ossyrocks

Ahh, I hadn't considered that combo. I'll let you know. Rob

All done! Gave the corners a final paint early this morning so I could fit them this afternoon, drilled out the speaker mounting holes, re-dyed the baffle, fitted more wadding inside so that more or less all internal surfaces are covered, cleaned the jack sockets and replaced the wiring, mounted the speaker, and put the grill back on. Finished. I've given it a blast as loud as I dare at home, and the house was rattling. It does sound better than it did, in fact it sounds bloody marvelous with the Bassman. Perhaps it's just me making sure everything was tight and secure, extra internal wadding and the speaker mounted properly, but it's tighter sounding, no rattles and no flub. My intention was to create a recording setup, but I think I could gig this rig! Very happy with this! Cheers, Rob

Band photoshoot pic. Rob

So, I've finally got space to do a bit of work on this cab to make it worthy of using. I pulled the speaker, cleaned all the black tarry gunk off the edges, cleaned it up, and I've fitted 3mm high density foam speaker gasket. I've glued and dowelled the speaker mounting holes ready to sand down and re-drill. Some of the speaker mounting holes were a bit stripped and the screws couldn't be tightened. All the corners have been removed, sanded and repainted. I'll give them another coat tomorrow before refitting. The whole cab has had a really good clean, and it's come up very nice. The biggest job today was fitting the castors. I went for fairly big ones, 75mm grey rubber, with the front two having brakes. These are mounted with M6 bolts through the cab into internal T Nuts. There's no way these are going to pull off, and it will make it so much easier to move around. Next jobs - re-drill speaker mounting screw holes, more acoustic wadding inside, re-do the speaker wiring. Pics!

I am surprised to read that to be fair. Out of interest, what's the rest of your setup, and what context were you using the amp in? A loud clean tone is something I would expect ALL 800w Class D amps to be capable of. I have a GK Legacy 800 here that can do just that, and that amp is designed after an amp that is famous for getting a bit hairy. Rob

So, to everyone in this thread who managed to snag one before UK stock vanished, how are you finding it? I can see from his posts on Facebook groups that @shug is very impressed with his. Rob

@Bill Fitzmaurice, my Bassman 1x15 cab has this wadding, but only on the back. Are there any benefits in covering all the internal surfaces?

Nickel. I'm 60, it's not my only bass, and I play flats. They'll see me out. I've had stainless fitted on 6 string guitars, and I can really see why that makes sense. Bending strings is a whole new ballgame on stainless, effortlessly smooth. However, with stainless, the feel does change quite a lot, and it's going to take enough getting used to going from very low frets to new ones, plus I do like the feel of nickel on basses. Rob

Further to this. I have had a Luthier recommended to me by Ged Green in Cheadle. Ged was the man in these parts for top notch work, and I've used him for decades, but he has now hung up his tools to retire. He has recommended Jim Fleeting - https://www.jimfleetingguitars.com/ In my conversations with Ged, he recommended I use Jescar 47104 fretwire, and in a subsequent conversation with Jim, he said the same, so that's what I'm having fitted. It will also get a new bone nut. I drove it down to his workshop this morning and dropped it off. I'll post pics of the completed work and my first impressions in a few weeks when I get it back. Rob

Ok chaps, I'm going to get my '73 sunburst/rosewood/tort Jazz bass refretted. What is the modern equivalent wire these days which compares to what was fitted originally? Also, would you go slightly bigger, and what would you use if you did? Thanks muchly, Rob

Has anyone used Paul Everson in Carnforth for a refret? My vintage jazz needs it now. I've asked Ged Green who he recommends (Ged used to do all my work but has now retired), and he recommended Jim Fleeting, who's work does look great, but in the process of searching, I've come across Paul Everson, who is local to me, so if his work is top notch, I'll use him. Cheers, Rob

That's a JBL E140, rated at 400w, will he really blow it with a Dual Showman? I like the sound of the old D140F in my Bassman cab, but I will never run it very loud, and it is VERY heavy. If the intention is to gig this behemoth, then Bill's advice to put another Deltalite in and port the cab accordingly is the best in my opinion. At least it will make the cab "slightly" more portable. I would also get some new grill cloth, it's fairly cheap, and it's easy to install and it would smarten things up considerably. I like your cab. Rob

We arrived at our gig in Ulverston last night to discover that we hadn't brought microphones, mic leads or mic stands! We borrowed one off the pub, another from an audience member who lived around the corner, and another off a mate of mine who was playing in a different pub 10 minutes walk away (a Shure Beta 58 too). Tiny pub, cramped performance space, absolutely rammed with people, couldn't move for bodies. Great gig in the end, but I wished I'd taken a bigger bass cab despite the tiny space we were playing in. Rob.

The morning after the night before gig - I should have taken the Three10 !!

It's usually a mystery as to where they've been before, sometimes we get a bit of an anecdote, or info on the immediate previous owner. Full history is usually not available. With my '73 Jazz, which is very heavily worn, I bought it from BassBros, but Nick (@oldhorsemurphy RIP) contacted me as he'd only just sold it to them. He told me how long he'd had it, and where he bought it. He'd bought it from the original owner, who was responsible for ALL the wear on that bass. He must have played it every day since 1973!