Crossover blend?
Just plug the rat in line, set the dirt anywhere from mild to chainsaw and then use the filter to dial from klang to sludge.
I like this video because he really shows how the distortion and filter play together:
For me, in band setting, the range of usability lives really when I set the dist between 9 and 11 o clock and the filter from noon to bear full.
If you want to put this pedal on a side chain you can, but there's really very little point.
https://hg.eu/uk/products/hg-odour-eliminator-for-clothes-and-fabrics
This stuff. Works great getting smells, smoke/soot, pet smells and so forth out of cases, bigbags, upholstery, carpet, draped, curtains, mattresses etc etc.
*Deezer *
Edit: apologies, even Deezer can't stop uploaders from sneaking ai hidden in albums. They do tag it and encourage users to report ai.
https://support.deezer.com/hc/en-gb/articles/28222522835101-AI-Content-Tagging-on-Deezer
IEMs have a different job than earplugs do. A perfect seal isn't required to hear something, but it is necessary to reliability reduce sound pressure levels.
Some brands, like Alpine, have pro shops where they can measure if your protectors are seating properly.
Is see some problematic claims on that site, one of which is assuming a 100dB volume level at concerts, and another is not accounting for different shapes war canals. But at least they give an indication although one Of wouldn't take too literally.
Whichever plugs you get, make sure they're seated properly and avoid leakage, if that happens they're useless while you think you're protected.
The 200w is pretty anaemic for a full metal outfit. I'd look towards 500-600watt total so neither amp or cabs are doing heavy lifting.
If it were me I'd search for a nice 212, can always add the tens for very big stages.
Its loudness is dependent on the sensitivity and output of your cab.
I have the of 20t and tested it on a 102dB/1w 4x12. It fell just short in a metalband setting with loud drumbeast and 2 standard guitarists going in 100w tube amps. The 50t might have pulled through there.
Just saying that the amp is not the only factor in the signal chain.
I would love a Mesa studio tube amp to blow away the pf20t/50t b15 or ashdown little b@stard. A 40+ (instead of 400+)would be perfect for home practice, small pub gigs or studios. Matching/flip top 1x12?