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ambient

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Everything posted by ambient

  1. ambient

    SOld.

    No one fancy a really beautiful and excellent luthier built 6 string ?
  2. I'd be interested in the F1 plus cash to me. It has to be compact for travelling on trains and tubes.
  3. Marco Minneman and Guthrie Govan play together in the Steven Wilson band, I saw them last year and was extremely impressed with the show, and would love to see this gig.
  4. [quote name='paulie' timestamp='1392631778' post='2370728'] Hi Are you accepting any amplifier or cab trades against this? Chees [/quote] Would be interested in trades for a Markbass NY121 to go with my other, and also Markbass amps, plus cash to me as applicable.
  5. ambient

    SOld.

    Trades for a Markbass NY121 ? Plus cash to me. Maybe other Markbass cabs.
  6. [quote name='paulie' timestamp='1392631778' post='2370728'] Hi Are you accepting any amplifier or cab trades against this? Chees [/quote] Hi, It depends, what have you got ?
  7. [quote name='MarkW' timestamp='1392596682' post='2370562'] Hi Ambient I've been really pleased with Fender's roundwound strings after years of other brands, and although I'm new to flats theirs seem nice to me. The thread is a bit of a naff green though, but then I hate thread of any description on my strings - I'd much rather have them bare as nature intended :-) [/quote] Thanks , see if I can track down a set.
  8. I've tried gauges like that before, and they never felt right somehow. A huge B and normal gauge other strings. That's what puts me off buying a 6 string set of Thomastik flats (and the price).
  9. I only use a 120 B string, sounds fine and isn't at all floppy.
  10. I fell in love with one of these basses when I was about 12 and my Mom bought me a copy of Stanley Clarkes 'if this bass could only talk'. There's a photo of Stanley's in the liner notes, and it's such an amazing looking bass.
  11. [quote name='paulconnolly' timestamp='1392569139' post='2370127'] I was at the Manchester Apollo gig on Thursday. I thought the sound was great, the band looked like they were enjoying themselves, particularly Mangini and Rudess who looked to be having great fun mooning to the cameras positioned around them and yes JM was audible in the mix although I think he fluffed the tapped section in Metropolis. My big gripe from the gig? We took our seats in the middle of the stalls a couple of rows behind the desk and to the left with a lovely view of a large yellow platform containing the pre-show projector screen, which was about the size of a small fridge and a large movie camera mounted on a tripod. Admittedly there was a sign saying the platform would be moved once the show started. Ok fair enough but then they stuck a huge chair for the camera op to sit in. Had we stayed in our allocated seats we would have had a crap view. The security guy pointed a couple of empty rows a little further back and a little further left where we could relocate to. We did so and had a great view. This brings me to gripe number 2: I'm thoroughly pissed off with people who go to a gig and then spend most of it videoing the gig with their smartphones . I don't mind the odd photograph now and again, I do this myself, but to spend large parts of a gig taking video and spoiling the view of those around just really gets my goat. There was even a guy doing it at Nearly Dan last night. And don't get me started on the twonks who hold conversations through most of a gig ........... . [/quote] I don't see the point in videoing gigs with a smart phone, what're you actually gonna hear recorded through such a piddling little microphone ? I'm guessing people who talk all the way through the show are there as some entertainment package or something. I remember going to see a gig at Ronnie Scott's, the place was full of guys in suits, all talking throughout the show, it's corporate entertainment .
  12. Part trades for effects - TC Electronic Ditto. TC Electronic Hall of fame reverb. [color=#282828][font=helvetica, arial, sans-serif]Neuaber Wet reverb pedal.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Strymon Blue Sky reverb.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Strymon Timeline.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Try me for other 'boutique' reverbs and delays.[/font][/color]
  13. It's very good. Yes, both TAB and proper notation.
  14. I'm thinking of trying flats on my fretless, I preferred round wounds to the half wounds. Anyone recommend some light gauge flats ?
  15. In excellent condition, complete with a rather neat gig bag. These are hand made in Italy. Specs are here - [b]Power out[/b] 250 W at 8 ohm & 500 W at 4 ohm [b]Bandwith:[/b] from 10Hz to 25.000Hz +/-1db [b]Protections:[/b] Start-up timer, Antibump and speaker protection [b]Input gain:[/b] The control gain 1 is placed directly onto the INPUT 1,the AUX INPUT 2 has a separate gain control on this second channel, which is totally FLAT as in the best amplifiers Hi-End for Audiophiles (no tone controls,) can amplify a second tool or get a different sound source like a CD, PC, etc Mixer. [b]Effect loops (unbalanced):[/b] Post eq. (mono Send – stereo Return) [b]Balanced out, DI:[/b] 1 Canon, male, with separate adjustable level [b]Tuner Out:[/b] 1 Jack out [b]Power output Connectors:[/b] 1 Speakon (Mono/Bridge) [b]Power supply:[/b] 220V 50Hz AC [b]Weight:[/b] 1,9 Kg Trade for either a Markbass F1 or LM3 plus cash to me. For sale at £650 plus postage, though I would prefer collection or meet up. I'm in London 3 days per week, so can possibly deliver or meet somewhere.
  16. For sale or trade is my most excellent Acme Low B2 cab. This is an amazing cab, goes lower than any other cab, and sounds clearer than any other. It's what the Barefaced cabs are based on I believe. It is in excellent condition. Here's the spec from the Acme website - [color=#000000][font=verdana, geneva, lucida,]Model: Acme Low B-2 Series II [/font][/color] [color=#000000][font=verdana, geneva, lucida,]Frequency response: /-3 dB 41Hz to 22 kHz -6 dB at 31 Hz [/font][/color] [color=#000000][font=verdana, geneva, lucida,]Power Handling: 350 Watts RMS continuous 300 Watts sine wave @ 30.87 Hz [/font][/color] [color=#000000][font=verdana, geneva, lucida,]Sensitivity: 93 dB 1W/1M [/font][/color] [color=#000000][font=verdana, geneva, lucida,]Impedance: Available in 4 or 8 ohms [/font][/color] [color=#000000][font=verdana, geneva, lucida,]Dimensions: 23"H x 15.75"W x 16.5"D [/font][/color] [color=#000000][font=verdana, geneva, lucida,]Weight: 50 lbs / 23.2 kg[/font][/color] This is a 4 ohm version. It's in excellent condition, and sounds amazing. Trade for a Markbass 1x12 or 2x12. £325 plus postage, though collection is preferred.
  17. I really don't see the problem. If like everyone is saying the new Indonesian built ones sound the same and use the same components, then so what ? Surely it's better to still have Markbass building quality and good sounding amps, than for them to maybe go the same way as Modulus basses ?
  18. Modern double sided sticky tape is very strong should be suitable. Just make sure you warm it before trying to remove whatever you end up sticking on, use a gentle heat from a hair dryer or something.
  19. ambient

    SOld.

    Mt effects wants have changed somewhat. I'd like the following, plus cash to me. TC Electronic Hall of Fame. TC Electronic Ditto. Neuaber Wet reverb pedal. Strymon Blue Sky reverb. Strymon Timeline. Try me for other 'boutique' reverbs and delays.
  20. [quote name='BetaFunk' timestamp='1392334234' post='2367652'] This is the neck of my fretless bass. It works for me. [/quote] Nice ! That's a good idea, just having little lines, and probably all you can see anyway if the board was completely lined.
  21. [quote name='DorsetBlue' timestamp='1392196245' post='2365732'] Did they fit and what do you think of them (might need to order a set shortly)? [/quote] Hi, Sorry I only just saw this. I don't know, John found one. If you want to PM me your address you can have it, I haven't even opened it.
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