Jump to content
Why become a member? ×

cd_david

⭐Supporting Member⭐
 View Profile  See their activity

  • Posts

    1,674

  • Joined

  • Last visited

 Content Type 

Everything posted by cd_david

  1. cd_david
    BUMP
  2. cd_david
    Bump
  3. cd_david
    Just checked new price on DV247, these are £30 new inc vat so £20 should do it with P+P
  4. cd_david
    [quote name='Hot Tub' post='709192' date='Jan 11 2010, 07:08 PM']Just a quick suggestion - you may want to give some idea of how much you're after for it. [/quote] Aha Well spotted
  5. cd_david
    Sold Thanks
  6. cd_david
    SOLD
  7. cd_david
    SOld
  8. cd_david
    UA 5 I've owned this from new, its never been out my home studio and offers superb sound quality. VERY GOOD condition and full working order. Specs below. Just checked tonight and this is still supported to Windows 7 and Mac OS 10.6. Comes ith power supply and install disc but you will need to download the updated drivers. I dont know [size=6][b]£50 plus p+p [/b][/size] EDIROL UA-5 24bit 96khz USB audio interface Two high quality microphone pre-amps with balanced (XLR) and 1/4-inch (TRS) inputs Switchable phantom power (48 VDC) Two Line-level analog inputs (-10 dBu) with level control Two pairs of Line-level analog outputs (RCA and 1/4-inch) Two A-to-D converters that operate up to 24-Bit data words and 48 KHz sampling rates (full duplex) and 96 KHz (half duplex) S/PDIF Optical (Toslink) and Coaxial (RCA) Inputs and Outputs (selectable) and a USB slave interface. The UA-5 can feed PC- or Mac-compatible computers via its USB interface. (The UA-5 is not designed to be used as a stand-alone mic pre-amp/A-to-D converter; see the M-Audio Duo for that application.) Phantom Power The UA-5 provides 48 Volt phantom power to microphones that need it; the phantom power can be switched on or off via a front panel push button when not required. (A single pushbutton controls both channels.) Zero Latency Monitoring The UA-5 provides zero-latency monitoring: you can monitor the recorded audio in real-time via its variable level headphone output. The 1/4" headphone jack and level control are on the front panel. Overload Indicator The Duo's front panel provides a single Peak LED to indicate when you're feeding either channel too hot a signal. SCMS When recording via its analog inputs, the UA-5 acts as a professional device and does not impose SCMS restrictions on its S/PDIF output data stream unless you specifically impose it via your host computer. When recording via the S/PDIF digital inputs, the UA-5 passes along the SCMS state in the data stream without modification. Note: The UA-5 is not bit-for-bit accurate in transferring digital data to the computer via its S/PDIF input. Sample Rate Conversion The UA-5 offers real-time sample rate conversion in hardware, the only device of its type to do so. High Impedance Input The second XLR input can be switched to accept a high impedance input source, like an electric guitar. Specifications Dynamic Range: 99 dB (A-to-D converter), 108 dB (D-to-A converter) Noise Level: -95 dBu or less (analog output) Max mic input level: 0 dBu Mic input gain range: 50 dB Line level output: -10 dBu Variable level headphone output Power Requirement: 9 VDC at 450 milliAmps Size: 8-5/8(W)x 5-7/16(D)x 1-7/8(H) inches [218(W)x 137(D)x 46.5(H) mm] Weight: 1 pound 10 ounces [.71 kg] Minimum System Requirements Windows Windows ME, 98SE, 2000 Professional USB port (Intel chipset preferred) Pentium, Celeron, Intel-compatible, 400 MHz (500 MHz for 2000 Pro) 64 MB RAM (128 MB for 2000 Pro) 100 MB hard disk storage "Note to PC users: "INTEL", "ALI" or "Lucent" USB chipsets are recommended. Incompatible USB chipsets: VIA Apollo BX, VIA Apollo MVP3, VIA Apollo MVP4, VIA Apollo Pro, VIA Apollo Pro Plus, VIA Apollo Pro133A, VIA Apollo Pro133, VIA Apollo KT133, VIA VT 83C572/VT82C586, VIA Tech, VIA Rev5, Standard Open HCD, OPTi 82C861, SiS7001, NEC Open HCD Controller, Compaq PCI to USB Open Host Controller." Macintosh MacOS 8.6 and 9.x (MacOS 9.0.4 required for Sound Manager) USB port PowerPC G3/300 MHz or higher 128 MB RAM 100 MB hard disk storage
