Norris

The thing to do imho is to get whoever took the booking to call the landlord and find out what was going on. It may well be that he gets a budget from the brewery for entertainment, which would make the pot passing very dodgy if he didn't pass the money on to the band. Call him and find out why the pot was passed - it might have been a legitimate subsidy of his budget, but he should be open about it. We have had situations before where we've been on basic fee plus pot takings - that's fine. We've also had one passed around to encourage us to do more encores - that's ok too as we got the "bonus". What is not fine is the punters thinking they are paying for the band and the money ending up in the landlord's pocket. Nobody likes to feel they have been ripped off

No offence intended towards ChrisJaxon btw, just the effects of half a bottle of rather pleasant merlot last night. That was quite a necro-post though

... or even 8 years after the solo finished

My EUB is a re-badged Stagg with the brand name Rockitt. It's a very affordable way to get a basic feel for DB if not that authentic sound. However it suits my purposes as a relatively cheap and compact "experiment" and sounds a reasonable approximation

As a youth I was in my bedroom with my girlfriend. My mum shouted up the stairs "Dinner's ready". I shouted back "Coming".

[quote name='Andyjr1515' timestamp='1460714710' post='3028052'] I'd love to see it, Norris I don't remember it from last year, but I am just about to start on an own-design cello, loosely based on this yew/mahogany violin I did a couple of years ago - looks nice, plays like s**t - so would be very interested in terms of the weight, balance, etc... I know an upright bass is somewhat different to a cello, but the CofG issues, etc, are likely to be similar. If you're stuck for space, don't worry but if not I'd be really interested. Andy [/quote] I'll definitely bring it then It was quite amusing last year to see people hovering round but not daring to have a go - although there were a few brave souls that tried it and had their GAS ignited Edit: And bring your violin - I'm interested in seeing any of your wonderful creations

I just thought - would anybody like me to bring my Stagg EUB again? It's a bit of a pain to cart around so I'll happily leave it at home, but if there's enough interest I don't mind bringing it

[quote name='M@23' timestamp='1460669297' post='3027812'] Very important to me too. We do a lot of weddings and corporate gigs. We dress smart on stage, so having a cab with a rusty grill and ripped/chipped tolex would look out of place. As much as I actually like them, roadworn basses are a no go too. I much prefer classic styling too, rather than something covered in flashing LEDs. [/quote] Ha ha. That reminded me of a corporate gig we did many years ago. The drummer owned the PA and decided the cabs were looking scruffy - so gave them a coat of matt black from rattle cans in the car park about an hour before we played. Yes, they stank to high heaven!

[quote name='Dad3353' timestamp='1460631003' post='3027371'] Has Feng Shui replaced Rock'n'Roll..? [/quote] Yes, but it's no good for metal

Yes. A 4-wire humbucker will give you the option to connect it any way you like. There probably won't be huge amount of difference between the top and bottom coil in single mode as they are close together i.e. in the same package. Most of the neck/bridge tonal differences comes from the physical distance between them (for similar specification pickups such as on a Jazz).

Call me shallow if you like but I can't stand the yellow highlights on Markbass gear (makes it look cheap imho) and I'm not a fan of the aluminium cones in Hartke cabs

Fender Rumble v3. Not a black box. Looks and sounds great imho There again I've had a few black boxes too in the past.

As we've had a couple drop out I'll bring my Rumble combo as originally planned - and some headphones

Now get some headphones

I'd be tempted to replace it at the earliest opportunity. It probably won't last very long

Stick some castors on your keyboard stand

Maybe it's your ears

I've used 45-105 for years. A good balance between "heft" and compliance imho. I used EBs for ages but have recently switched to Prosteels - very similar tbh Edit: and keep the action mid-low so I can give them some welly

Well done for popping your cherry Keep at it!

I'll leave my Rumble in the car. I'll drag it out on request - will that do? Edit: I know a few people were interested last year as it was a fairly new bit of kit. I assume most that are interested are more familiar with them now, but it won't take a second to set up if you ask

A multimeter can measure various things in electrical circuits, one of which being continuity i.e. can electricity flow between the two points where you place the probes

[quote name='EssentialTension' timestamp='1459941763' post='3021043'] Can you get a Road Worn Ferrari? [/quote] Very easily. Just park it in the supermarket car park for 10 minutes and some ar*e will scrape it / open their door on it

Skinny for me. My currently favoured Squier P-bass Special has a neck like a matchstick. My Ric is a lot wider but not too deep.

£20 a plate for the odd one-off sounds like a bargain to me

It sounds to me like the truss rod has freed itself from the anchor point. That will most likely involve removal of the fretboard to fix unfortunately. Find a local experienced luthier to take a look. As it's a bolt on neck, a replacement may work out cheaper - so I'd also explore that option