Bolo

You'll have to ask someone who is culturally adjacent to the song. The majority here are grey haired white men.

Before trying home remedies (some of which are great advice) check with the audiologist that fitted the moulds. It may have turned out a fraction too large and cause pressure.

Yes. This is it for boutique basses. Everyone stop it right now.

Don't let them talk you into abandoning a family member, they're just trying to get a good deal! Maybe use it in a trade if you come across something else you really want. Otherwise may they pry it from your cold dead hands!

Yes. First step is a private conversation to assess their true viewpoints and to see if they can be made to see reason. If not, we're done. I will never not hate the hateful, and I wil not be quiet about it.

Barely a year ago the For Sale section was full of amps and only two ads for cabs on the first four pages. It's just a coincidence.

Starkey is an American brand with pretty good consumer focus and easy to connect to Bluetooth devices. The audibility of the top end depends on your type of hearing loss. You can compare your audiogram to the HA's datasheet to see if they can theoretically supply sufficient amplification. The fit and type of earpieces affect the maximum output in the high frequencies. When they leak sound to the HA's mics they will trigger a built in limiter to prevent feedback.

Hearing aids are my job, but I'm Netherlands based so local differences may apply, in brand names etc. Plus English is not my first language. The "ai" in hearing aids... Isn't. In some of this year's flagship models (Phonak L90 for instance) there's a machine learning feature, that learns the timbre of the voices closest to the wearer. They can then amplify those voices while damping surrounding noise. Works decent in a restaurant for instance. There's nothing that'll save you in a noisy pub with an enthusiastic sound system. Hearing aids won't be recording your conversations any time soon, your mobile phone might already be doing that though The topic is "hearing aids for musicians". Even people with severe hearing loss should still be wearing protection when in an amplified live music environment. For acoustic and classical instruments/orchestra's and listening to proper hifi, people often find that Widex/Coselgi hearing aids sound more natural than most competitors. a boon for music teachers. Working with a good audiologist to get the most out of the aids, getting all the settings, EQ and sub-programmes just right, is crucial for a good result and positive experience from wearing them.

This is exactly correct. envelope following effects before the comp, the rest after. My signal chain is bass>gate>comp>tuner>dirt/pre>amp as I don't use reverb/chorus/delay effects.

There's a lot going on but the separate pedal (black, three connectors on the top) absolutely looks like a RAT and sounds like one dialed with a generous amount of highs left in.

Build an acrylic display case around it. Now it's art, not a bass.

If it plays how you like but you want different sound flavours, it's yours to do with as you please. People here have recently said they prefer vol/balance instead of vol/vol. A tone per pup makes sense to me.

Thanks for clearing up this 14,5 year old conundrum!

Why would you not try it? A proper pickup is worth the money they cost. 🤷

I have a 4 string of this. It's seen a lot of action and shows it, but frets, fingerboard, pickups and bridge look barely used. The pretty lights work as intended. Plays great, not heavy, very useable sounds from the passive EQ.

There goes all of Pop music, and a considerable amount of opera.

Here's a thought: how much have you experimented with the amp settings? Options aplenty. Don't scoop the mids but roll off some highs, or use the Magellan's Contour and see how that works for you. Dialing in what you already have is the cheapest way to achieve what you're looking for.

Yamaha is never a gamble at this price bracket, absolutely solid. The squier choir conveniently forget to mention how lucky you have to be to find a good one.

In that case I'd skip a tube pre altogether and invest in a warm compressor: anything from a Cali76 to a Markbass Compressore, crank it and then back it off a smidge to taste.

It really can be just a RAT type pedal. The RAT has three knobs. The first is the drive/crunch/grit keep it between 8 and 10 o'clock, that's where the magic happens. The second knob is a high roll off filter. Anti-clockwise is bright, twelve is still kinda bright but in a nice way, fully clockwise is warm and thick. The third knob is just level or volume. I got a Rat2 this year and it replaces all the boutique tube preamps I have amassed.

Setup or string choice probably . In 20 years of Stingray 5s tuned AEADG (3 in total, currently a 2007 HS) they've been excellent. Spector Euro 5LX is great too. My first vifer was the first MTD Kingston, it sounded warm and chocolatey, not big and tight what I was after.

Camo and black.

Probably a gas leak.

That looks good for metal