Clarky

[quote name='dannybuoy' post='1045941' date='Dec 3 2010, 06:50 AM']Pedaltrain Nano, NYC Lunchbox, or roll your own? All you need is a small wooden board and maybe an aluminium camera case from Maplin/interweb.[/quote] Thanks Dan, the Nano looks very user-friendly

Tumbleweed! Pretty please?

[quote name='Doddy' post='1045778' date='Dec 2 2010, 10:50 PM']the way he looks has absolutely no relevance to anything.[/quote] Sense of humour failure Doddy?

Most of the pedal boards and bags I see on websites are for people with mahoosive pedal set-ups (Happy Jack are you reading ). I would like to set up a compact board containing only a tuner (TC Polytuner), Sansamp BDDI and my incoming Demeter Compulator compression pedal. They don't take up much space at all and I want each of them to run on batteries, not mains power, so it can be a very simple board/bag. Does anyone have any suggestions for something appropriate? Cheers!

[quote name='JTUK' post='1045199' date='Dec 2 2010, 03:21 PM']In that case, I would have picked a song to start the set that any decent engr could mix on the hoof...but agree that with that amount of instruments, it would be a trial....so something easy to start off.. I assume he made sure all the signal chains worked...but it doesn't sound like you got lucky with the engr choice either....??? He has a 14 piece band to mix and forgets to nail the settings...!!!!!!![/quote] Nope he had 6 of us and a tape and he forgot the settings! The first band incidentally had to re-start their set after the most enormous feedback howl set in in the middle of their first song. So, yeah, we didn't get lucky with the sound engineer!

I think you should talk to 51m0n on the subject of compressors. He convinced me Here is 51m0n: [attachment=65532:snake2_1388468i.jpg]

[quote name='JTUK' post='1045181' date='Dec 2 2010, 03:07 PM']If the kit sounds good acoustic or through the backline, then I wouldn't be hanging round for some idiot who can't get his signals right.[/quote] The difficulty is we are a 14-piece band normally. Last night the snow meant there were 6 of us (2 vocals, trumpet, trombone, souzaphone, DB), with no drummer or guitars. So we had to play to tapes, which means we had to do some serious sound-balancing.

[quote name='Clarky' post='1045074' date='Dec 2 2010, 01:48 PM']oh and the band before us had a DB player who didn't have an amp and asked me immediately before they went on stage if I wouldn't mind him using my preamp/amp for their set [/quote] On this point, to be clear (lest you all think I am a tw@t), I generally am happy to share back line but only when agreed in advance. I don't appreciate being given a fait accompli - had I said 'no', he would have been up sh*t creek. Furthermore, I had to struggle the best part of a quarter of a mile (have you tried parking in Camden?) through snow carrying my double bass and my combo to the venue. Meanwhile this young dude rocks up without the same hassle and says "Mind if I borrow you speaker [sic]?"

[quote name='silddx' post='1045091' date='Dec 2 2010, 01:56 PM']Proud wasn't too bad when I played there with Kit, but a prima donna girl band took ages sound checking, and were pissed off (and showing it) with the engineer. In all my time, the only sound checks that the venue started on time was at the Dublin Castle, and Revenge in Brighton. And still the other bands were late. It's a joke. I hate tardiness. There are a lot of w***y bands around that think they should be treated like U2 but can't even turn up on time. And venue equipment is woefully out of date, like their engineers usually. I wish everywhere had digital desks and proper sound reinforcement. I prefer playing decent sized festivals. Just a line check and we're away.[/quote] The promoter changed between us booking Proud and playing and the original soundman was not there last night either. I suspect you had the previous people Nigel

We did a (snow-ravaged) gig last night and were asked to load in and soundcheck between 4-6pm even though we were not due onstage until after 10pm. We duly did our early sound-check, which was really painful. At one point, the backing vocalist said "one-two" into the mike for at least 5 minutes while the "sound engineer" fiddled with his knobs. It took so long we only had a chance for a quick run through one song (bear in mind we were having to play along to a tape, as half the band was stuck on the South Coast, so we would have liked to polish things a little more in the s/c) before we were told we had to pack our gear away for the venue to open to joe public. Anyways, the two bands in front of us started late (neithe rof these soundchecked) and we finally got on stage about 10.45pm having done a hell of a lot of hanging around. At this point the sound guy said "I have changed all the settings since the sound check" and we had to go through it all over again with a very bored (and small) audience in front of us. So exactly why did we get to the gig 5 hours early then? Humbug. By the way it was the Proud Gallery in Camden ... oh and the band before us had a DB player who didn't have an amp and asked me immediately before they went on stage if I wouldn't mind him using my preamp/amp for their set

[quote name='Musicman20' post='1044830' date='Dec 2 2010, 11:14 AM']I think youve managed to sort it anyway [/quote] Much to wifey's disgust I had a quick play on the bass in question (my Pino) when I got in past midnight from DB gig last night, to see if the action had changed again. Nope, totally stable and as I left it the previous day. So it now plays beautifully and exactly how I want it to, ie, really low, fast and slick. So thanks Gareth, all sorted

And there was me thinking it was a scoop first picture of Pink's new baby son

[quote name='Moos3h' post='1041772' date='Nov 29 2010, 10:46 PM']Just read the latest issue this evening. Only comment is what a bell-end Jeff Berlin comes across as in the letters page![/quote] Read mine on way to work this morning. The letter that prompted Jeff Berlin's response was a bit silly but Jeff Berlin's ego is off the scale. He might be a great bass player (and is undoubtedly amazingly technically gifted), but what an arrogant SoB. No wonder he divides opinions - and thats before we even mention the 70s porn star moustache and the waist high jeans and Hi-Tops!

Well a weather-ravaged version of Rattlin Bone (5 out of 14 made it!) played in the Proud Gallery, Camden tonight to, erm, Mrs Clarky, the other two bands, and about a dozen other people. Outside it was blowing a blizzard and the pavements were treacherous. Got home without any accidents, mercifully. I guess it was a free rehearsal .... Thank you, British weather

[quote name='pete.young' post='1044436' date='Dec 1 2010, 10:32 PM']I'm just wondering how the tension of the strings can have anything to do with how hard it is to adjust the rod. You are loosening off the strings before you increase the tension in the rod, yes?[/quote] Yep, I always loosen the strings before adjusting the truss rod. What I meant about string tension is that higher tension strings exert more pull on the neck so the truss rod needs more tightening clockwise to compensate.

[quote name='EddieG' post='1044016' date='Dec 1 2010, 04:50 PM'] Coolest picture EVER![/quote] He used the fur coat for string dampening. Fact

Other than scarcity value of this particular model, I have to say (well I don't but I will anyway!) I prefer the contoured Precision shape to this. It looks a bit woodwork class to me

Its such a b*gger. We were going to video the show as well for promotional purposes. Now I imagine it will be like a part-band rehearsal in front of Mrs Clarky and 1 or 2 other stragglers looking for a drink on a cold Wednesday night. Hey ho, worse things happen at sea

Seems we are going ahead, using backing tapes as the drummer and guitarists definitely cannot make it. Line-up may just be Vocals Trombone Trumpet Double bass .... err tapes Far cry from the 14-piece that played on Halloween If anyone was thinking of coming along (especially those with broken legs!), please don't feel obliged as this is such a stripped down version of the band