  9. cd_david
    Check to see the E saddle is not sitting on the bass plate. I had a piezo which did this when the saddle block was touching the plate., it must earth out? but a small amount of lift in the height adjustment screws sorted it immediately. Dave
  10. cd_david
    [quote name='umcoo' post='699668' date='Jan 3 2010, 04:38 PM']I'm looking for a flight case for my 135 and castle cases do one for the bassman 100. I measured the 135 and the case and the case seems a really tight fit. Is that how they're supposed to be? Help me spend money folks![/quote] I think they are? Mine has a 135 bassman vinyl cover. In mm my 1976 bassman 100 head is, 665 x220 x245 without feet or handles taken into consideration Hope this helps Dave
  11. cd_david
    Most desks even budget ones "should" be able to cope with line and mic levels at xlr input! Like previous advice states its most likely the engineer, who if he had a problem should have provided you with a DI box himself, after all thats his job. If your problem is of concern to you i wouldnt mod the amp like WOT suggest, just make a FEMALE to MALE, short XLR lead with the resistor across the hot pin and it keeps th amp original and avoids you voiding the warranty by soldering the insides.
  12. cd_david
    Bumpette for Dez doing up new house with pregnant wife and no internet access.
  13. cd_david
    [quote name='OutToPlayJazz' post='697833' date='Jan 1 2010, 12:12 PM']If anyone wants one, I have a spare brown MM LE case like the one further up this page. [/quote] PM'd
  14. cd_david
    Just been paid in advance for a bass from Tom. Great comms and a lovely smooth deal Cheers Dave
  15. cd_david
    Gone thanks
  16. cd_david
    Gone ta
  17. cd_david
    [quote name='jembullo' post='691872' date='Dec 22 2009, 09:35 PM']Cheers buddy, bit sad to be getting rid of it to be honest. On a side note, did you ever sell the piezo ray...still wish i'd been a bit more decisive about it!!!![/quote] Yeah, It sold To Rich (Out to play jazz) good luck with this one, wish i had a spare 500 notes.
  18. cd_david
    This used to be mine and i can confirm its a beaut!, Great player and full on P tone Plus Jem is a great bloke.
  19. cd_david
    Just sold my Wilkes fretless To Tim, Thoroughly nice bloke to deal with. No complications. Hope it gives you many years service mate ATB DAVE
  20. cd_david
    [quote name='Duarte' post='683565' date='Dec 13 2009, 11:59 PM']I would prefer it if it was clean, but in the end it really doesn't matter. It's a great bass. It sounds and plays great which is all that really matters.[/quote] I know this is all personal taste but i hate to play a dirty bass, first of all for the feel, clammy under your hands eeeuuuuwww , and second of all the maintenance issue, fingerboards drying out, hardware rusting and seizing up etc. issues with the finish, clean off your acidic sweat and it will last longer. Watch your quality builder or craftsman when they finish work, tools CLEANED and then put away. Tools are expensive and only really need to be bought once if respected, and after all basses are our tools of the trade. Dave
  21. cd_david
    [quote name='Stingray5' post='667967' date='Nov 28 2009, 04:06 AM'][/quote] I've always Gassed over the Thunder II Fretless basses. Gorgeous looking basses. I remember seeing Steve Brzezicki playing one when i saw him in Fish's band on the vigil in a wilderness of mirrors tour. Outstanding sounding bass loads of mmmwwwwwwaaaaaaaaaaaaaah.
  22. cd_david
    Was doing sound for Eddie and the Hot Rods on monday night at the Viz 30th Birthday bash and the bass player was using one of these, sounded great and not too far from a Ric when in the mix. Lovely bass
  23. cd_david
    [quote name='Tlbasss' post='679212' date='Dec 9 2009, 04:10 PM']Fantastic bass. Tried a red one recently. Just wondering how to justify it to wife. [/quote] PM replied
  24. cd_david
    A "post in time for Christmas" bump
  25. cd_david
    SOLD Thanks for the interest
×
×
  • Create New...