ambient
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Everything posted by ambient
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[quote name='Chrismanbass' timestamp='1426960112' post='2724114'] problem being that it's not his original work its an arrangement of a previously copyrighted piece of music [/quote] That's what I was getting at in my first post.
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[quote name='uk_lefty' timestamp='1426971619' post='2724378'] Am i too late to put in my recently acquired Trace rig?? And yes, the amp face does light up. [/quote] Cool, love the way you have your gear mounted on the wall
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The Motown book is pretty good. Jazz walking bass line transcriptions are good too, most pop or rock lines are often quite diatonic, walking bass lines often throw in non diatonic/chromatic passing notes that can trip you up.
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[quote name='warriorbass05' timestamp='1398211395' post='2431777'] oh boy.....I am running out of room for all this green goodness! [url="http://s70.photobucket.com/user/warriorbass05/media/Trace_zpse1e15a16.jpg.html"][/url] [/quote] Have you had to have your floor strengthened ?
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Sounds to me like the battery in your bass.
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That looks pretty cool. How long do you actually play for ?
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[quote name='alyctes' timestamp='1426888433' post='2723266'] I'm pretty sure that if you post some original thing on YouTube, YouTube owns the rights to it. [/quote] I'm not sure that's right. I have a few videos on youtube with my music, I don't remember giving up my rights to the ownership of it.
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Surely all the copyrights belong to the original composer/songwriter ?
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Last price drop ! Bargain price now, and £20 less than I paid for it -
I use Status on my Modulus, not the greatest strings, but they're OK. If you want Thomastik, then get them from Thomman.
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The one thing I make a point of asking every student, at the end of every lesson, is "have you learned something ?". I plan my lessons in advance, they're not just made up on the spot. I also tailor them to suit a students wants. However I think a tutor also needs to say to a student what they think the student needs to learn, even if it's different to what the student wants. A recent new student of mine is a fairly old guy, who's owned a bass for almost as long as I've been alive, but has never really played it, other than to work out a couple of bass lines. When he first phoned me, we chatted and he said that he'd set himself a target, that by the end of the year, he wanted to be able to say that he was a bass player. On his first lesson I got him to play something, we then tackled the basics of holding the bass, and left hand technique etc, I gave him exercises at home to work on. I then gave him a diagram that I'd done showing the notes on the first 5 frets. He asked why he needed that, he wasn't interested in learning to read music, he just wanted to use TAB. So I explained I wasn't going to teach him to read music, but that in my opinion knowing what the notes were that he was playing would make a huge, huge difference, and it wasn't a difficult thing to do. He reluctantly agreed, went away, and to be honest I wasn't expecting him to come back the next time. He did though, and he'd made huge progress with his technique, and had learned most of the notes, and had identified how they repeat around the fretboard With regard to qualifications, I think it depends on the qualification, I think going to someone with an actual teaching qualification would be a great idea, rather than just someone with a music degree.
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Bumpo
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Bump. -
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I don't see the point in the improv bit at the start. I usually get the guy to play something that they know, and are comfortable playing. That's to see how they hold the bass, fret the notes etc. I would only play to demonstrate something, it's not [i]my [/i]lesson, it's yours after all. There's nothing more annoying than having a tutor standing there basically just showing off, or practising their chops for that nights gig, rather than teaching what they're supposed to be doing. Some guys think they can teach because they've been playing for a while, while in reality their knowledge is as full of holes as the prospective students, and being a great player doesn't make a great teacher, as I've discovered at uni. Check out the website music teachers uk, there's plenty of good teachers on there.
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This is like new, and probably the most versatile pedal that I've ever come across. It's a brilliant reverb, but also an amazing chorus, a shimmer pedal that sounds like a heavenly choir, a delay/echo and an infinity hold pedal, all in one. Just download the pedal customiser software from the website. I've just bought a strymon blue sky though, and already own a TC hall of fame, there's a limit to the amount of reverbs even I want 😊. From the website -[list] [*]Wet Reverb [list] [*]Trails or Normal bypass [*]Low Modulation version [*]with Modulation knob instead of Tone [*]New! Low Pre-Delay version of stock Wet Reverb (beta) [/list][*]Chroma Chorus [list] [*]Dual micro-pitch shift with tone control [*]Dual micro-pitch shift with regeneration control [*]Standard chorus with rate and depth controls [*]New! Quad Chorus unique modulated chorus (beta) [/list][*]Seraphim Shimmer [list] [*]New! Virtual Trim Pots for Tone and Loop Delay [*]with shimmer level knob [*]with shimmer tune knob [/list][*]Echelon Echo [list] [*]Stock Echo, mono or stereo golden-ratio ping-pong [*]Scatter Echo, modulated with scatter repeats, mono or stereo golden-ratio ping-pong [*]Soft Scatter Echo with soft-attack repeats responds dynamically to your playing [*]Digital Delay with adjustable stereo ping-pong ratio [/list][*]Infinity Hold [list] [*]with Tone knob [*]with Reverb Level knob [/list][*]Swap center/right knobs on any effect [*]Virtual Trim Pot Tone control (on select effects) [/list] Link to the website - [url="http://neunaber.net/collections/pedals/products/wet-stereo-reverb-pedal-v2"]http://neunaber.net/...reverb-pedal-v2[/url] Check my soundcloud page for examples, all the reverbs recently are using this. £90 including next day postage. [attachment=187020:Photo on 20-03-2015 at 13.25 #2.jpg][attachment=187021:Photo on 20-03-2015 at 13.25 #3.jpg][attachment=187022:Photo on 20-03-2015 at 13.25 #4.jpg]
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F/S Ebow Plus boxed - like new £50 posted - SOLD subject to payment etc
ambient replied to ead's topic in Effects For Sale
They work great with bass. Check out any of my stuff on soundcloud, bandcamp or YouTube. I'd like this as a spare if only it was next week rather than this. 😊 -
F/S Ebow Plus boxed - like new £50 posted - SOLD subject to payment etc
ambient replied to ead's topic in Effects For Sale
[quote name='JapanAxe' timestamp='1426710796' post='2721235'] I think [url="http://basschat.co.uk/user/28991-ambient/"][b]ambient[/b][/url] was after one of these. [/quote] I was, luckily I managed to fix mine which had been Jaked, Jake being my little nephew who has the destructive capability of of a tropical typhoon. -
Should every bass player play at least a little bit of guitar
ambient replied to CHW's topic in General Discussion
It's useful, especially if you at any time play in a band where the guitarist doesn't know what he's playing, assuming you know what you're playing. Playing keyboards/piano is very useful. -
P Price dropped.
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Personally, I would want to be able to do [i]any[/i] gig that was offered. I wouldn't want to not get one, that may lead to another, that may lead to another etc, because I couldn't sightread.
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[quote name='lowregisterhead' timestamp='1426625410' post='2720109'] [i]Desirable[/i] perhaps, but not a [i]necessary[/i] skill. It all depends on what kind of gigs you might get a call for. Suffice to say in 40 years of pro and semi-pro work, I've never been asked to read dots. [/quote] But if you got offered a gig that required you to read, then you'd have to be able to, or you wouldn't get it, kind of makes it necessary.
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[quote name='lojo' timestamp='1426623365' post='2720053'] The basschat Paradox Having a reading skill means your a better musician If you use that skill to perform live , your using a music stand so lose the better musician rating [/quote] I wouldn't say it means you're a better musician, it does mean you're a more versatile one, if it's a reading gig, then you're gonna get the call over someone who can't read. Same as having the ability to improvise a part fast over a given chord chart.
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As a professional it's a necessary skill to have, [i]incase[/i] you're presented with a notated chart.
