Yes it's a really useful little thing. It's useful for adding some lower mid hump to rear pickup burp too. I ended up buying one from the USA because I couldn't find one here anywhere. Now I've said that someone will point one out to me at half the price.
Yes, sort of radiuses with a strong falloff towards the treble side. My G is always super low anyway so it took some trial and error, and doesn't look very tidy but it works well!
I agree - when using foam under the strings (my fave is a piece of quite open textured foam that came with an extractor fan!) I cut it to taper down so that the G is barely muted at all, as I like to do accents on there. However with a light push it slides down further and mutes it more.
Sorry for all the acronyms!
EWS Japan make some great pedals. Their tiny enclosures even contain a 9v battery which is internally doubled to 18v which only draws a small mA so they last ages.
I’ve had the Stormy Bass Drive for a while now and love everything about it. I first heard it on the BassTheWorld YouTube channel and thought it sounded perfect.
so then I saw their other pedals and came across the BMC2 (Bass mid control). It’s quite a simple pedal, offering 12db boost between 160-2.5khz with an additional 10db input stage gain with the toggle switch.
The reason I got it was because most of my instruments don’t have a mid control and those that do aren’t adjustable in terms of where they boost or cut. With a jazz bass neck pickup for example the BMC brings out that clank of a P bass really well with a bit of breakup when pushed.
I haven’t used it live yet but with a wide sweep and easy controls I think it’ll be a great little box and more useful than a full band pre.
If it's one to cover as much as possible then I'd say my Celinder J-Update. Perfect 70s jazz bass slap sound, 3D finger sound and because the pickups are stacked I can get a great P bass sound from the front and a tight back pickup sound without any noise.
I had both of those and preferred the M87. It's quieter and does limiting better IMO.
I'd recommend the M87 generally as a good starting point to learn about the sort of things the controls do and how they interact, especially useful are the LEDs... Then you can think about the kind of limiter you might want to look at next. Until you end up with a Cali76 or Optician's-fet lol
60s jazz basses I just don’t like, I’ve tried so many but feel the top end sounds a bit honky and I can never hear them very well live (my experience anyway, probably down to other factors maybe)
70s jazz spacing though totally changes things for me. I love that 3D sound, the growl and bite. Sounds so much more articulate to me than the former.
How do you find them now after you’ve been playing them for a while? I’m tempted to try some whilst stocks of Elixir super lights pick up again.
I always tune down to D and normally find that the 0.95 E string handles that really nicely (I play with a super light touch). I wonder if these would be ok?
Do you have any pics of the strings up close compared to a ‘normal’ round?