Norris

[quote name='waynepunkdude' timestamp='1421930923' post='2666700'] How about a drawer to keep patch leads and stuff in? [/quote] Spare pair of socks/underpants?

Illuminate it? http://www.astounded.com/adam-hall-cool-light-19-led-rack-light-1u-blue.html

Last time I played with a sound guy he took a DI out of my GT6B, one out of the back of my amp (post-EQ) AND mic'ed my cab

I have a Fender US Standard Jazz that I don't use much any more - it's currently on loan to a friend (try before you buy!) I have a Squier P-bass Special - that's definitely a keeper! Says enough I think

We've recently been ending with Maggie May. Always goes down a storm

[quote] [b]Babicz Full Contact Hardware® Bridge: Easier adjustment and increased sustain[/b] Nothing gives string sustain like a full contact bridge, but it's also easier to adjust for precise intonation and your ideal action [/quote] I've never, ever had a problem with sustain on my Thunderbird. [quote][color=#333333][font=Verdana, Arial, sans-serif][size=3] [url="http://www.imdb.com/name/nm0001302/?ref_=tt_trv_qu"][b]Nigel Tufnel[/b][/url]: The sustain, listen to it.[/size][/font][/color][color=#333333][font=Verdana, Arial, sans-serif][size=3] [url="http://www.imdb.com/name/nm0001661/?ref_=tt_trv_qu"][b]Marty DiBergi[/b][/url]: I don't hear anything.[/size][/font][/color][color=#333333][font=Verdana, Arial, sans-serif][size=3] [url="http://www.imdb.com/name/nm0001302/?ref_=tt_trv_qu"][b]Nigel Tufnel[/b][/url]: Well you would though, if it were playing.[/size][/font][/color][color=#333333][font=Verdana, Arial, sans-serif][size=3] [[i]Imitating Vibrato[/i]][/size][/font][/color][color=#333333][font=Verdana, Arial, sans-serif][size=3] [color=#70579D][b][url="http://www.imdb.com/name/nm0001302/?ref_=tt_trv_qu"]Nigel Tufnel[/url][/b][/color]: You can go have a bite and...[/size][/font][/color][color=#333333][font=Verdana, Arial, sans-serif][size=3] [[i]vibrato[/i]][/size][/font][/color][color=#333333][font=Verdana, Arial, sans-serif][size=3] [url="http://www.imdb.com/name/nm0001302/?ref_=tt_trv_qu"][b]Nigel Tufnel[/b][/url]: ... you'd still be hearing that.[/size][/font][/color] [/quote]

I use a Boss GT6B into my amp. A few songs we do require effects. I usually use a valve emulation patch but have a 'clean' patch that I use for a few songs. My amp has the same EQ settings all the time, which seems to sound good in most rooms. There again I'm in a trio so have a nice wide range to play in. I have thought about getting a DI box but the pedal has an output if I ever need one. Our PA just handles the vocals so isn't spec'ed for bass - just for emergencies

Took my radio controlled clock and played Green Onions until 30 secs to go - guitarist enjoying his new Electro Harmonics 'organ' pedal

[quote name='blue' timestamp='1420081364' post='2645473'] On top of our fee a very nice couple tipped the band $100.00 a piece including our sound guy. It's the 3rd time this couple has done this. [/quote] Lucky chap!

Just got back from ours. A small village pub in the posh end of the county. We fell on our feet this year having been cancelled a few weeks ago by the social club we were booked in, after they fell out with the chap that booked us. Luckily the same day we picked up another gig at the same place we've done for the last two years. More money too (£660 for our trio). We play pop and rock covers from 60s/70s/80s. We don't use a fixed set list - we pull them from a 'big' list as appropriate, or encourage requests and will usually give it a go whether we know it or not. Auld Lang Syne was at the right time though - I took my radio controlled illuminated clock .

I hope some fool doesn't buy that expensive cable and then ruin their sound by using a cheap 13 amp fuse. They are well known for discombobulating the electron flow!

Some more 'modern' guitarists... Slash - not particularly innovative but certainly inspirational Jonny Marr Matt Bellamy The last two are certainly innovative

[quote name='51m0n' timestamp='1418904578' post='2634634'] This is utter nonsense, you clearly do not understand how this stuff actually works in practice, [/quote] I do, but tbh cannot be bothered with another argument /coat

Digitising music inherently introduces noise as music volume is quantised (or rounded to the nearest 'step'). However the biggest impact imho is the compression 'war' where every producer tries to get their track to stand out and sound powerful. This is easily noticed in shouty TV adverts that sound so much louder than the program you've just been watching. It has the effect of squeezing all of the 'air' out of a recording

There is one particular Gorillaz track that sets our dog barking. She usually only barks at the sound of the window cleaner's aluminium ladders. There's nothing remotely like ladders that any of us humans can hear. And yes I quite often hear people calling me when listening to music

We had to use a dep drummer last week (admittedly a bit easier than a dep guitarist). It meant ditching the unusual stuff and coming up with a mutual list of songs that we all knew i.e. standards, that would fit the occasion. It might be a bit much to expect a deputy to learn your entire set list for the sake of two or three gigs a year. Depends on who you find and if they are keen/have the time/have the ability to learn songs quickly.

I used a small Carlton suit case. It took about 20 years to fall apart. Very tough if you don't need a proper full-on flight case. I replaced it with a Maplin style case which is tough enough for local gigging

Anyway, which music stand is best for metal?

Hope this works from my phone. See attached photo for the only 'stand' that should be used - my guitarist in action Edit: That's probably a Manic Street Preachers song btw, the lyrics of which are completely un-memorisable! Oh, and the usual imho, amiley face disclaimers apply

We had Deacon Blue as our Xmas party entertainment (I work for Next - big party!). I was standing in front of the desk for the four or five songs I could bear. The bass player may as well have stayed at home - and the guitarist for that matter. Kick, kick, kick was all you could hear at the bottom end. Drums dead loud, quite a bit of backing track and the vocals. Everything else might have been muted for all I know

Luckily our guitarist/singer has the gift of the gab and audience interaction is a large part of the performance. In fact he'd probably like me to break a string to make a 'feature' of it! Whether you take a spare depends on the gig. A corporate function or originals band are a world away from a night of banter at the Dog and Duck. I have had equipment fail at gigs, the worst being a speaker coil going on my 1x15 combo. We've always coped, in that case by going through the PA.

What's the best atmospheric conditions for metal?

Funk and soul can be a bit tricky to get the timing, and hence the feel right. You need a good drummer for that. I quite enjoy a bit of walking bass, but then I learnt a lot of scales, arpeggios and cadences as a kid on various instruments. The one style I can't do is slap - I like a bit of Level 42 but never felt the desire to do it myself (heard too many music shop slapathons as a young newbie probably - it leaves me cold)

[quote name='MiltyG565' timestamp='1418379014' post='2629649'] Right after a gig might not be the best time for either party to discuss dates. [/quote] It depends on the landlord. Sometimes they will bring the diary over with the cash at the end of the night. Usually it's a follow up phone call though.

Generally it's how Milty describes above. Sometimes it might be as we're packing up, more likely a quiet evening during the following week. Our guitarist tends to do most of the bookings as he has the busiest multi-band diary. We get quite a few enquiries through our Facebook page so will often negotiate through there