Still that's all a Stradivarius is, or an original Mercedes gull-wing. There isn't even any metal in a Rembrandt, van Gogh or Picasso but even a manky one would fetch quite a price.
I'm not calling this random bass 'art' but value is rarely dictated by the materials something is built out of.
The Harley Benton solderless patch cable kit has been a reliable and easy way to wire my pedalboard in my experience. No trouble with noise and sturdy enough to tour with.
https://www.thomann.de/gb/harley_benton_solder_free_patch_cable_kit.htm
Highlighted the bit I strongly disagree with. The rest would be spot on in my opinion. Extreme or alternative vocals still depend on far reaching control over the voice.
Pictures of the full set-up would be great @mortware
The pedals, settings on the amp, the back of the amp etc.
or did you get it fixed? If so, what was the problem?
is there another amp you could test the output from your bass on?
It's going to be great.
Slap them on but, as we saw above that the tension on the neck is slightly lower with heavier strings, the neck my straighten out a bit over time (see below). If the strings start giving fret buzz take the bass to a local luthier or knowledgeable BC member to tweak the truss rod a little.