Norris

[quote name='Clarky' post='893738' date='Jul 13 2010, 02:10 PM']There's not too many fans on BC, its true. I owned one recently but sold it as I couldn't cope with the skinny neck (I play P basses generally). BC dudes such as Shaggy, Marky L and Norris are T'bird fans though and I am sure they will chip in![/quote] The bass has finally been gigged (third owner lucky!) and I love it. The trusty Jazz is now taking a bit of a break while I indulge in some of the nicest sounds to ever come out of my amp. It's a keeper. I can understand that some people don't like them. Yes, it has a very skinny neck. Yes, it is kinda offset to the left due to the strap position (can't say I suffered any neck dive though). Yes, it tends to tilt forwards so you can't see the fret board. Yes, I hit my knee on the bottom horn if I jig about too much. Yes, it's big & the case weighs a ton. ...but I look, sound and feel like a SEX GOD playing it! I grinned all the next day after my first gig with it. There's love right here

Thanks mate. It was a pleasure to meet you. Thanks for bringing the bass over. I'm looking forward to giving it some welly

I hope you enjoy the Orange, Clarky! I just bought a Gibson Thunderbird from him. Top bloke (as per all the comments on here). He even brought the bass over to a friends house where we were staying for the weekend (admittedly on his way to the bass bash). Exactly as described & lovely. Thanks Clarky. I hope you enjoy the Alembic (I think that's what you said) when it gets to you. I'm not a fan of relic guitars, but your fat neck Jazz was nice

I've used a Peavey Databass for the last 10-15 years. I got fed up wheeling my old Traynor stack around - which weighed a ton. The Peavey has never struggled for a bit of 'poke' in any situation. I don't think I've ever had the master volume above 5. If you're doing larger gigs, you'd DI anyway - in which case it's plenty loud enough for backline. My guitarist mate even bought one off ebay for the odd occasions he stands in on bass, after hearing mine. My only slight complaint is the quality of the jack sockets. After so many gigs, they are about ready for replacement (and if anybody knows where to get some DECENT quality PCB-mounted sockets, I'm all ears!) I've recently been using a GT-6B with some SVT emulation through it, which gives it a nice bit of 'valveyness'. The absolute best thing about it though is the look on the other band members' faces is when I pop it into the boot of the car at the end of the night! Or when other bass players turn up and wonder where my bass rig is, only to have their kidneys nicely massaged by it. Yes, I'd like some Ampeg kit, but the Peavey is just so small, compact and pokey. It's definately a 'keeper'.

If you can find one (I've personally never seen another one), a Peavey Databass dishes out awesome power for it's size. I have amazed many people that a 1x15 combo can make such a noise. And at the end of the gig, it slips easily into the boot of my car. I wouldn't describe it as light, but it's easy enough for one person to carry about. Stop the press ... there's [url="http://cgi.ebay.co.uk/Peavey-DataBass---Rare-classic-450-Watt-bass-combo_W0QQitemZ130287806623QQcmdZViewItemQQimsxZ20090215?IMSfp=TL090215132001r5583"]one on ebay![/url] The first I've ever seen on there. 1 day remaining, item number 130287806623. £199 with no bids as I type.

I'm a bit anti-active, but that translucent black looks nice, as does the sunburst. And I have G.A.S. for a T'bird too.

[quote name='Leowasright' post='371663' date='Jan 6 2009, 10:49 AM']I cannot understand why people do not just buy new one and wear it out themselves over 20 years.[/quote] +1 on that!

I recently bought a Boss GT-6B pedal from Sean. It was well packaged, arrived in excellent condition & was as described. He also kept me well informed throughout the lengthy cheque-clearance process. Heartily recommended.

I tried out a BA100 and was very disappointed with the lack of volume, and it struggled to make a decent sound. I was looking for a BA300 to try but they didn't have any higher power ones at the time. I don't think I'll bother now - the BA100 has killed my enthusiasm. I'll stick with my Peavey Databass that I know and like (and can lift!).

I'm very happy with the sound & sustain on my US through-body Jazz. I've not had my MIM fretless Jazz for long, but feel it maybe lacks a little in comparison (bridge-strung). It's got a gorgeous action though, lower profile neck and is lovely to play. I'll have to keep my eye out for a Badass II.

Get someone to take some photos/videos of you every once in a while. You'll appreciate it in later years. Drinks can easily vibrate off tables/shelves/pianos. Make sure they're not near anything electrical. If you're feeling nervous, don't fret, as half the audience will be too drunk to notice anyway

After a couple of decades of 'just holding on to the end of the set' my bladder can now hold gallons

I've never really been into modding guitars. About the most radical I've ever gone is fitting Schaller strap locks! Badass bridges though. Are they that much better than a standard bridge? What models are there (for 4-string Jazz)? What sort of prices do they fetch? Pros/cons? I'm still not keen on doing anything to my MIA fretted just yet, but my MIM fretless has the cheaper bridge, that does look a bit flimsy to me. It might just be up for some experimental surgery. So please excuse the n00bishness and discuss... Norris (Oh, and while I'm in full on n00b mode, wtf does 'GAS' stand for?)

Keep coming back to Muse - Black Holes & Revelations. Audacious!

Dammit if I didn't just have to go and look at a spare set to find out! ... Ernie Ball Regular Slinky's. I just look for the yellow day-glo packet! I tried a lot of different strings when I first started playing a lot. I have used EB's for about 20 years because: - They hold their tone for ages - They are available in most music shops - They don't break (often) - They don't corrode (if you remember to wipe the beer & sweat off after playing) - They don't break the bank Not the cheapest strings, but definately value for money considering the length of time they keep their tone. Of course, now I have a fretless I need to find some decent (& affordable) flatwounds...

"Finger Memory, How long does it take you to get something down?" - I find it takes slightly longer with each passing year I can identify with phil_the_bassist. Often I'll be playing a number and accidentally engage the brain, at which point I'm f***ed. Practising over & over puts the lick into your subconscious, and the intrusion of conscious thought can be it's undoing. Anybody else ever been engrossed in a track, then suddenly thought "Where the hell am I? What am I doing? Sh*t! What comes next?!"

I'm torn. I think the GT-10B might be a bit overkill for what I need (and also a bit on the costly side). I'm keen to try to Korg and the GT-6B. I'm still not sure on the Zoom - it's the footswitches themselves, they seem too small and close together. Now I just need to find somewhere in the Midlands that has any of the pedals in stock so I can try before I buy. I'd be interested to hear from anybody that has managed to compare 2 or more of these pedals, from both a sound quality and usability perspective bearing in mind I'm going to be using it live

[quote name='cheddatom' post='227773' date='Jun 27 2008, 08:45 AM']What about a Zoom b9.1ut? I don't know if they're out yet though.[/quote] [url="http://www.imuso.co.uk/ProductDetail.asp?StockCode=EG02373"]iMuso[/url] are listing them. they don't show stock levels though