ped

Hi Dan, they are pretty light actually - I'd estimate about the same as my iPhone, maybe a bit less. The exact weight is probably on the website. Failing that you could attach some balloons to your ATs!

Superb!!

When you paste the link it might paste it in a different font which will prevent it embedding, so look out for a little bar that appears at the bottom of the reply window where you can click ‘paste as plain text’ which will then sort it

I think the 80ohm are best for most applications. I did consider the 120ohm (I think?) because I’m plugging them into studio gear but often I’ll use them for music out of my computer too. The cable is really long - I’ll measure it for you later but at least 2m I think. Also it uncoils straight and doesn’t want to curl up which is so much easier. Ive been listening with my headphones most of the day today and they definitely go much lower and higher than I’m used to which is t immediately obvious because they sound so natural. I sometimes find that ‘boosted’ and ‘boxy’ bass can give me a headache but these are very ‘wide’ sounding like listening to speakers in a room rather than headphones. Really happy with them - they’ve kind of confirmed just how good the Bose cans they replaced were, and shown that my suspicions about them being very accurate for bass were true, but they add a certain sparkle and balance in the mix that sounds ever so slightly ‘nicer’ to listen to.

About 21 of those Kilos are superglue

All done! Basses now correctly spaced... I had to get a bit creative with what little foam I had, literally nothing could go to waste. I might get a big block of neoprene and do a neater job one day but for now this is solid.

I have no idea what's going on Did Lukather really play bass on that track? Thought it was Louis Johnson

No, it's completely blocked in by part B! I've given up - I don't think the lock will be used anyway; I'm sure someone could get into the case if there really wanted to. Instead, in an effort to reline and foam as much as the inside of the case as possible, I've foamed over the lock mechanism. The case is 100% snug and safe for my three basses now (I'll update with a pic when the glue is dry!)

Thanks folks. The slider (C) doesn't move at all, it's blocked by the flap (B) which sits over the numbers. Flap B does move up and down a little but it blocks C the whole time. Part A is the axle that runs through the lock and is sprung at the far end, but C still doesn't;t move because B is always in the way....

Hi folks I'm doing some fettling of my 3 bass flight case and it occurs to me that I've never used the combination lock. It doesn't seem to engage at all, the numbers spin but you can remove and close the lid, changing the numbers doesn't;t do anything. Is there a way I am missing to set the code and engage the lock? Here's what it looks like - nothing seems to move despite there being a little slider on the back that I assume is meant to work like a little bolt perhaps to set the lock - but it's blocked by the tongue which grabs the male part on the lid and although that flexes forwards and backwards it's always blocking the little lever... I don't really NEED it to work but thought it would be fun to work it out anyway! Cheers ped currently locked inside a case

Fingers crossed it won't be long now. Can't wait to see it!!

Yeah it does sound nice - it’s definitely a more ‘plummy’ sound than the 70s spacing. I just don’t gel with it as much.

Good lad. I’ve always done it I think, feels really weird playing in E. strangely fine switching to a 5 string though but then again my five string is 16” scale so that’s the least of my worries

Another thing I like about David’s playing (I call him Dave, we’re mates) is that he plays a 4 string tuned to drop D, which I always do too - it makes his lines easier for me to play but mostly only cool people play in D

Cool tune!! That sounds like the back pickup of a 60s jazz to me, very tight and funky.

Ah that's great - I love it when that happens. I think I only found Shemeka through Dr. John - using DIscogs instead of Spotify, old skool. I'm also a Feat fan, and I discovered them because Warren Hayes with Govt Mule covered 'On Your Way Down' with Sonny Landreth! Govt Mule's Deep End/Deepest End albums are a brilliant window into tons of artists (Different bassist on every track).

It's one of the best things about a good 70s jazz I think - that rattle just sounds so sweet, and with a super low action you can go from bury to kind of a nailed clank which sounds especially good when it's just hitting a limiter. David controls that rattle really nicely, sprinkling it on some grooves like sugar on weetabix. Very addictive sound IMO. I can take or leave a 60s spring jazz sound - never really been happy with that tone.

Another track:

How sweet is the bass on this tune. Bassist is David Barard who is a tone hero of mine. I first heard him playing with Dr. John and was blown away by his 70s Jazz Bass sound, to me it exemplifies everything I like about that sound with its open treble and clanky bottom end. I've finally got around to learning this tune and thought I'd share it because it's such a nice groove. @bubinga5 I think you'll like this album! Barard plays a Sadowsky and sounds pretty much straight to desk with light strings or at least a fairly heavy touch and low action. I love the fret rattle and the way the notes sound slapped when he digs in. I am able to get this bang on with my Celinder but my playing is nowhere near as tight! I think he's on Facebook actually so I might try to contact him, seems like a cool guy.

Also here https://www.herrickpickups.com/products/custom-covers-parts/ Tempted to get one too!

Pretty sure I saw one at Bass Direct

Absolutely love this jazz 🥲