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Norris

⭐Supporting Member⭐
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Everything posted by Norris

  1. I sold a 4001 in 1985 and quickly regretted it. I bought a 4003 a couple of months ago.
  2. Make a band rule that anybody who turns up more than 15 minutes after the agreed arrival time carries their own kit in
  3. Make sure you turn up at the correct venue at the right time on the right night and that you've brought your bass with you.
  4. Red Red Wine ... I'll get my coat
  5. [quote name='Ou7shined' timestamp='1378203203' post='2196875'] Yep. And old ones are increasingly hard to come by now. Although there are ways around it - the L-2000 is close and can be modified in the right direction. I have a '80 L-1000 in my collection and use it as inspiration to build a bit of Wunkay into all my own personal use basses. My latest present to myself is letting everything else I gig or noodle with just gather dust. It's not even finished yet but I've gigged it twice now. [/quote] Nice cat, but he's never going to get the hang of floating thumb technique!
  6. You can use whatever you like of mine providing you a) ask me first, don't put any glasses on top of my amp and c) pay for any damage. Apart from that I quite like to hear what my kit sounds like from the back of the room occasionally
  7. In the eighties [i][b]the [/b][/i]amp to have was a Trace Elliott, although I never fancied one myself due to the close association with slap. In 1985 I bought a Traynor Mono Block and matching 2x15 cab - good job we had a band van back then, 'cos it weighed a ton! I used that for many years.
  8. [url="http://www.amazon.co.uk/d-c-fix%C2%AE-Plastic-adhesive-Woodgrain-346-8219/dp/B005ELO650"]http://www.amazon.co.uk/d-c-fix%C2%AE-Plastic-adhesive-Woodgrain-346-8219/dp/B005ELO650[/url] - sorted
  9. I've never had a problem with any of my basses needing tuning except in extremes of temperature & humidity. As long as the strings are bedded in properly when you change them they can go for weeks with out tuning. ...and by bedding in I mean grab hold of the string and give it a darn good wiggle with around 1" deflection, which evens out the tension in the machine head wrappings, string trees, nut, etc. Don't be afraid of breaking the string, as if it's gonna let go then now is the time to do it rather than at a gig.
  10. Not leather, but none more comfortable than ... [url="http://www.comfortstrapp.com/"]http://www.comfortstrapp.com/[/url]
  11. How is it for floating thumb technique?
  12. Schaller strap locks are the only mod you need Having said that I fitted a vintage tone switch to my early 4003 last week - first gig tomorrow night .
  13. Has anybody called the church to tell them one of their pews is missing?
  14. [quote name='lowlandtrees' timestamp='1376642986' post='2177160'] ... I had always assumed that string gauge and tension were directly related. How do you know which strings are high tension and which ones lower (probably a tigga nooby question) ? [/quote] They [b]are[/b] directly related. The note pitch depends on the length of the string (scale), the mass of the string (gauge/thickness) and the tension. The length of the string is usually fixed - by scale length & fret positions. The gauge and tension are then inversely proportional - the thicker the string the tighter it has to be to achieve the same pitch; to get lower tension you need lighter/thinner strings. Edit: Many years ago (before the days of Internet forums) I had a 4001 and adjusted the truss rods without any prior knowledge that it was [i]supposed[/i] to be a difficult job. I didn't have any issues and got the action nice and low to suit my strings. Just be careful & logical and make sure the neck doesn't twist i.e. that the two rods have the same tension. Make small adjustments to both rods and never use excessive force.
  15. Like matski, my Ric sounds great whatever I do. However, I can't get a nice round funky Precision-like sound even with a severe mid cut. It sounds cleaner on a single pickup than on both, but still has that Ric 'fizz'.
  16. Active basses 'Coffee table' basses Brown painted basses Maple fretboards Pickup covers Non-triangular plectra (plectrums?) Slap bass Stickers on basses
  17. I don't like active basses or thick necks ... but have GAS for a Stingray
  18. Somebody I know might be interested in this, so you get a free bump to give him a chance to find it
  19. If you're mainly after looks rather than sound, check out [url="http://basschat.co.uk/topic/197657-spector-rex-20004-holoflash-thunderbird-and-upgrades/page__p__2166289__hl__holoflash__fromsearch__1#entry2166289"]Cetera's Spector[/url], 'cos that looks gorgeous
  20. I'm nowhere near Windsor, but if you're ever in the Leicester area you are quite welcome to try mine - although the TRC has been removed .
  21. The main riff is B-D-E (gap) A-G-E-D-B-D-E i.e. all open or 2nd fret (the guitar plays above in 5ths) The rest is just a 12-bar 6/8 arpeggio, isn't it?
  22. Have a free bump while I ponder if I'm ever likely to gig my nearly pristine (modern) thunderbird ever again. I have inexplicable stingray GAS...
  23. Norris

    NBD :)

    Did it arrive from Korea by being towed along behind the boat?!
  24. If you're having difficulties picking out a bass line, try pitch-shifting the track up an octave. There is free software available that will do that kind of thing, such as [url="http://audacity.sourceforge.net/"]Audacity[/url]
  25. [quote name='njr911' timestamp='1374578779' post='2150325'] Does the mixer care if the speakers are powered or passive ? As you can see, I know nothing! [/quote] Powered PA cabs take a line level signal - in other words no need to lug a huge great heavy amplifier around (or the additional weight of a powered desk)
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