, you're not gonna hear much difference & you put more strain on the amp. Ignore watts. The amp rated at 500w is the max it will put out. When you're playing, you'll most likely be using a fraction of that. If you like the sound of the 1x15, then get another the same. If not, then sell it & get a decent 2x12 or 2 2x10s. They give better dispersion than a 4x10 (says the man with a 4x10). Efficient speakers (or lots of drivers) are the answer to more decibels.

I'd browse the classifieds on here. Lots of bargains.

I'm not as picky as Blue. Must have a drummer that can hold time & play to a decent level. Must have another musician who actually knows what they're doing (this usually applies to guitarists). Singer should be an actual singer & not some bedroom karaoke bam. Everyone should be able to understand songwriting & have some knowledge of theory. We all need to gel. I think King Prawn & Bazztard have requirements along the lines of what I look at too.

Markbass marketing are talking crap. If you want flexibility, get another identical 2x10 & stack em vertically. Marketing always dictates that you need a 4x10 on top of a 1x15. Reality dictates that this is marketing bull that should have been left in the 70s.

Completely redone mine. Wasn't happy with my original entry & felt unfinished. Here's my new entry, I'll delete my old one. https://soundcloud.com/gxmix/light-of-love This one has everything hand played, even the drums.

[quote name='dood' timestamp='1495015522' post='3300407'] Ahhh! Takes me back! One of the first PA's a band I was in had those 'lovely' WEM PA cabinets: [/quote] I had a pair of those back in the early 90s.

I've got a pair of ric hearing aids. They're sat in the cupboard with no batteries. I'm going to be looking in to see if I can get a pair that can double as IEMs. I know there are bluetooth ones that double as headphones.

[quote name='Fisheth' timestamp='1495143125' post='3301677'] Might do a fretless V if/when it goes up on the configurator Played a fretless today and was in love. [/quote] You can do it. I've been doing them all week at work! Here's what I fancy... https://public-peace.de/shopping-cart?view=bundle&id=435

A guitarist asked me last Sunday what I thought of rickenbackers (I think he was thinking about buying one). I told him a wee story & he then said "I've seen this really nice Gretsch White Falcon".

I remember seeing some band a few years back on the tv & the bass player was using a capo. IIRC, there was no need for him to use a capo & he just looked like a twonk. Pretty sure there was a thread on here about it. Unless it's really needed, capo on bass makes it look like the bass player is still learning bass.