ambient

I think it's more down to playing technique than anything else, not really something a pedal can do.

I know, (you've slightly misquoted me there ) if asked not to film and you cary on then you can't complain if you're asked to leave. I was at the Coliseum theatre in London in December, there was a couple who despite being asked 3 times not to film carried on, in the end they were escorted out. They were sat toward the front too, so I guess their tickets were easily over £60 each.

They already ban people from filming and taking photos at the theatre and classical concerts, though they don't confiscate the phones. I'd personally be very reluctant to hand my phone over to someone, though it appears that they don't confiscate them. I'm of the opinion that if they don't want you to film then they ask, if you carry on then you accept that you may be asked to leave the venue, which is what happens at theatres and classical concerts.

I don't see how they can confiscate someone's phone? It's quite a responsibility having thousands of pounds worth of people's property. It only needs a few people to complain that their phone no longer works or is damaged.

I don’t think it’s airbrushing history, more being aware that there are things that happened, and words that were used in the past that just simply aren’t acceptable now, and probably shouldn’t have been acceptable in the past. Why on earth would you feel cheated about the n word? Thank god it isn’t used anymore or included in the film.

If you’re unsure then change it. What do they currently sing? I’m personally of the opinion that there’s no such thing as ‘political correctness’. What there is is respect and good manners, and not saying something that may upset someone else. Just the way I personally was brought up.

It was London, he probably went by tube, which is how must people seem to get about down there. Including musicians.

I saw Anthony Jackson do a masterclass with Mike Stern at my old university. He was playing through one of the university Ashdown combos, and sounded amazing.

I played on a ship for a summer about 8 years ago. You were allowed to drink, in fact you got a discount. I don't drink anyway, the free coffee was enough for me.

A good way to remember flat keys, especially to those playing a 5 string bass, is by remembering the notes at the first fret of each string. So they only need look quickly at their bass to see what the key would be, e.g the first fret on the B string is a C, E string F, A string Bb, D string Eb etc, and remembering that it starts with none, then one flat, then 2 etc. Sharp keys are the cycle of 5ths, so start on the same C, move up in intervals of a 5th, so up a string along 2 frets is 1 sharp and G, up a string and along 2 frets is 2 sharps and D, etc.

It’s one of these. https://m.thomann.de/gb/millenium_go_kart_solo.htm?o=7&search=1516479348

I did dozens of gigs all over the UK and in Europe via Eurostar as a solo bassist last year. You just need to plan exactly what you need to take on a gig, then sit and plan on how to take it. The photo below show my rig en-route to s show in Bristol. My bass in a Mono gig bag which also holds my MacBook Pro. I bought a brilliant padded container from Amazon, a little like one of those things Deliveroo cyclists use, but smaller. In there goes my combo and boxes containing my interface, and other bits and pieces. My pedalboard is in it's case. All covered by a large waterproof cover from Amazon.

What’s crisco? Chcken fat sounds disgusting. I should imagine it would be a breeding ground for all sorts of bacteria too.

The guy from Pearl Jam.

Wonder why he tried to change how you play? Anyway, keep at it, 6 string bass is brilliant.

Watch videos of great 6 string players like Steve Lawson, who I ended up studying with in the end when I was having problems adapting to the 6. When I first started on a 6 string about 15 years ago, I was still trying to play like a 5, particularly with my right-hand. A good right hand technique is to follow the strings down as you move, so if you're playing notes on the D string for instance, then you might be resting your thumb on the E string. Muting is very important, and slightly harder to do due to the extra strings.

You're absolutely right, me too. Is it the symmetry do you think? Having the normal four strings with one either side.

I remember clearly the last instrument that I played that had been described as both playing like a 'dream' and 'like butter'. I could literally slide my hand under the strings at the 12th fret. It was more like Stork margarine and a nightmare.

There's a lovely version of this by Matt Garrison with Teri Lyn Carrington, I'm not sure whether he plays it on his EUB. I know what you mean though, Superstitious by Stevie Wonder for instance.