I thought the original, while not as technically advanced, was at least a better experience. None of that 'classical music starts with class' snobbery, but just contemporary tunes for those that want to enjoy them!
I can't stress enough how isolation is only going to make dealing with mild sounds more and more difficult.
Please see about retraining to accept sound into your life again under care of an audiologist or psychologist that is familiar with the problem.
I'm saying this as a medical professional in the field of audiometry.
Avoidance can only lead to more misery, social isolation and possibly deep depression. There is a way up and out but it's hard work and nearly impossible without professional help.
I'd like to think this is how it works in my band (we have 1 extra guitar player) as I have the same roles.
Unfortunately I suspect that I'm a massive princess.
I'd look at 2x12 instead of a 15 incher or it would have to be a very impressive make to keep from going muddy in those conditions.
I played an old Peavey tvx 410 for a while that was very impressive, tighter than it's ampeg counterpart. No clue how that translates to the current cabs.
Greatest guitar player is like greatest dog owner. Very nice for those directly involved. The broad world could care less but it'd have to put in some effort.
Ah I always forget people like different things.
The .73 are my standard selection although I have played the .88 for a while. Three tips for the price of one:
How do you break a pick?
I've been playing for about 30 years, mostly with a pick. Couldn't break it if I tried!
There's always a few in my right front pocket though, should I lose one.
I've been looking at the ashdown little stubby for a home/studio amp. It seems a bit more flexible with the selectable character switch.
Has anyone here used or compared one?