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Everything posted by ped
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The buzz of my alarm sounded for just a second before I smartly switched it off. I was already awake, I had to catch a 6am flight and I can never sleep before midnight. Kim and Morten by chiscocks, on Flickr I had been invited to see the home of the TC Electronic operation in Aarhus, Denmark. TC have been one of the longest running sponsors on Basschat and I really like Denmark, so I was keen to snap up the chance before the school holidays ran out. My fist trip to Scandinavia was when I was about 12. I went to legoland and it was literally the best week of my life as Lego was the centre of my universe at that age. But since then I’ve grown to admire Denmark for lots of other things, whilst still being thankful for the small plastic bricks which got stuck in various orrifices (and still do). Design. That’s what I like about This country. The Danish design museum in Copenhagen. The art museum in Aarhus, even if it would be better if they told you how much the paintings were worth. Even the way the streets are laid out to accommodate cyclists and drivers alike. It’s fair to say my knowledge of TC Electronic was minimal before my visit. Quite new to the scene, first releasing their bass range with the RH450 bass head, RS210 bass cab and RS212 bass cab, launched at Winter NAMM 2009 (January) in Los Angeles. they have approached the bass amplifier in a Danish way. Innovative, tactile, loud… It’s difficult to use the right superlatives to describe the gear TC produce. From the super light combos and heads to the top of the line Blacksmith range there’s now something for every budget and plans for more in the future. Shipping by chiscocks, on Flickr I was shown around the ‘R&D’ centre (where there is also a limited amount of manufacturing) by my contact Kim Bang, TC PR Manager. Kim is a bassist. I immediately identified with him when he explained how he bought 9 P basses looking for the right one -one from 74, one from 72 and the rest from 77-79. He finally decided on a sunburst ’79 with rosewood board and an A-neck. Ask him if he plays a five string and there’s a similar story finishing with a Fodera Emperor with 70′s Jazz pickups and spacing. Most of the manufacturing is done abroad, with only the ‘Blacksmith’ amplifier being produced on site. The facility in Aarhus is home to the team who design and test the products so this fairly small building is responsible for what hits the shelves. When I arrived with Kim we had a general walk around and saw the various elements that make up the building. Eventually a set of stairs led ominously underground into the darkness. Nestled among some mad Frankenstein creations, huddled in the corner like some product engineer gollum was a chap named Morten. Morten and speakers by chiscocks, on Flickr Product Specialist, Morten Ehlers, is a larger than life character. He’s an energetic player with a sense of humour and a no compromise approach to his craft. I love the way TC employs players like Morten, who describe the sound in their heads with words like ‘ping’ and ‘butter’ (albeit in Danish) and spend time turning it into an amplifier. One of his main responsibilities is to develop the range and find artists to ‘toneprint’. If you’ve never heard of this feature you can read about it on the TC site. It’s been so successful that artists are now approaching him to be ‘toneprinted’, to invent a noun. The development areas of TC are split into three; guitar, bass and ‘pro’, which is also referred to as ‘HD’ and covers high-end studio and not least broadcast equipment. They are actually quite secret and I was only allowed through once all the secret meetings had finished. I’m pretty sure I saw spider man leaving with an RH450. Kenneth Wandall, the Electronic hardware engineer (Bs.Sc.E.E) has the responsibility of testing the equipment. He’s got a special pair of gloves that he wears to isolate him from the energy in the capacitors and is every bit like my friend in technology class at school. After telling numerous visitors to hold their ankles as he slips on the said gloves he gets what he deserves when people clap and shout BANG behind him whilst he’s elbow deep in an electronic device. Manufacturing with R&D by chiscocks, on Flickr So to the torture chamber. There’s a shipping container in the car park from which you can just about hear a repeating bass groove. Had they finally given Morten his own ‘office’? No, it’s just a whole bunch of Amps and speakers rigged up to a CD player for months on end in intense heat to see how they perform. Two BG250 combos have done 6 months so far. Nobody knows what TC stands for, apparently. There are legends and myths, most of which sound un-printable on a civilised website like Basschat. But that doesn’t matter because I saw what TC really stands for on my visit, and you can refer to the earlier superlatives or try one yourself. Just make sure you’re wearing brown trousers. Project Room by chiscocks, on Flickr Fiskergade on the canal at night by chiscocks, on Flickr Your Rainbow Panorama (ARoS) by chiscocks, on Flickr Den Gamle By old town bench by chiscocks, on Flickr Mehari side by chiscocks, on Flickr ARos Terrace BW by chiscocks, on Flickr
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I’ve been playing with the looper this evening. It’s great, enabling you to change the patch for the live instrument in real time. So easy to use, too. All this and still going strong in the original batteries!
