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Everything posted by ambient
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String Gauge for 4 string tuned down BEAD
ambient replied to The GroovyPlucker's topic in Repairs and Technical
We all have our own preferences I guess. A 125 is what you'd find with those strings in a set. Personally I use a 110 B string on a 6 string bass, I tend to buy a 4 string heavy set and then buy lighter G and C strings. At the end of the day it's what you play and how you play. I do a lot of chordal stuff, and find that very light gauge works well for that. It obviously wouldn't work for other types of playing. -
String Gauge for 4 string tuned down BEAD
ambient replied to The GroovyPlucker's topic in Repairs and Technical
Amazon sell separate D'Addario strings, just buy maybe a 125, 105, 085, 065, or whatever your preferred gauges are. -
How old is Tony Levin?
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Michael Manring’s Soliloquy, and Steve Lawson’s behind every word. Those two albums opened my eyes to what bass can do. I was never really interested in playing bass as a ‘bass’, always more as an instrument, then I realised that you could. I’m now of the opinion that a groove is something you get stuck in, and should be avoided at all costs 😊.
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The one jazz band I play in is made up of guys all in their 70s. This is Les, my student.
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Slightly off topic. Did anyone see the news last night, the 84 year old lady sprinter? Music I think is brilliant for mental agility.
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You don’t know him! His lady friend is about 30 years his junior 😊
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One of my students was 80 in September. He's actually out of all my students the most dedicated. We're currently doing chord melody jazz stuff. He saw me showing off a few weeks ago, and wanted to learn how to do it. He's also getting a 5 string after Christmas. You're never too old.
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It does do things a little differently. I'm like where's that?????? I end up posting on Facebook and the legion of people I know who use it come to my aid. I'm really just using it for diffusion. I spent last night bouncing 14 tracks down and importing them into a Reaper project that I've got to take into uni later for a tutorial. Reaper's multichannel capabilities are amazing, especially when combined with some of the GRM plugins. Really, I just need to spend more time with it.
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I know, I can do all that in Logic Pro in the blink of an eye, but I really struggle to do anything with Reaper. It just does odd things. Take importing audio files, in Logic pro you click 'file', down comes a drop menu, and you'd click 'import audio'. Nice and simple, plus it would drop the audio file at the start of the arrange window, whereas Reaper it's the 'insert' button that you click on, and 'media type', so not to me at least intuitive, plus when you import an audio file or media type as it calls it, it doesn't automatically drop it at the start, unless you tell the curser to go back to the beginning each time, it'll drop it at the end of the previous file. If you're recording into it, you have to switch on monitoring. Logic Pro automatically creates a folder for each project and saves the files for that project there, Reaper doesn't do that, at least not automatically. To me at least it's a lot of messing about. I do all my recording/composing in Logic Pro, I'm also doing stuff analogue too, on tape, and editing the sound files, that's done in Logic Pro. Logic also comes with a massive library of sounds, a huge library including drums, orchestral, a fantastic array of synths and keyboards and they're really excellent. I've bought other libraries, mainly from Spitfire audio to augment the ones that came with it, and they integrate ever so easily into Logic. So if you want to get into composition, rather than just audio recording then it really is an amazing bargain.
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Doug Wimbish - why does he bother with bass amps?
ambient replied to spectoremg's topic in General Discussion
Do you think he'd have been better? I'm not so sure, though I'm really not an expert on that particular genre, it's not really something I'm into. I'd have thought though that he maybe had too much of his own sound for the Stones? I heard a live album by Annie Lennox a while ago, and knew straight away who it was playing bass on it. I think some players can 'just fit in', others are booked for what they individually bring with them, ie sound etc. -
Doug Wimbish - why does he bother with bass amps?
ambient replied to spectoremg's topic in General Discussion
Possibly not, but he's played on a few: http://www.dougwimbish.com/disco2.html -
I'm struggling with Reaper, it just doesn't to me at least seem logical or at intuitive. I've used Logic Pro for years and years, I'm just very used to it. I'm having to use Reaper for my postgrad course, it seems to be the DAW of choice for many electroacoustic composers, mainly due to it's multichannel diffusion capabilities. Reaper is cheap though. For me the best value is Logic Pro, that's amazing value.
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Doug Wimbish - why does he bother with bass amps?
ambient replied to spectoremg's topic in General Discussion
It's what he does. -
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I make short films that I either use as an accompaniment to my music, or as a visual influence. This was done last Sunday sat my a local frozen lake in the middle of a snow storm. The music is just a short edit from a longer piece, and has been done over the last few weeks. It features manipulated short vocal sections. https://youtu.be/KPJNIj7I-eI
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Hope they get it back, but why do people leave gear unattended in vehicles?
- 3 replies
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- fernandes
- trac elliot
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Your experience is a little different to mine with something that went wrong after 6 months or so then, because they didn’t want to know. Just saying...😊