TKenrick

I'm in the process of getting the store page updated to show a few page previews, it should be up in a day or two. EDIT: Sod it, I'll attach some here rather than waiting for my website guy to do it

An absolute guilty pleasure of mine, with some very silly fills towards the end: Toto - 'Africa' bass transcription PDF

Not at the moment, only doing a PDF version to start with (this may change if there's enough demand for paperbacks)

A bit more Bowie - 'China Girl' transcribed in full: David Bowie - China Girl Bass Transcription PDF There are tons of bass books out there that tell you what to practise, but very few that detail how to go about it in the best way, so I wrote one... Better Bass Practice eBook

Sleep. Well, that's my guess, at least. I find that I can practise something as much as I like on a given day with only marginal improvement, but if I get a decent night's sleep and come back to it then it's somehow just there, much as you described. Something to do with the brain consolidating information and strengthening neural pathways blah blah blah...

I'm keen to point out that in spite of transcribing a lot of music over the last 10 or so years I'm by no means quick at it - most of the charts that I put up take a few hours of solid work, others much more. One trick that I use when I have a lot of charts to write in a short space of time is to spend my 'first pass' of the song listening to structure only. If you know where the pulse is, then you can create a neat little list of how many bars each section is, which might look like this: Intro 4 V1 8 Chorus 8 V2 10 Solo 16 V3 (breakdown) 8 + 4 Chorus 8 + 8 This gives you a head start when putting things into notation software, and gives you a bird's-eye view of the 'geography' of the song, which can be helpful when it comes to memorising it for a gig. Rhythm is one of the most frustrating aspects of transcription, but all I can say is that over time you'll begin to build up a library of 'patterns' in your brain and instinctively know how to write out what you hear. I'm also a firm believer that better reading = better writing, so keep up the Louis Bellson torture... FWIW, 'I Feel The Earth Move' is a tough one to write out because of all the syncopation, so fair play for not making life easy for yourself!

New videos/articles focusing on the much-hated topic of music theory: How much theory do you need to know? Bass Player's Book Club #3: Harmony & Theory

From memory, the mid boost portion of the demo was done at the higher frequency (800Hz, I think...) and I probably would've gone for the full 10dB of boost.

John Paul Jones playing some great, Motown-tinged lines on Led Zep's debut from 1969: Led Zeppelin - 'Good Times, Bad Times' bass transcription PDF

Late to the party, but I finally got round to doing some more Joe Dart: Vulfpeck - 'Back Pocket' bass transcription PDF

This was the winning entry of the site's subscribers' transcription request competition. Eight minutes of Bowie: David Bowie - 'Absolute Beginners' bass transcription PDF

That's made my day. Welcome to the dark side!

As someone who should be trained in writing dots but whose writing is illegible, my default is to write everything out using software. I also find it more practical for storage/editing than having piles of half-used manuscript paper everywhere. My personal preference is Sibelius, but the new membership options are expensive; I've heard good things about Musescore, which I believe is free, and Finale Notepad (if you're running Windows) should be worth a look too. I haven't got experience with either, so others might be able to give more of an insight.

Unfortunately, I don't have the time to do individual transcription requests (not even for money...), but if you're on the email list for the website then I do request competitions a few times each year - the next one starts this weekend.

Back with a power ballad featuring some very silly bass fills: Commodores - 'Easy' bass transcription PDF Everything should be back up and running now - let me know if any links don't work @outtaseezun @Chewie

It's not you at all, as mentioned in my previous post the site is currently out of action after a cyber attack...

The site is still out of action after a cyber attack last week, but here's a bit of gospel bass to get your digits around: Kirk Franklin - Brighter Day.pdf

The whole site being down is an unplanned headache - it appears I got hacked sometime in the last week... Working on having things up and running ASAP!

I took down the Me'shell transcriptions as I felt I could do them better... I'm in the process of editing them, they'll be back on the site soon.

Having tried this on a Mustang, it appears that even on a short scale bass I can't get my wrist straight when playing 1fpf on frets 1-4 without doing some extremely dodgy things with my thumb. It appears that not everyone is built the same way... For me it's not just a matter of hand size - I have a pretty big hand span but still use 124 in order to have minimal tension in the hand and remove harsh angles from the wrist where possible.

In my experience, people are very swift and forthcoming with negative feedback/complaints but much more reluctant to tell you when you're doing the right thing. If that's the first one you've done, then you're off to a strong start - absolutely spot on in terms of camera work/lighting/titles and annotations, very 'current' in terms of production values. The actual content is good, too, I can't fault the idea of getting people to focus on chord tones and think about what they're playing. The only criticism is that some people might want a more thorough breakdown of some of the voicings/licks/concepts used, but the whole point of the video might well be a broad overview of ideas rather than getting bogged down in specifics - those who are less fluent in theory might want to take things at a slower pace.

I try to stay out of these things because debating them over the Internet never seems to work, but here goes... I would like to respectfully disagree with this - I'm relatively fanatical about only using one finger per fret where necessary and using 1-2-4 at all other times. For those who are interested, here are some thoughts on alteratives to one finger per fret (video should start around 13.20):

A live Bruno Mars thing with some very tasty playing from Jamareo Artis, who's clearly been at the Jamerson again: Bruno Mars - 'Just The Way You Are' (live) bass transcription PDF

I've just reread the thread and can't find much mention of using drones (not the flying variety) when working on intonation* - I'm definitely one of those awful 'phony' fretless amateurs who bought one on a whim and gets it out of the case once a year, but I've found that working with a fixed pitch reference has been invaluable in getting my intonation together on upright, so I don't see why it wouldn't translate to fretless *If you've mentioned this and I've missed it then apologies.