It’s this sort of amazing ‘man maths’ that I firmly subscribe to! And it’s true! Personally I have found the higher you go in the price stakes, generally the quieter (less noisy) and more ‘musical‘ sounding the comp ‘can’ be. I gigged an LMB3 for years and only came to replace it when I started recording a lot more where I appreciated a quieter pedal and something which acted as a limiter but with some more flexibility around attack and release.
Current fave pedal format comp is the MXR M87 which I think is the best for the price (again, buy used and sell for virtually no loss) - it offers a wide range of controls and would be a great way to learn how to use one, especially as the LED strip gives a visual indication of what’s happening.