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(I’ve just set the comment above as the headline to the thread to alert anyone who may come across this link, hope that’s ok!)
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ITS A SCAM. DO NOT USE THIS WEBSITE!!!
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Just phoned and there’s an answer machine message from someone saying the site is a scam and advising you not to purchase. Apparently it’s been reported to the police and fraud squad. I presume whoever made the site just made up a phone number and some poor sod has been getting loads of calls.
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A bit, but mainly I have a super low action and very gentle right hand technique which means the limiter allows for the dynamics to come through and provide a 'stop' when I dig in or start slapping. I hope this doesn't get misquoted
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That's why I prefer a limiter - you get all the punch and none of the spikes.
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I only use limiters, and find the zoom one fine. It doesn't add any noise and feels very natural. I haven't played with the compressors yet but initial impressions are that they seem quite adjustable. It's good that you can adjust the signal chain and reorder the order of the pedals too.
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It appears when you click the link
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Can't find anything myself. @charic might be able to find something!
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Someone asks every year - it's not really very clear tbh!
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It says 'Enter Promotional Code' in the box See you there!
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We'll have some news on this soon - watch this space
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Thanks, missed that.
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They look very tactile - will be interesting to try them. Any idea how much £££?
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I'll have a look for you and see what I can find. Cheers ped
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I have no possible use for this, but I still want it.
ped replied to Owen's topic in eBay - Weird and Wonderful
Probably right - mines designed for Fender type basses, but I changed the internal foam inside the lid for some thinner stuff and now it comfortably holds my 2+2 and 2+3 paddle headstock basses. -
I have no possible use for this, but I still want it.
ped replied to Owen's topic in eBay - Weird and Wonderful
Yeah I've got one. It's great, takes up less space than the Warwick rockstand it replaced. Can't remember how much mine was but less than this one I think. -
Just fixed the links
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Actually playing with it last night I found it vastly improved if you turn the ‘tone’ to zero. Give it a try. Pretty happy with it now.
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I just bought a B1on here and have been playing with it this week. In short, it’s great! I’ve set up a clean patch with my usual settings (pre-amp, reverb, limiter) and it sounds almost as good as my VB99, albeit with a tiny bit more noise. For £25 used, that’s just incredible. Some initial impressions: + Tiny, light, battery powered, mostly I’m pleased about the great sounding limiter and the huge range of reverbs which I like. Really like also the chorus and ‘ensamble’ effects. Ideal companion for my mini bass for travelling/playing on the sofa. Feels good quality even though it’s plastic - really doubt I’d ever break it, but if I did, it’s easy to replace! Looper is excellent! - Can’t get the octaver sounding much good, probably need to experiment. Master vol is buried in the menu system but ok. Haven’t tried the distortions yet because I normally use them alongside octaver so will have to wait on that. Tap tempo would have been nice. Would prefer 35mm headphone socket. Although the unit is very quiet indeed there is a slight digital artefact audiable if listening fir it after a sustaining note - not noticeable in normal playing but it’s there. Compared to my old Pandora and Vox units it’s miles ahead, though. 5 effects at once is usually plenty but it would be nice to have more lined up but turned off. I understand it can’t process more then 5 simultaneously. Instead I’ve cloned my main setting into the first three patches with different effects lined up and ‘off’ but set up. Oh finally engaging pedals in the chain but off is a bit fiddly; I’m used to pressing a single button to engage every effect in the chain in real time. I feel like a fool saying anything bad about it for the price. It’s amazing! Ok it requires a bit of adjustment in workflow but I actually really enjoy playing with sub menus and editors. I’m looking forward to spending more time with it and getting that octaver right. Also the synths look fun. And the filters. The phasers sound cool too. Lol.
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Surely the string tree isn't essential anyway - is it?
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Is there a bass somewhere that doesn’t “play like a dream”?
ped replied to PawelG's topic in General Discussion
(I'll issue the warning later, Dad)
